Midnight train to Gitmo

Cool Hand Luke goes off the rails.

You think we’re shipping the wrong people to Guantanamo?

I’m old enough to remember a time when, if some civilian loudmouth waltzed through your front door barking orders, you could kick him in the plums, give him the old heave and also the ho, and get back to whatever it was you were doing before all the bad noise started.

Yet somehow, in the Year of Our Lard 2025, we’ve allowed this porcelain pissant from South Africa to start rearranging the national furniture, to say nothing of the org chart, without so much as a “Just who the hell elected you to anything, anyway, Fisheyes?”

Raise a ruckus and you get frog-marched out the door, either to the breadline or maybe a gated beachfront community that doesn’t feature in Beelzebozo’s plans for the tourist trade. Meanwhile, our media watchdogs just keep licking their own nuts; chasing random brain farts down countless odiferous ratholes; and “fact-checking” the arsonists who are burning down the government faster and more thoroughly than the Brits did during the War of 1812.

But be of good cheer: There’s plenty of bark and bite to be had in the latest edition of Radio Free Dogpatch!

• Technical notes: RFD favors the Ethos mic from Earthworks Audio; Audio-Technica ATH-M50X headphones; Zoom H5 Handy Recorder; Rogue Amoeba’s Audio Hijack; Apple’s GarageBand, and Auphonic for a wash and brushup. The Captain from “Cool Hand Luke” and Yosemite “The Little Drummer Boy” Sam communicate to us from YouTube. The boot to the bollocks and subsequent heave-ho hail from Freesound. The French taunter you may recall from “Monty Python and the Holy Grail.” Air travel to Gitmo, a newspaper’s printing press running, and soldiers on the march courtesy of Freesound. “Twisted Clowns” honk at us from Zapsplat. Charles P. Pierce does his barking from the Esquire Politics kennel. And last, but far from least, that’s Sam Cooke working the “Chain Gang.” All the other gang violence is the fault of Your Humble Narrator.

ICE, ICE, baby

He’s cold as ICE. Think someday he’ll pay the price?

The ICE boyos have brought a chill to Chicago, Aurora, and even the desert Southwest as Jesus Hitler starts making good on his promise of mass deportations.

Round up the usual suspects. A little song and war dance for the TV cameras. “Dr. Phil” even got in on the act in Chicago.

Shock and awe, baby. It works, for a while. But some folks just don’t take kindly to being shoved around.

Soon even the fanboys will find the price of admission to the Dingaling Bros-Barnum & Beelzebozo Circus (“There’s One Born Every Minute!) just keeps going up, as honest immigrant workers vanish alongside the bad guys, citizens decline to take their jobs in agriculture, construction, manufacturing, food processing and service industries, and goods and services get more expensive and/or harder to find.

But never fear. We’ll be annexing Canada! And Greenland! And the Sudetenland (whoops, wrong fascists, never mind). The Circus will roll on a Road of Bones until the world is under One Big Red White and Blue Tent (handmade by skilled artisans in border internment camps)!

While you await your own personal invitation to assist the authorities with this project (and their inquiries) you might as well listen to the latest All-American Episode of — yes, yes, yes — Radio Free Dogpatch. Could be the last one. You never know who’s lending us an ear, or why.

• Technical notes: RFD favors the Ethos mic from Earthworks Audio; Audio-Technica ATH-M50X headphones; Zoom H5 Handy Recorder; Apple’s GarageBand, and Auphonic for a wash and brushup. The trailer theme from “Fort Apache” comes from YouTube, as do Rick’s conversations with Major Strasser and Sam in “Casablanca.” Bob and Doug McKenzie say “Good day” from SCTV’s YouTube page. The drum-heavy martial music (by Gregor Quendel) and “Out of Step” are both courtesy of Zapsplat. The Mescalero Apache tribe’s take on a member’s run-in with an ICE agent can be found here. The Guardian reports on a Navajo experience. Lawmakers from New Mexico and elsewhere view with alarm. The Associated Press covered immigration raids in Chicago. At The Atlantic Mark Leibovich had some fun visiting Greenland, soon to be our 52nd state. And at The New Republic Matt Ford shredded the pestilential ordure dropped on birthright citizenship. All the noisy, less-well-reasoned palaver comes from Your Humble Narrator.

Howling at an orange moon

And you thought the moon was made of green cheese. Sorry, losers and haters!

Blame the Wolf Moon. A vacationing wife. An acid flashback. Whatever.

But when I blinked myself awake in the dark on Tuesday morning I had no idea where I was.

If dementia runs in your family, as it does in mine, this can freak you right the hell out. But I found it oddly exhilarating.

“Where am I? Who knows? Who cares? This is great!”

And then I remembered.

“Aw, shit. Trumpsylvania.”

We’re just a few all-too-short days away from the sequel to a movie I never wanted to see in the first place. “Mr. Hyde Goes to Washington” should’ve been a one-off. But nooooooo. Everything has to be a franchise now. When the Joker started getting top billing we should’ve known what was coming. It’s just one evil clown after another.

But hey: It’s an excuse for another episode of Radio Free Dogpatch, in which I make it all about me. I tell ya, it’s evil clowns all the way down.

• Technical notes: RFD favors the Ethos mic from Earthworks Audio; Audio-Technica ATH-M50X headphones; Zoom H5 Handy Recorder; Apple’s GarageBand, and Auphonic for a wash and brushup. The wolf howls from Freesound, as do the sad trombones and the vinyl scratching. “Morning Mood” is from “Peer Gynt” by Edvard Grieg. Arthur, King of the Britons, and an anarcho-syndicalist peasant come from “Monty Python and The Holy Grail.” You’ll catch a snippet of the “Grapes of Wrath” theme in there (almost went with “Death Valley Days.”). The ass-kissing is by Your Humble Narrator. The sound effect, not the actual, y’know, like, obesiance. And the classic “There Stands the Glass” is courtesy of Ted Hawkins via YouTube. As usual, all the other raving can be pinned on the landlord of this dump.

Highway 666 Revisited

We seem to be missing a 6 here. Nevertheless, get your kicks, etc.

Another Jan. 6 has come and gone.

This time we managed to skip the armed-insurrection part of the program, so yay for us. Turns out that when they win, The System works.

Who knew?

Watching Vice President Kamala Harris preside over the certification of the 2024 election results this week sent me careening down Memory Lane, revisiting a night in the sneezer in 1977, a Louis C.K. dramedy from 2016, and the last three pestilential erections.

Somehow the Joker, Billy Joe Shaver, The Cars, Dana Carvey, Willie Nelson, and Bill Clinton snuck in there too.

Once you have a cast of characters like that assembled, for good or ill, you just know it’s time for — yes, yes, yesthe first episode of Radio Free Dogpatch in The Year of Our Lard 2025, Dog help us all.

Additional music not included, but which should replace “Hail to the Chief” for at least the next four years, is “Catch Us If You Can” by the Dave Clark Five.

• Technical notes: RFD favors the Ethos mic from Earthworks Audio; Audio-Technica ATH-M50X headphones; Zoom H5 Handy Recorder; Apple’s GarageBand, and Auphonic for a wash and brushup. Performing for us this week are Danny O’Keefe, AC/DC, The Cars, and Billy Joe Shaver, all from YouTube. The 2016 dramedy “Horace and Pete” remains available on Louis C.K.’s website. Audio of the 2024 election-results certification courtesy C-SPAN. Dana Carvey as Ross Perot on “SNL” was lifted from YouTube. Bill Clinton comes (har de har har) from the William J. Clinton Presidential Library. The Walk of Shame is from HBO’s “Game of Thrones.” The headline is a riff on Bob Dylan’s “Highway 61 Revisited,” not incidentally in honor of RFD’s 61st episode. Finally, ask not for whom the clown horn honks; it honks for thee (from Freesound). All other evil racket is courtesy of Your Humble Narrator.

Doing it old school, or ‘Yeah! Science (fiction)!’

A script from the Before-Time, possibly written by Dr. Eleven. Or that “Mad Blog” fella.

I always liked science fiction. Science, not so much.

Science always seemed rigid and impersonal. But science fiction, or speculative fiction, if you prefer — especially of the apocalyptic variety — spoke to the gloomy bog-trotter in my DNA.

So I studied the fiction instead of the science, with predictable results. When it came time for me to go to college, there was only one in the state that would accept me with my miserable GPA. However, the institution excused me from freshman comp because I was a fool for words, as long as there were no equations to solve.

SF seems best to me when the future isn’t pretty, but people manage to muddle through somehow. “A Clockwork Orange.” “Alas, Babylon.” Or “Station Eleven.”

We watched the “Station Eleven” TV series on Max, recently watched it again, and afterward I finally got around to reading the book, which as usual is considerably different. Author Emily St. John Mandel was gracious about the changes, though, saying she thought the series “deepened the story in a lot of really interesting ways.”

I doubt that I’m adding any significant depth with this latest episode of Radio Free Dogpatch, but the notions contained therein have been taking up space in my head for a while now and the Voices would like them to leave. They’re your problem now.

• Technical notes: RFD favors the Ethos mic from Earthworks Audio; Audio-Technica ATH-M50X headphones; Zoom H5 Handy Recorder; Apple’s GarageBand, and Auphonic for a wash and brushup. NASA noises, starship flyby, countryside ambience and appreciative audience come from Zapsplat. “Wernher von Braun” is the work of the inimitable Tom Lehrer. The Celtic tune is from Freesound. And the outro clip is from The Firesign Theatre’s “I Think We’re All Bozos On This Bus,” which remains all too relevant. All other evil racket is courtesy of Your Humble Narrator.

Thanks to Stanley Kubrick and Arthur C. Clarke for “2001,” Gene Roddenberry for “Star Trek,” Emily St. John Mandel for “Station Eleven,” Pat Frank for “Alas, Babylon,” Stephen King for “The Stand,” and The Firesign Theatre for … well, for everything.