Going to town from the desert

Triggered by a listener’s letter, Ken Layne at Desert Oracle Radio rang up Phoenix scribe Jason P. Woodbury, and the two of them demythologize desert life a bit by trading observations about a few Southwestern communities — among them the Duke City, home to Your Humble Narrator.

Layne says our town “has a reputation as sort of the ugly stepbrother of Santa Fe,” which he argues lends it a skosh more soul than its pricey neighbor to the north. A working-class, salt-of-the-earth vibe, don’t you know.

Albuquerque “is sort of famous for eight of nine cars around you in the process of falling apart all at the same stoplight,” he says.

The ninth, of course, is stolen.

Also up for review: Palm Springs (Woodbury likes hanging out at the Ace Hotel) and Sedona (Woodbury’s a fan; Layne, um, not so much).

“Sedona’s like a vortex of intelligence, you know? And it all disappears as soon as you get there,” he says.

R.I.P., Tony Hendra

“It is the job of a satirist to make people in power uncomfortable. Really uncomfortable.”

That was Tony Hendra, and he knew whereof he spoke. Hendra, who died of Lou Gehrig’s disease on Thursday, helped make a lot of people very uncomfortable indeed with his work for National Lampoon and Spy magazine, among others.

Had it not been for the trailblazing Lampoon some of us would have laughed a great deal less over the past half century. The magazine had a nut-crushing stable of funnymen, among them Hendra himself. And its “Radio Dinner,” “The National Lampoon Radio Hour,” and “Lemmings” led directly to “Saturday Night Live,” “Animal House,” “This Is Spinal Tap,” and the “Vacation” movie franchise.

Hendra’s “Magical Misery Tour” was a brutal takedown of John Lennon using Lennon’s own words from an interview in Rolling Stone. I bet John wasn’t laughing when he heard that one.

Hendra may not be as familiar to you as Chevy Chase, John Belushi, P.J. O’Rourke, or Christopher Guest. But he was right in there among them, one of the ha-ha mechanics throwing shit, just to see what might stick, and to what, or whom. Making people in power uncomfortable. Really uncomfortable.

One of his last smiles before the disease took those from him came when he learned the results of the last presidential election, said his wife, Carla.

“He was an immigrant who sailed from London into N.Y. Harbor on the SS United States after being given free passage in exchange for performing stand-up,” she told The New York Times. “What was to be a two-week visit became 57 years, because he believed in the promise of America.”

Profiles in … something

House party. BYOB (Bring Your Own Bullets).

Well. I see the U.S. House has adjourned to Captain Horatio Huffenpuff’s Hiding Box because some Q pootbutt sent them a mash note.

Apparently the Pancake House Patriots could only afford one night at the Motel 6 in Dumfries, Va. Either that or their ace sapper really has to drop a deuce after two months in a broom closet washing down expired MREs with his own pee and waiting on the “go” code.

Meanwhile, the rest of yis are commanded to show up for duty as per usual. That is all. Dis-miss.

The bee’s knees

Somebody tell the bees and the trees that it ain’t spring yet.

Actually, you can’t see their little knees — do bees even have knees? — but the little bastards sure are buzzing away up there in our backyard maple, which is already budding out.

So is the ornamental pear by the master bedroom window.

The pear thinks it’s spring too.

I haven’t budded out, but I have bugged out, for a pleasant two-hour loop that took in some of the bike paths I avoided in Year One of the Pale Horseman. The forecast called for a high in the low 60’s, so I figured why not?

For openers I rolled down Paseo de las Montañas to Indian School and thence to the I-40 Trail, which took me to the North Diversion Channel Trail. This trail has been blocked for a while north of Comanche as the Water Authority engaged in a bit of valve rehabilitation, whatever the hell that means.

Heading north on the NDCT I passed through Balloon Fiesta Park and worked my way over to Interstate 25 and Tramway for the half-hour climb to County Line Barbecue. Tailwind, mostly, so yay. Nevertheless, records failed to crumble beneath my thundering wheels. No prizes were awarded.

I stayed on Tramway for the trip home. Usually I dick around a little bit on the side streets to the east but I felt like scaring the shit out of myself for no good reason.

I’m going to insist that the State install a flyover exit for bicycles only at Comanche so I can make the left turn without (a) getting stuck for three-four rotations in the turn lane (the arrow refuses to appear for bicyclists), or (2) getting run over and killed to death.

There’s a pedestrian bridge just south of the intersection, but getting to it almost certainly would involve (2) because nobody ever even slows down for a right turn at Comanche and Tramway, much less stops to gauge the oncoming traffic. When the YMCA goes belly up I expect it to be replaced by an auto body shop and an EmergiCare.

Spring broken

There’s the signpost up ahead … you’re about to enter the McDowell Zone.

Can you be both stuck and unstuck, at the same time?

Dern tootin’, podnah.

Case in point: Last year, I had planned a March trip to McDowell Mountain Regional Park, to (a) get the hell out of here, and (2) get the hell out of here.

Well sir, God, He got wind of those plans and had Himself a good old hee, and also a haw. And the next thing you know I had a broken ankle, a dead cat, and a strongly worded suggestion from the State that I (and everyone else) stay put while the Plague sorted itself out.

So I was what you call stuck.

Now, a year later, we have a vaccine. And by “we,” I mean … well, what I mean is that there is a vaccine, and some other people have gotten it. But I haven’t. And I don’t know when I will get it.

Thus I am, you might say, unstuck. Which means I’m stuck.

Which in turn means that you get the needle. Because yes, yes, yes, it’s time for another medicinal episode of Radio Free Dogpatch.

P L A Y    R A D I O    F R E E    D O G P A T C H

• Technical notes: Once again we go to the Comedy Closet for this one, using a Shure MV7 mic and Zoom H5 Handy Recorder. Editing was in Apple’s GarageBand, with a sonic bump from Auphonic. Music and sound effects courtesy of Zapsplat with an Apple loop or two from iMovie and GarageBand. House call by kindly old Doc Firesign. Now just turn your head and cough.