Brother, can you spare a dime*?

“Can ye spare some cutter me brother?”

In comments Shawn wonders whether we accept donations here at Ye Olde Chuckle Hut.

The short answer is “No.”

I’ve thought on it for the better part of quite some time, because everyone likes to get paid for work, especially if they are me. And a blog, even a dime-store model like this one, is work.

Also, there are expenses. They’re not massive, but still, yeah, money goes out. None comes in.

Nevertheless, I’ve resisted setting up a subscription model, or a tip jar, for a variety of reasons.

First and foremost: The blog and its various side projects constitute a hobby, not a job. I’ve had jobs, and frankly I can’t recommend them. They suck all the joy out of work. And for what? A little bit of money.

Since 1991, when I left the newspaper game and opened my own little free-range rumormongery, I have cashed checks more or less regularly and outlived a number of publications that wrote them. 

Over the years editors and publishers occasionally proved irksome, as they will, because they are running what they believe to be businesses, not open-mic’ nights in some dank basement.

Thus the blog, which commenced sometime in the Nineties, I guess, possibly at AOL. A window to shout out of. “I’m mad as hell, and I’m not going to take it anymore!”

At the blog I got to be not just a cartoonist, writer, or editor, but all of these things, plus photographer, videographer, podcaster, and publisher. The last four involved something of a learning curve (and still do), and a student really shouldn’t expect to get paid.

As The Patrón told Doc with a shrug in “Sweet Thursday,” “You have to pay to learn things.”

But not here. If you learn anything here, which seems highly unlikely, take it with my compliments (and a grain of salt).  The bike magazines, God love ’em — the ones that survive, anyway — haven’t caught on yet; they’re still paying me. And so is Uncle Sammy, until he gets the camps built. Direct your extra pennies to some worthy cause.

* The sharp-eyed may notice that the coin changing hands above is a quarter, not a dime. That’s inflation for you.

A Grimy Handshake from Patagonia

The bike stops here: Just east of Rancho Pendejo sits
the Cibola National Forest.

I’ve somehow gotten myself on Patagonia’s mailing list, probably through buying stuff from them — and good stuff it is, too — and they sent me a note the other day linking to a piece by Mike Ferrentino.

Yes, that Mike Ferrentino, he of the Grimy Handshake. His stuff is even better than Patagonia’s.

Anyway, Mike wrote about wilderness, and why he no longer poaches trails there, and it’s worth your attention.

In other wilderness-related news:

• A forest ecologist from CSU-Fort Collins wonders whether some iconic forests might fail to bounce back after a wildfire.

• Trying to take pix of the fires? Ian Bogost says your phone’s camera was not built for the Apocalypse.

• Have the orcas finally had enough of our bullshit?

Happy Juneteenth

What a brilliantly simple illustration for an essay on whether the “b” in “black” should be capitalized. I appropriated it from The Atlantic.

I made Juneteenth very famous, as you know.

No, I didn’t. And neither did that other peckerwood.

I’m not big on holidays. They were nothing to look forward to in the newspaper biz. Whether it’s Arbor Day or Zoo Lovers Day, the paper must appear. And no matter what capitalist fantasies motivate the business decisions at Gannett and Alden Global Capital, a newspaper won’t publish itself. Yet.

Once you’ve eaten a few dozen “holiday” meals at your desk while decoding a school-board story written by a functional alcoholic the term “holiday” loses all meaning.

Most holidays are dubious, anyway. Christmas? Sorry, not one of mine. Thanksgiving? Is that the one where George Washington threw his wooden teeth across the Potomac and killed a turkey perched in a cherry tree? Fourth of July? That’s the “Life, Liberty and the Pursuit of Happiness” one, right? Except for, you know, those people.

Then there’s Juneteenth. LIke Independence Day, it commemorates a beginning, a first step on a long march to a battle that seems to have no ending.

Though the celebration has its roots in Texas, I don’t recall hearing about it when I was in school down there. Too busy teaching us about how John Wayne fought Communism at the Alamo, I guess.

We never heard anything about the 1921 Tulsa Massacre, either.

And so I suffered from ignorance, a condition with which I continue to struggle. It, too, is a long march. The trick is to keep putting one foot ahead of the other while keeping your eyes, ears, and mind open.

Here’s something I stumbled across along the path. It drew my attention because I’m an old newshound, a retired copy editor, and I love watching the language as it tries to evolve to meet the times. It’s an article in The Atlantic by Kwame Anthony Appiah, a professor of philosophy and law at New York University, and it’s titled “The Case for Capitalizing the ‘B’ in ‘Black.'”

R.I.P., Mort Drucker

Mort Drucker at work.

Another of Mad magazine’s “usual gang of idiots” has shuffled off.

Mort Drucker made it to 91 before the Source called his name. And damn, was he ever good.

You know you’re good when Will “The Spirit” Eisner gives you your first recommendation.

Also, when the lawyers send you cease-and-desist orders without consulting the boss first. Quoth The New York Times:

According to [Grady] Hendrix, Mad’s 1981 parody of “The Empire Strikes Back,” “The Empire Strikes Out,” prompted the Lucasfilm legal department to send a cease-and-desist letter demanding that the issue be recalled. “Mad replied by sending a copy of another letter they had received the previous month — from George Lucas, offering to buy the original artwork for the ‘Empire’ parody and comparing Mort Drucker to Leonardo da Vinci.”

Mr. Lucas knew Mr. Drucker’s work well. He had commissioned one of Mr. Drucker’s classic multicharacter pileups as the poster for his first hit, “American Graffiti” — a nostalgic movie set in the same summer “The JFK Coloring Book” was a best seller. And, of course, Mr. Drucker had illustrated Mad’s sendup, “American Confetti.”

I bet John Prine is offering him a vodka and ginger ale for a caricature right now.