What can society do with some well-heeled, ne’er-do-well swell like Mark Zuckerberg, who persists in skullduggery, but unlike your corner dime-store hood has a fine-proof wallet and thinks a cell is something the rubes use to check Facebook?
How about a stint in the stocks? If we can’t shame him, or slammer him, let’s slime him. Food for thought, que no?
Yes, yes, yes, it’s another exciting episode of Radio Free Dogpatch. Grab a basket of rotten eggs, warm up your pitching arm, and take your place in line.
Hur-ry, hur-ry, hur-ry, step right this way! It’s showtime!
P L A Y R A D I O F R E E D O G P A T C H
• Technical notes: This episode was recorded with an Audio-Technica ATR2100-USB microphone and a Zoom H5 Handy Recorder. I edited using Apple’s GarageBand on a 2014 MacBook Pro. The music is some medieval Viking ditty from Kyster at Freesound.org. It may have been performed by these dudes here. Other sounds liberated from Apple’s iMovie library. Tim Cook will probably have me put in the stocks for that, if Pøbel doesn’t beat him to it, but they’ll have to catch me first.
I had four of them once, up in Weirdcliffe, all Toyotas — two 1983 longbeds, a 1998 Tacoma and a 1978 Chinook pop-top camper.
But I gradually untrucked myself and now my only four-wheeler is the Fearsome Furster, a 2005 Subaru Forester XS with 134,000 miles on the odometer.
It’s a midget SUV, reliable, unremarkable, anonymous. Decent fuel economy. Easy to lose in a parking lot full of trucks. Hard to sleep in.
That’s why the Honda Element caught my eye, and kept it. It’s a car, it’s a truck, it’s an RV for people who don’t like RVs (even a 1978 Toyota Chinook pop-top).
And I almost bought one once. OK, twice.
I talk about this and other things on this week’s edition of Radio Free Dogpatch. A tip of the Mad Dog trucker’s cap goes out to Ursa Minor Vehicles and Ralph Spoilsport Motors, the world’s largest new used and used new automobile dealership, Ralph Spoilsport Motors, here in the City of Emphysema. I can’t wait to get away from it all.
P L A Y R A D I O F R E E D O G P A T C H
• Technical notes: This episode was recorded with an Audio-Technica AT2035 microphone and a Zoom H5 Handy Recorder. I edited using Apple’s GarageBand on a 2014 MacBook Pro, adding audio acquired via Rogue Amoeba’s Audio Hijack (no profit was taken in a casual approach to copyright). Speaking of which, that’s the late Chris Farley as motivational speaker Matt Foley saving some kids from winding up 35 years old, thrice divorced, and streaming “Saturday Night Live” in a van down by the river. The barking dog, speeding auto and background music were liberated from Apple’s iMovie audio library. The atomic wedgie is courtesy of cognitu perceptu at Freesound.org. That car starting is the Fearsome Furster its own bad self; the radio is tuned to KUNM-FM and “Performance Today,” specifically “The Lark Ascending,” by Ralph Vaughan Williams, as performed by Nurit Bar-Josef. And finally, “Ka-Ching” is performed by the one and only Herself.
A baritone storyteller who began with voiceovers on radio and TV, Nordine would go on to collaborate with Tom Waits, Jerry Garcia, David Grisman and others.
He once said that the goal of his poetry was to “make people think about their thinking and feel about their feeling, but even more important to think about their feeling and feel about their thinking.”
I think he succeeded. Whenever I’d hear that impossibly deep voice softshoe out of my radio and into my head, I’d stop whatever I was doing and pay attention. They’re nodding and yessing and popping their fingers at Next World Coffee this morning.
Base camp at the overflow area in McDowell Mountain Regional Park, circa 2004.
It’s been a chilly, damp winter in Albuquerque, which isn’t saying much.
Still, it grates after a while, and never more so than during February, a month that is simultaneously too short and too long.
Herself has been to Costa Rica, the neighbors just fled to Mexico, and some other friends beat feet all the way to France.
And yet here I sit (no, this is not a poem, and it is specifically not that poem), rattling the bars on my window of opportunity and losing arguments with the voices in my head.
I’ve written often and at length about my irrational hatred for February, and I was getting set to do it again when I realized, “Hey, I’ve written often and at length about my irrational hatred for February. Why don’t I turn it into a podcast?”
Which I did. This is it. You’re welcome. Now hand me the snow shovel on your way out, would you? I want to smack myself in the head with it.
P L A Y R A D I O F R E E D O G P A T C H
• Editorial notes: The “Mad Dog Unleashed” column headlined “On the Road Again: Frown Lines Search for a Few Tan Lines,” which is my onion at the bottom of this bitter pot of bitch stew, first appeared in the February 2004 issue of Bicycle Retailer and Industry News. My line about February having roots in the French “febrile” is, as you may already know, complete and utter bullshit. The Cactus Cup has returned to McDowell Mountain Regional Park since that 2004 column — this year’s edition is slated for March 8-10. And finally, did you know that Peter “Sneaky Pete” Kleinow, pedal steel player for The Flying Burrito Brothers, was also a visual-effects artist and stop-motion animator who worked on “Gumby?” Neither did I.
• Technical notes: This episode was recorded with an Audio-Technica AT2035 microphone and a Zoom H5 Handy Recorder. I edited in Apple’s GarageBand on a 2014 MacBook Pro, adding audio acquired through fair means and foul via Rogue Amoeba’s Audio Hijack (no profit was taken in an admittedly casual approach to various copyrights). Speaking of which, the pedal steel riff that closes the episode is from Merle Haggard’s “White Line Fever,” as performed by The Flying Burrito Brothers on their eponymous 1971 album. The background music is “Trapped” from Zapsplat.com. And the rewind sound is courtesy of TasmanianPower at Freesound.org.
Good thing it doesn’t matter when a virtual press runs, because someone has been intercoursing the penguin as regards his self-imposed deadlines.
Radio Free Dogpatch is intended to be a weekly affair, scheduled for Fridays, but just ask the penguin how well that’s worked out for him (whoops, too late, he’s exploded). To date the thing has reared its ugly head weekly, semimonthly, and on Fridays, Saturdays and Mondays.
After three or four goes at this most recent episode, which came this close to becoming a plain-vanilla blog post, I’m starting to think Wednesdays are the ticket. Showtime. Whatever.
In any case, and without further ado, here’s episode 19 of Radio Free Dogpatch. Too bad I couldn’t get it finished in time to win a Grammy to go along with all my Pulitzers, Reubens, Emmys and MacArthur Fellowships.
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