The Devil is in the details

Old Pueblo Road, just south of Hanover Road.
Winding down a three-day tour of Colorado in 2012.

I’m a sucker for a good road-trip story.

“On the Road.” “Travels with Charley.” “Blue Highways.” “Not Fade Away.” The list goes on and on and on.

Here’s another one, from Colum McCann, author of “Let the Great World Spin.”

Headlined “The Church of the Open Road” — perhaps a riff on “The Church of the Rotating Mass,” which may be a Maurice “Dirt Rag” Tierney creation — it’s McCann’s recollection of a bike tour some four decades ago. On the road to nowhere, or so he thought when he set out.

A Catholic when he began, he encountered tiny Louisiana chapels and Texas megachurches, Southern Baptists and holy rollers (no pun intended). Slept in a pew, worked in a church camp. Inclined to listening, open to revelation, he collected stories as he went.

I won’t spoil this story by summarizing it. Give it a read.

Also, cast not your eyes upon the illustration. There may be some hidden meaning in there, but if so, it is obscured by a lack of historical verisimilitude. Forty years ago bicycles had neither integrated brake/shift levers nor disc brakes (especially not on the drive side). They did, however, have chainrings (and chains), freewheels, pedals, and external cables.

A journey of a thousand miles may begin with a single pedal stroke. But for Christ’s’ sake, you gotta have the pedals.

The cruellest month

“And now, here’s T.S. Eliot with the weather!”

I’m gonna go out on a snowy limb here and say it was probably a good idea that the Soma Pescadero and I had our maiden voyage yesterday rather than today.

Yesterday it was knickers and arm warmers; today it’s green tea and bloggery.

Cruel it isn’t, though. Not at the northern edge of the Chihuahuan Desert, where we haven’t seen any sort of precip’ in the better part of quite some time.

Whew! That Eliot feller would’ve made one helluva blogger, amirite? “The poet’s mind,” he once said, “is in fact a receptacle for seizing and storing up numberless feelings, phrases, images, which remain there until all the particles which can unite to form a new compound are present together.”

He also wrote: “Immature poets imitate; mature poets steal.”

F’sure, bruh. Same thing m’self.

Turn the page

Drawing a blank instead of drawing a bead.

I’ve been finding it hard to write lately.

It’s not the infamous “writer’s block.” The problem is that the only thing I want to write about is all the you-know-what coming from you-know-where.

And isn’t there enough of that sort of thing available pretty much everywhere? Every day? Every second?

I find myself belatedly having some sympathy for the mouth-breathers who squealed like maladjusted brakes whenever my columns would veer off the course laid out in the race bible and careen into the real world. Which, if we’re being brutally honest here, was pretty much all the time.

“Stick to cycling!” they’d wail.

“Everything is political!” I’d bark.

Now I’m just a blogger and don’t have to meet a regular deadline or wrestle with nervous editors, penny-pinching publishers, and illiterate critics.

Too harsh? Hey, I read the letters.

“Go back to waxing your chain, Spanky,” I’d grumble. “Leave writing to the pros.”

These days I write for free, because I like it. Anyone who doesn’t like it is likewise free, to fuck off.

Still, I’m not entirely sociopathic. I have you hardcores, my small, deeply disturbed audience, to consider. And I don’t want every single brain-dump here to be of the rancid, greasy, orange variety. There are only so many different ways to say ‘BOHICA!'”

Thing is, to write about anything else feels vaguely criminal. Borderline treasonous. Anyone with a voice, however small, should be sounding off like they have a pair.

What’s a poor mad dog to do?

Well, you may imagine my delight when I stumbled across another scribbler in similar straits. Chuck Wendig is a published author — like, of actual books, an’ shit — and he has a new one due out April 29, “The Staircase in the Woods.”

I first noticed him when The New York Times included “Staircase” in a roundup of 24 new works of fiction to read. Then his name came up again over at Daring Fireball, the free-ranging blog by John Gruber, who promoted this “crackerjack essay” Wendig had written while trying to write about other stuff and promote the new book and basically just live his fucking life.

It’s titled “What It Feels Like, Right Now.” Here’s a sample:

Top-shelf stuff here, folks. Rage and comedy, despair and hope, the whole ball of wax. Writing as an escape and an act of resistance. Inspirational.

In fact, I liked it so much that I immediately ordered up his new book from my favorite local bookstore, Page 1 Books.

Shit, I’d have given him the $32.29 just for the essay.

‘Dumb, inscrutable and grand’*

The desert is not always so hot.

January’s gonna January, amirite?

We have this little cold snap parked overhead, which certainly beats being on fire. Nevertheless, it leads to dreams of visiting deserts where the temperatures are a little more in line with what leaps to mind when one hears the word “desert.”

“Why, yes, I could eat. …”

Alas, it is Herself’s January to be elsewhere, and someone has to mind the store. Miss Mia Sopaipilla needs assistance with this and that, refusing to learn how to open the cat-food bin, refill her water fountain, or use a toilet.

At the moment Miss Mia and I are enjoying a light snowfall. Well, I am, anyway. Miss Mia just roused herself from a nap to have a bite to eat and a sip of water, after which she will be headed straight back to the sack.

And to think some people call them “dumb animals.” They may not possess the power of human speech, but they certainly manage to get their point across.

* See “Poor Matthias,” by Matthew Arnold.