Spaghetti western

The director at work. Just call me Quentin Ferrentino.

Back in the saddle again. …

Wrapped a video about the Bianchi Orso yesterday and shipped it off to the Adventurous Cyclists. I don’t know if these little flights of fancy get any altitude once they leave the nest, but making one drags me out of the dark corners of my head and into the light, however briefly, squinting like an astigmatic Morlock without his prescription Rudy Projects.

The Bianchi Orso in a bikepacking configuration, up against the Wall of Science.

There’s never a plan. Well, not really. I always snap some stills of the bike and its bits in various configurations, loaded and unloaded, up against the Wall of Science. But then I just bugger off with the machinery, a GoPro and an old Flip Video tripod, and see what happens. Make a ride of it. The body sweats in tandem with the brain.

By the time I get around to shooting video I’ve already written the print review, so I have that road map filed away for reference, a sort of mental GPS chirping, “Proceed 500 meters down the trail, cross the dry wash, then tackle that kitty-litter climb. Try to look like a bikepacker instead of a poseur. And stay out of the cholla f’chrissakes, you still have to edit this footage.”

Speaking of which, after a couple-three of these little adventures with the bike in various getups I have a mountain of clips to turn into a two-minute molehill. It’s like doing a jigsaw puzzle without any idea of what the finished picture is supposed to look like.

“OK, lessee here, there’s an intro, here’s an outro, now what about the in-between? Component roundup, yup; racks and sacks, uh huh; bikepacking rig, mmm hmm. Some road. Some dirt. How ’bout something ridiculous, just ’cause? Two minutes on the nosey.”

Finding some suitable background music may be the biggest hurdle. Apple’s iMovie doesn’t include a ton of useful tunes, and I draw the line at going all Ennio Morricone on these things with my two-bit orchestra. Light on the good, heavy on the bad and ugly, is what. I don’t have a piano, the flute scares the cats, and my guitar “stylings” sound like a raccoon chasing a rat through a box spring at the dump.

Roll of the dice

Off with your head!

Here’s your helmet, there’s the door, what’s your hurry?

Megan Tompkins, the publisher of Bicycle Retailer and Industry News, “has left to pursue other opportunities,” in the parlance of our times.

Marc Sani, the semi-retired co-founder of the trade magazine, has stepped in as interim publisher. Given the present economic climate, and with Interbike Reno just around the corner, this must feel like climbing out of a hot tub and into a piranha tank, wearing a pork-chop Speedo.

I’ve done bits of this, that and the other for Sani and the gang since 1992. Alas, the mag’ has dwindled, in tandem with the trade it covers, and so I do a good deal less of it now than I once did. In fact, I’m down to drawing the “Shop Talk” cartoon at the back of the book, period, end of story.

But that’s the carefree life of the independent contractor for you. Easy come, even easier go. Happily, I also contribute to Adventure Cyclist, and I married well, so we will not lack for kibble in the dish here at El Rancho Pendejo.

The remaining full-time BRAINiacs are not breathing so easily, especially after such a high-profile departure, with so much at stake.

So here’s hoping for better days. Maybe Marc will roll nothing but sevens in his old hometown next month.

 

It’s a long, long way down to Reno, Nevada

Thirty days and counting to Interbike.

I’ll be skipping the show this year. Adventure Cyclist expects slim pickings in the touring category, and BRAIN hasn’t paid my freight in forever, a cost-benefit calculation that keeps coming up snake eyes for Your Humble Narrator. In lean times the last thing you want is an ill-mannered, off-the-leash cur snarling at the customers as you try to keep the bank from taking the bike shop.

Le Shewe Bigge has shifted north from Las Vegas to Reno for 2018, and I can’t be the only person who finds it amusing that Interbike went there to get itself a divorce from Sin City. Still, I’m curious to see how it works out.

There’s much chin music about an ongoing “Reno-ssance,” the local spin on “gentrification,” which itself is the scenic route to “get those poor people out of sight, they’re scaring the tourists and playing hell with property values.” See Bibleburg, Duke City, et al.

For instance, in The Biggest Little City in the World one may enjoy a nifty Riverwalk District that skirts the Truckee, where the John Laws have been running off homeless campers, unfortunates who may be traveling by bicycle because they have to, not because it looks like fun.

Novelist and musician Willy Vlautin has written about people like these who seem to be missing out on the “Reno-ssance,” and so has Our Town Reno, a production of the Reynolds Media Lab, part of the Reynolds School of Journalism at the University of Nevada-Reno. They taught me a new word: “artwashing.”

It’s been years since I last visited Reno, en route to and/or from visits to friends in Northern California. It always felt like a rest stop between Here and There, not a destination in its own right. I’d camp at the Motel 6 West, and dine at some hippie joint down off Sierra, or maybe Virginia, I don’t remember. Vegetarian fare, heavy on the garlic to ward off the vampires.

Come morning I’d grab a cup of joe and a tank of gas and get the hell out of Dodge. Which, as it turns out, seems to be mostly what all these tourist traps want from us. Howdy, partner! Got any money? Keep moving.

Before long the last place in the country without a riverwalk, legal weed and a bespoke artisanal microbrewery will be Ash Fork, Arizona. You will not see Interbike in Ash Fork anytime soon, no matter how bad the bike biz gets.

 

Come rain or come shine

Whenever it rains this low spot fills up on Juniper Hill Road NE.

Fender weather? In ’Burque? Say it ain’t so!

’Tis so.

SKS keeps Sammy shiny.

Fanta Se got hammered the other day by what the weather wizards were calling a thousand-year storm, and we’ve had a couple doozies of our own.

They left smallish sand dunes and mud streaked across the roads, and the occasional shallow puddle, which never lasts long because this is thirsty country.

Nevertheless, out of an abundance of caution, because I hate that brown stripe up the keister, on Friday I rode the Sam Hillborne with its silver SKS thermoplastics. And yesterday I hauled out the Soma Saga Disc, which sports a set of black Soma mudguards.

Today we’re back to sunshine and homicide, so I’ll climb back aboard the Bianchi Orso, whose moment in the media sunshine is fast approaching.

It never rains, but it pours.