R.I.P., Bruce Gordon

The SOPWAMTOS parade, with Himself in full fez regalia.

Well, goddamnit, I hope the Universe isn’t going to make a habit of this, snatching up all the interesting people before we’re finished with them.

This time it took Bruce Gordon, the acerbic framebuilder and one of the Self-Appointed Benevolent Co-Dictators for Life of the Society of People Who Actually Make Their Own Shit (SOPWAMTOS).

My Golden Toiddy
My Golden Toiddy for (what else?) Excellence In Bad Taste.

Back In the Day® Adventure Cyclist honcho Mike Deme and I tried to get Bruce to lay a bike on us for review purposes but we could never make it happen, possibly because Bruce was reluctant to work up a machine for the likes of us when it was tough enough to move product to the actual paying customers. Jagoffs, poseurs and wanna-bes are to be found in abundance, especially among the working press, and their pockets are notoriously shallow.

In the end I had to settle for a couple of SOPWAMTOS T-shirts, a Golden Toiddy from 1995 (I think), and his Rock n’ Road tires, which I still run on the Voodoo Nakisi. I’m pretty sure I paid retail for everything save the Golden Toiddy, too.

The last time I saw Bruce may have been at Interbike 2013.

“We were standing in line at dark-thirty for a cup of Starbutt’s finest and got straight to the kvetching, as a guy will before java is made available in a 20-year-old shopping mall masquerading as a casino-hotel. And afterward, too, come to think of it.

Well, some of us, anyway. One of these years Bruce and I should bring a small square of Astroturf and a couple of patio chairs to the show and while away the hours hollering at people to get the hell off our lawn.

I hope Deme has the Astroturf and patio chairs ready. He’s got company.

• Updated June 13: The hometown paper writes Bruce’s obit.

R.I.P., Ken Nordine

Ken Nordine, a voice you may recall from “Word Jazz,” a staple on NPR for years, has left the studio. He was 98.

A baritone storyteller who began with voiceovers on radio and TV, Nordine would go on to collaborate with Tom Waits, Jerry Garcia, David Grisman and others.

He once said that the goal of his poetry was to “make people think about their thinking and feel about their feeling, but even more important to think about their feeling and feel about their thinking.”

I think he succeeded. Whenever I’d hear that impossibly deep voice softshoe out of my radio and into my head, I’d stop whatever I was doing and pay attention. They’re nodding and yessing and popping their fingers at Next World Coffee this morning.

Happy birthday, Mr. Mayor

While the yard art spun here, I spun there, as in on the single-track, on a cyclocross bike. I did exactly 64 minutes.

While the rest of yis were prepping for medium-heavy holiday duty tomorrow, my man Chris “Da Mayor” Coursey was celebrating his 64th birthday in Santa Rosa, Calif.

He had been contemplating a 64-mile ride — jeez, who does these things? — but the weather and wildfires refused to cooperate with those best-laid plans. So when last seen he was celebrating indoors with friends, family, grub and grog.

Having an edge on him as regards the calendar, if nowhere else, I advised him thusly:

I trust that you will be slouched in an overstuffed chair with stocking feet up, snappin’ galluses and holding forth, one eyebrow raised and one index finger stabbing at the air, providing sage counsel, rendering keen judgments, ordering swift departures from lawns, and telling all those dad jokes with the obscure references that somehow elude everyone under the age of 64.

Also, all stories henceforth are to begin thusly: “You prob’ly won’t believe this, but when I was your age [insert improbable, unlikely and apocryphal tale here].”

I was going to include a picture of me in that pose for purposes of illustration, but I couldn’t find my galluses. I will forward this shot of our blue, blue skies because I am a cruel, cruel fellow.

Happy birthday, Chris. And many, many more.

R.I.P., Aretha Franklin

Ladies and gentlemen, the Queen.

I don’t remember the first time I heard Aretha Franklin’s voice, but I never forgot it. Even the tinnest of tin ears perked up when the Queen of Soul was belting one out (she had a four-octave vocal range).

Many of the reflections on Franklin’s passing note that “The Blues Brothers” helped revive her career when it was on life support (the rockin’ pneumonia and boogie-woogie flu had turned into a bad case of disco fever).

That’s one more reason to miss John Belushi, too.

 

R.I.P., Steve Ditko

Without Steve Ditko, this Marvel-origins collection would have been a good deal slimmer.

As a polyglot lot of colorfully clad heroes comes to blows in France, displaying superhuman powers acquired from Stan Lee only knows where, we bid farewell to the co-creator of many another costumed combatant, comic-book artist Steve Ditko.

With Lee and Jack Kirby Ditko had a hand in the debut of, among others, The Amazing Spider-Man and Doctor Strange. The young Ditko dug Will “The Spirit” Eisner, and you can see a bit of Eisner’s noirish style in his work; this admiration clearly filtered down to some of the undergrounds, like Rand “Harold Hedd” Holmes and Dave “Dealer McDope” Sheridan.

Doctor Strange as imagined by Steve Ditko.

Unlike Lee, who had (and maintains) a flair for showmanship, Ditko apparently was a recluse who declined interviews, snubbed comic-book conventions, and spurned invitations to movie premieres.

“We didn’t approach him,” said Scott Derrickson, director of the 2016 movie “Doctor Strange,” a yawner in which Benedict Cumberbatch played the title role. “He’s like J.D. Salinger. He is private and has intentionally stayed out of the spotlight.”

According to Lee, in “Origins of Marvel Comics,” Ditko got the job of drawing Spidey after Kirby’s take on the character proved “too good” to depict the tormented teenage geek Lee had in mind.

“All those years of drawing superheroes must have made it a little difficult to labor so mightily and come forth with a superloser, or if you will, a supershnook,” Lee wrote.

“Steve’s style … was almost diametrically different from Jack’s. Where Jack would exaggerate, Steve would strive zealously for total realism. Where Jack made his featured characters as heroically handsome as possible, Steve’s forte seemed to be depicting the average man in the street. I decided to play a hunch. I asked Steve to draw Spider-Man. And he did. And the rest is history.”

Ditko died alone in his Manhattan home, age 90.