Comedy, and its opposite, gravity

The final “Dilbert,” in its Sunday-funnies incarnation, anyway.

Wile E. Coyote never saw the edge until he went over it.

Then it was “Ffffeeeeeeewwwwwwwwwwwwwwww … pow!”

Working the ragged edge for fun and profit is a hazardous occupation. Become enraptured by your own artistry and suddenly you notice a certain lack of mission-critical support. That telltale rush of air. From joker to joke in one easy misstep.

Uh oh. …

Until cartoonist Scott Adams took his header I hadn’t read “Dilbert” in years, but I remembered the strip being funny, even though I hadn’t had any real personal contact with office culture since I quit The New Mexican in 1991.

Apparently the strip had become less amusing over the years — to some readers and editors, anyway — and then when Adams shat the bed with a David Duke impersonation over at YouTube, before you could say “Meep meep” it was “Ffffeeeeeeewwwwwwwwwwwwwwww … pow!”

I got a little too far out over my skis a time or two, mostly before Twitter mobs became a thing.

The University of Northern Colorado’s Mirror gave me the heave-ho after my cartoons inchwormed up some overly tight arseholes. Years later the weekly Sentinel chain in Denver showed me the door; it was part of the usual layoffs, but I got mine for being a dick. The publisher was a twat. These two things can coexist, even find happiness, but ours wasn’t a match made in heaven.

As a freelancer for VeloNews and Bicycle Retailer and Industry News I annoyed a few readers and advertisers with cartoons and columns, but my crimes were rarely felonies and management almost always had my back.

When I finally left it was under my own steam and nobody changed the locks afterward. There were no mourners, but neither was there a lynch mob. I’ll call that a win.

Dilbert and The Old Guy Who Gets Fat in Winter appeared the same year, in 1989. Thank Cthulhu old Fatso never made it as big (har de har har) as Dilbert did. ’Tis unknown what class of a dick I might have made of meself on the YouTubes.

• Editor’s note: Props to The Firesign Theatre’s Nino the Mind-Boggler for the headline.

‘The Wisdom of Solomon’

“You have the right to remain stupid. …”

The final entry in The Duck! City trilogy that began with “Breaking Bad” and continued with “Better Call Saul” stars “This Fool” co-star Frankie Quiñones as Solomon Peña, a failed GOP candidate accused of ordering — and participating in — drive-bys on Democratic officials’ houses and offices.

Hilarity ensues. Or not.

Look for the premiere, “Don’t Recount … Reload!” on Court TV.

FreeDumb® Friday

“‘Stop the Steal?’ I’m just getting started.”

Here’s a Fun Friday Factoid for all the Jan. 6 insurrection re-enactors in the audience: The attempt to overturn the 2020 election was King Donald the Short-fingered’s most successful business venture in 40 years, according to Timothy Noah at The New Republic.

Writes Noah:

As a political maneuver, trying to overturn the 2020 election was a miserable failure. It failed on its own terms—Joe Biden became and remains president—and it created all sorts of legal problems for Trump. … But as a business enterprise, January 6 was and remains an unqualified success.

It seems that the bulk of the $250 million raised to “Stop the Steal” went for no such purpose. Rather, according to the Select Committee to Investigate the January 6th Attack on the Capitol, it was used “to fund the former president’s other endeavors and to enrich his associates.” (See the committee’s report, Appendix Three, “The Big Rip-Off: Follow the Money.”)

Follow along with Noah as he takes a tour of the Trump Treasure Trail. No wonder the election deniers hobbling the House of Reprehensibles enjoy sniffing his farts. They smell like money, son!

Wrapping up, Noah observes:

Trump may be losing his real estate acumen, but he’s found a new market in grifting would-be political insurrectionists. Another late-December revelation from the select committee (this from the testimony of Jared Kushner) was that the Donald wanted to trademark the phrase “rigged election.” Now you know why. From the start, Trump’s insane election claims were a highly profitable business venture for a man whose other businesses have lately, for the most part, been anything but.

Light at the end of the tunnel?

“Gimme a minute, that Squeaker’s gavel has to be up here somewhere.”

The House of Reprehensibles is fixin’ to gavel itself on the noggin again starting at noon Swamp time, and you’ll want to have the popcorn and soda within easy reach.

From the sound of things Charlie McCarthy is prepared to give away everything that makes the Squeaker’s gig even halfway meaningful in order to get his pampered paws on the gavel.

Then the Freedumb Fighters will grab said gavel and run away, giggling. “Psych! Now we want a blood oath to the Constitution, mandatory open carry in the House Chamber, and the Squeaker has to do a daily dance on TikTok. In his tighty-whities.”

This is why it’s a bad idea to negotiate with terrorists. Their planning stops at the hostage-taking stage. From that point on it gets Western real quick, all horseshit and gunfire.

Puppet show

More puffery to the east.

Look! Up in the sky! Is that the white smoke signaling that a new Poop has been elected by the House of Reprehensibles?

Nope. Just morning clouds over the Sandias. But Charlie McCarthy has been dancing on his many, many strings overnight, trying to attract an audience that is more of a fan base and less of a lynch mob, and the show resumes at noon Swamp time.

I see he has Orange Julius Caesar in his corner now, which may be like having Dracula as your cut man.