R.I.P., Steve Ditko

Without Steve Ditko, this Marvel-origins collection would have been a good deal slimmer.

As a polyglot lot of colorfully clad heroes comes to blows in France, displaying superhuman powers acquired from Stan Lee only knows where, we bid farewell to the co-creator of many another costumed combatant, comic-book artist Steve Ditko.

With Lee and Jack Kirby Ditko had a hand in the debut of, among others, The Amazing Spider-Man and Doctor Strange. The young Ditko dug Will “The Spirit” Eisner, and you can see a bit of Eisner’s noirish style in his work; this admiration clearly filtered down to some of the undergrounds, like Rand “Harold Hedd” Holmes and Dave “Dealer McDope” Sheridan.

Doctor Strange as imagined by Steve Ditko.

Unlike Lee, who had (and maintains) a flair for showmanship, Ditko apparently was a recluse who declined interviews, snubbed comic-book conventions, and spurned invitations to movie premieres.

“We didn’t approach him,” said Scott Derrickson, director of the 2016 movie “Doctor Strange,” a yawner in which Benedict Cumberbatch played the title role. “He’s like J.D. Salinger. He is private and has intentionally stayed out of the spotlight.”

According to Lee, in “Origins of Marvel Comics,” Ditko got the job of drawing Spidey after Kirby’s take on the character proved “too good” to depict the tormented teenage geek Lee had in mind.

“All those years of drawing superheroes must have made it a little difficult to labor so mightily and come forth with a superloser, or if you will, a supershnook,” Lee wrote.

“Steve’s style … was almost diametrically different from Jack’s. Where Jack would exaggerate, Steve would strive zealously for total realism. Where Jack made his featured characters as heroically handsome as possible, Steve’s forte seemed to be depicting the average man in the street. I decided to play a hunch. I asked Steve to draw Spider-Man. And he did. And the rest is history.”

Ditko died alone in his Manhattan home, age 90.

 

Mister Rogers evicted from neighborhood

Rob Rogers seems pretty on point to me. | Rob Rogers/Andrews-McMeel Syndication

A comrade bites the Big Orange Bullet.

Seems the Pittsburgh Post-Gazette thinks more of the free-press-hating Il Douche than it does of its own editorial cartoonist.

Former editorial cartoonist, that is.

According to The Washington Post, the Pittsburgh paper’s management had begun regularly spiking Rob Rogers’ cartoons, many of which were critical of the country’s management. And as cartoonists tend to want to see their work published, while fascists tend to lack a sense of humor, well, matters came to a head, as they will.

It sucks to see an editorial cartoonist get the heave-ho after a quarter-century for doing his job. There aren’t that many of them left — hell, there aren’t that many newspapers left.

But good on Rob for sticking to his guns and hollering “Bullshit!” when he smelled some. The PP-G editorial page should include a complimentary scratch-and-sniff air freshener henceforth.

• Late update: Rob steps away from the drawing board for a moment to write a short piece for the NYT.

Greatest Hits of 2016, Part 3: A wrenching feeling

• Editor’s note: As the year winds down, I’m taking a page from the mainstream-media playbook and reprinting a handful of this year’s “Mad Dog Unleashed” columns from Bicycle Retailer and Industry News. This one was published in the June 15 edition.

A mechanic: The nut behind the wrench that cannot be replaced.
A mechanic: The nut behind the wrench that cannot be replaced.

That wrenching feeling,
when the customer tries
doing his own assembly

“Men, you’ve been there. You build something like that and you’re done and you got a real little bag of important-looking shit left over.” — Tim Allen, “Men Are Pigs”

By Patrick O’Grady

The times they are a-changing, according to Bob Dylan, who should know. He turned 75 in May.

So how many roads must a man walk down? Well, for starters, there’s this one: The German consumer-direct outfit Canyon plans to bring its some-assembly-required bikes to America. Specifically, to Americans. The ones who don’t work in bike shops.

Some companies — Trek, Giant, Raleigh — have been loitering along the shoulders of this high-speed thoroughfare, allowing their customers to buy online and then pick up their bikes, fully assembled, at their local shops.

But not Canyon. They’re going Furthur, hoping to fill a big ol’ bus with customers that some companies’ lawyers don’t trust to operate the humble quick-release skewer, much less assemble a complete bicycle.

A colleague and I were joking about this the other day, as journalists are prone to do, because the only thing funnier than human suffering is profiting from it.

“Imagine all the late-night drunk internet shopping,” says my colleague. “Then a box of bike parts shows up at the door a week later. ‘Honey, did you order a hang glider?’”

Says I: “Yeah, right about the time the wife scores some goodies from IKEA. Before you know it you’re turning up at the Sunday club ride on something that’s half bicycle, half bookshelf.”

I quoted Tim Allen to him, the bit about assembling a gas grill, a small bag of important-looking items left over, and a wife with her hair on fire. Says he: “You could build a new Great Barrier Reef with all the extra parts and Allen wrenches in every kitchen junk drawer in America.”

But not a new wife. Not yet, anyway, though I’m sure somebody’s working on it.

>> Click here to read the entire column.