‘Story!’ cried the Editor

My last piece for Adventure Cyclist.

It’s hard to retire when you don’t have a job.

It’s even harder when you have a couple-three-four of them.

Still, I keep trying to find that hole in the fence, because I am a persistent mutt.

I successfully “retired” from my last real job in 1991, when I bid adios to The New Mexican and took up the uncertain life of a freelance cycling scribe. I like to think I beat the rush to the door. The writing was already popping up on newspaper walls from coast to coast, and I wasn’t one of the lucky few who would be offered a buyout. Mine would be more like a “Get out!”

So, rather than wait for the shove, I jumped.

Other separations have followed in the 30 years since I hit that door running, or maybe cycling. Either the magazines have gone away or I have.

This month brings my departure from Adventure Cyclist. It was an amicable separation. Deputy editor Dan Meyer asked if I wanted to review a bike; I thought about it for a bit, then replied, “No, thanks.”

It may sound impulsive, but it really wasn’t. I have outlived Mike Deme, the editor who brought me aboard. His successor, Alex Strickland, has moved on to another job, as have colleagues John Schubert, Nick Legan, and others.

It’s been 10 years. The bike biz is moving in directions that mostly don’t interest me. I’m an old white guy who doesn’t need the work or the money and should really just get the hell out of the way.

Also, my last two pieces, about the New Albion Privateer and the march of technology, practically wrote themselves. This could not continue. Call it a premonition: By the pricking of my thumbs, something banjaxed this way comes.

So I jumped.

Mike and Adventure Cyclist came around at exactly the right time. I was in something of a rut, basically just going through the motions, and reviewing touring bikes forced me into new ways of thinking. Alex and Dan continued Mike’s generosity. I had big fun and made good money, and now it’s time someone else had a taste.

A thousand thank-yous to everyone who enjoyed my reviews. And if any of yis bought a bike on my say-so, may the road rise up to meet you. With the rubber side down, of course.

R.I.P., Laurence Malone

The details remain elusive, but it seems that five-time U.S. national cyclocross champ Laurence Malone died Monday in an automobile crash near Lancaster, Calif.

Laurence was the real deal. When he turned up in New Mexico back in 1990 or thereabouts he’d pin on a number and go round and round with the little people. But he never went Hollywood on us. He would race in the most outdated, anonymous gear you ever saw, and beat your ass with it, too. Sold lentil burritos, which he delivered by bike.

I knew him to say hi to, but that’s about it. Herself and I gave him a lift to a race once. Another time I saw him ride a sketchy, sandy descent to the pit with his spare bike slung across one shoulder like a messenger bag, and I thought: “Man. I want to learn how to do that.”

And I had the privilege of finishing second to him in the 1991 state road championships outside Albuquerque.

Laurence was good. I was lucky. I was actually riding OK for a change, and Laurence and I had both made it into the break coming into the finish of the masters-35 race. Everybody in there was better than me, so I thought I’d launch one of my patented, doomed, last-kilo’ attacks on Sedillo Hill, go down in a blaze of glory.

But it was everyone else who went down. Well, almost everyone. Cliff Loucks and Rick Quant got tangled up somehow, taking out Tim Schoeny, Neil Davie, and Louis Abruzzo, as the contenders jockeyed for position in what should have been quite a sprint.

I heard the clatter, looked around, and the only dude still with me was … Laurence Malone.

“Shit,” sez I.

And that, as they say, was that.

I should’ve been seventh at best, but instead I got to finish on the podium with Laurence fuckin’ Malone. I’ll remember it until the day we meet again on the Other Side. If I can catch him, that is.

Peace to Laurence, his family, friends, and fans. He left us way too soon.

Adios, Larry McMurtry

My Larry McMurtry collection falls far short of his actual output.

Larry McMurtry has loaded up his last rented Lincoln Continental and rolled west, into the sunset.

I didn’t come close to reading his entire output, but I managed more than a few of his novels; it’s a habit I have, working my way steadily through an author’s collected works.

Got started with “The Last Picture Show,” as I recall, after seeing the movie of the same name. Finished with “Duane’s Depressed.”

And is there anyone who didn’t read “Lonesome Dove?” As Skip Hollandsworth writes in his remembrance of McMurtry at Texas Monthly:

McMurtry had spent years railing against writers who produced clichéd novels about the Old West. He swore he would never stoop to writing a western. But he did, and the novel he produced gripped the public’s imagination. “Lonesome Dove” won the Pulitzer Prize and sold nearly 300,000 copies in hardcover and more than a million copies in paperback. It spawned a sequel as well as prequels, and became one of the most popular miniseries of all time, starring Tommy Lee Jones and Robert Duvall. To Texans, went one joke, “Lonesome Dove” was the third-most-important book in publishing history, right behind the Bible and the Warren Commission Report.

Like Stephen King, McMurtry was too preposterously prolific for some critics. Also like King, he wasn’t always winning Pulitzers for his work.

But he buckled down and got to ’er anyway. As his writing partner Diana Ossana told Hollandsworth: “Larry is like an old cowboy who has to get up in the morning and do some chores. He has to get up and write.”

Not anymore, he doesn’t. He can pull off the boots, put up his feet, and enjoy a well-deserved rest.

R.I.P., Tony Hendra

“It is the job of a satirist to make people in power uncomfortable. Really uncomfortable.”

That was Tony Hendra, and he knew whereof he spoke. Hendra, who died of Lou Gehrig’s disease on Thursday, helped make a lot of people very uncomfortable indeed with his work for National Lampoon and Spy magazine, among others.

Had it not been for the trailblazing Lampoon some of us would have laughed a great deal less over the past half century. The magazine had a nut-crushing stable of funnymen, among them Hendra himself. And its “Radio Dinner,” “The National Lampoon Radio Hour,” and “Lemmings” led directly to “Saturday Night Live,” “Animal House,” “This Is Spinal Tap,” and the “Vacation” movie franchise.

Hendra’s “Magical Misery Tour” was a brutal takedown of John Lennon using Lennon’s own words from an interview in Rolling Stone. I bet John wasn’t laughing when he heard that one.

Hendra may not be as familiar to you as Chevy Chase, John Belushi, P.J. O’Rourke, or Christopher Guest. But he was right in there among them, one of the ha-ha mechanics throwing shit, just to see what might stick, and to what, or whom. Making people in power uncomfortable. Really uncomfortable.

One of his last smiles before the disease took those from him came when he learned the results of the last presidential election, said his wife, Carla.

“He was an immigrant who sailed from London into N.Y. Harbor on the SS United States after being given free passage in exchange for performing stand-up,” she told The New York Times. “What was to be a two-week visit became 57 years, because he believed in the promise of America.”

R.I.P., Lawrence Ferlinghetti

The poet and his public. | Photo: City Lights

Ah, man, they keep shoving off. Not the first Beat, but the last bohemian, Lawrence Ferlinghetti went west on Monday. He was 101.

A World War II vet and a graduate of the Sorbonne, Ferlinghetti was a writer, the proprietor of San Francisco’s City Lights bookstore, and a First Amendment champion who got arrested for publishing Allen Ginsburg’s “Howl” … and beat the rap.

Like many a voracious reader, I made a pilgrimage to City Lights when I visited the city for the first time. Didn’t have the opportunity to meet Himself, alas. He was probably busy writing, or just “minding the store,” which is what he said he was doing rather than founding and directing an artistic subculture.

“When I arrived in San Francisco in 1951 I was wearing a beret,” he once told the Guardian. “If anything I was the last of the bohemians rather than the first of the Beats.”

• From the City Lights website: “He continued to write and publish new work up until he was 100 years old, and his work has earned him a place in the American canon. We intend to build on Ferlinghetti’s vision and honor his memory by sustaining City Lights into the future as a center for open intellectual inquiry and commitment to literary culture and progressive politics.”

• The Poetry Foundation remembers Ferlinghetti. Here’s their bio and a collection of his works, which include the poem titled (wait for it) “Dog.”