Which way did he go?

Left? Right? Straight? Sheeyit, he’ll never go straight. …

Read and rave, or ride and run?

I think you know the answer to that one.

Marco Arment, whose technical advice I took regularly when Radio Free Dogpatch still roamed the Great Audio Wasteland, wondered the other day whether we might have been better off “before we knew everyone’s hot takes on everything.(h/t John Gruber at Daring Fireball.)

George Carlin’s advice I have been taking for much, much longer.

I caught Carlin’s act early on, when he gigged on “The Tonight Show” with Jack Paar and later Johnny Carson. But he really got my attention with the 1972 album “FM & AM.” His treatise on bullshit didn’t arrive until 1997, during his live HBO special “40 Years of Comedy,” but as usual he was (a) right on target, and (2) prescient as hell.

What would he have to say today? Plenty, I expect. Carlin was a master alchemist who could transform bullshit into gold.

Me? Strictly an amateur. JV. In it for the yuks, which have proven elusive lately. Can’t quite spot the diamonds in the dung.

“I’ll get you for this,” says Miss Mia Sopaipilla following her visit to the groomer.

So instead of blogging I’ve been riding and running, feeding the birds, watching some standup (Kyle Kinane, Rory Scovel, Leanne Morgan), taking Miss Mia Sopaipilla to the spa for a wash and brush-up, contemplating various household projects long deferred, and reading fiction — no, not the news, actual for-reals fiction.

And I’m definitely not trying to round up enough pennies for the rumored foldable iPhone Duo. $2K and up for something you can leave on top of your car at the gas station or drop in a toilet?

I mean, talk about bullshit. …

Insert laugh track here

A clip from Rory Scovel’s 2024 HBO special, “Religion, Sex, and a Few Things in Between.”

While I was wading through the Great Dismal Swamp of Justice last week I needed something to make me laugh.

Thank Dog for Rory Scovel.

I can’t believe I never heard of Scovel until Jason Zinoman plugged him in his New York Times column. Herself and I gambled on his most recent Netflix hour, “Show Must Go On,” and after that we gnawed like famished rats through his collected works. The shows available on Netflix, HBO Max, and YouTube, anyway.

Good shit. He writes, but also wings it. Writing on stage must feel like juggling chainsaws, live babies, or leaky plastic bags of runny shit. Dude does it anyway. “Live Without Fear” from 2018 includes bits from six improvised shows at the Relapse Theatre in Atlanta. Here’s the opener:

It got me thinking, “I bet Marc Maron interviewed this dude on his podcast, and I was right. Fascinating stuff.

If you could use a laugh too, start with “Show Must Go On” and then backtrack him, the way we did. It’s like “The Ascent of Man,” but in reverse. And with more chuckles.

Happy 100th birthday, Mel Brooks

1974 was a very good year.

A very happy 100th birthday to Mel Brooks, who was making me laugh my ass off decades before I knew who the hell he was.

I think I first laid eyes on him when Mel and his old buddy Carl Reiner introduced “The 2000 Year Old Man” to the world (they’d been doing bits at parties, George Burns threatened to steal the material if they didn’t do something with it, and finally Steve Allen persuaded them to record the act for an album).

But he wasn’t a rookie. Mel had been doing standup in the Borscht Belt; went on to write for Sid Caesar with the likes of Woody Allen and Neil Simon; and created “Get Smart!” with Buck Henry.

And then, the movies. Holy underwear! In 1974 Mel released “Blazing Saddles” and “Young Frankenstein.” In the same year. I was pretending to study journalism at the University of Northern Colorado that year, and my bros and I lost what remained of our minds watching those flicks.

Mine never returned. But Mel’s just keeps hopping along like some furshlugginer Energizer Bunny. I’m retired, but he’s still working.

And The New York Times has 100 reasons why this should excite you. There are more, I’m certain. Give us yours in comments.

Forward sprung

It’s always time to ride.

Daylight Saving Time is stupid.

Still, this year’s “spring forward” meant we spent one less hour today stacking sandbags against the tide of bullshit flowing downstream from the Orange House.

So, winning? Maybe. We must take these little victories wherever we find them.

This morning I burned a little of my saved daylight by reading an essay in The New York Times, in which the daughter of two former American revolutionaries found the Oscar-nominated “One Battle After Another” to be “nothing more than entertainment” rather than “a battle cry for a generation.”

Huh. Hollywood veterano Paul Thomas Anderson cranks out a rapid-fire rom-com inspired by a rambling mythical history by Thomas Pynchon, and Hope Reeves — who herself is working on a comic memoir of being raised by retired Weatherpersons James H. Reeves and Susan Hagedorn — finds it regrettably unserious.

Well. Shit. Can’t have that. Can we?

Why not?

• • •

I myself have been regrettably unserious since — well, since forever — and, like the thought of suicide, it has gotten me successfully through many a bad night. And a few fairly grim days, too, whether shortened or lengthened by government fiat.

My upbringing was unremarkably middle-class — Catholic Republican father, Presbyterian Democrat mother — and yet somehow I came to cast myself in the role of atheist radical son.

A diet rich in Warner Brothers cartoons, Marx Brothers movies and Mad magazine will give a kid a taste for anarchy. Who do you root for? Not The Man, that’s for sure. It was one battle after another and Elmer Fudd lost every one of them.

So while I would eventually become interested in Weatherman, and personally sample various flavors of Marxism — Socialist Workers Party, October League, Communist Party (M-L) — these last two, like Weatherman, offspring of the Students for a Democratic Society — my first real political infatuation was with the Yippies.

• • •

Elmer wanted to cut off my lovely hair and send me to Vietnam. I wanted to Bugs Bunny his ass. And so did the Yippies, whose regrettably serious alias was the Youth International Party.

Abbie Hoffman and Jerry Rubin were probably the most famous of these Groucho Marxists, whose theater was the street. Levitating the Pentagon. Throwing money at traders at the New York Stock Exchange. Running an actual pig — Pigasus the Immortal — for president. 

The Yippies invaded Disneyland, taking over Tom Sawyer’s Island, threw pies, and applied for a permit to blow up the General Motors building. When it was denied, the Yippies shrugged and said it only proved that it was impossible to work within the system to change the system.

Alas, that old system sure proved durable, resisting change from within and without.

Some Yippies became yuppies. Rubin traded his Viet Cong flag shirt for the suit and tie of a businessman. He died in 1994 after being hit by a car while crossing Wilshire Boulevard, in front of his penthouse apartment. He was 56, well past the 30th birthday after which nobody was to be trusted.

Hoffman jumped bail after a dope bust and went underground. He eventually resurfaced, did some light time, and returned to activism.

But it was the Eighties — remember those fabulous Eighties, kids? — and the old act didn’t seem to be going over so well with a new audience. Hoffman died, reportedly by his own hand, in 1989. He was 52.

• • •

By then, mockery had already begun infiltrating (or was being co-opted by) The Establishment. “Saturday Night Live,” which debuted in 1975 with guest host George Carlin, somehow remains relevant in an aw-shucks-just-kiddin’ sort of way. David Letterman, Jon Stewart and Stephen Colbert have had their innings, and Jimmy Kimmel is still in there pitching despite some booing from the luxury box at Fudd Stadium.

But there’s something about old-school, street-level mockery that really gets The Man’s dander up. The reigning Man, Elmer Befuddled, who hires out his shotgunning of critters at home and abroad because bone spurs, watches a shit-ton of TV. And if he sees yuuuuge crowds from coast to coast rocking the next No Kings rallies on March 28, giving him the old Warner Bros.’ sendoff — “Th-th-that’s all, folks!”— he might just do a John Belushi, spin right out of his chair, and hit the deck in a slobbering, shitting sayonara.

It comforts me to think back to one of Gilbert Shelton’s “Fabulous Furry Freak Brothers” cartoons, in which political candidate Rodney Richpigge commits suicide by proxy, ordering his chauffeur to drive off a bridge because he thinks people are laughing at him (a half pint of amyl nitrite getting an unexpected wash in Fat Freddy’s jeans was the actual giggle-trigger).

Hope, as they say, springs eternal. No matter what time it is.

Th-th-th-that’s all, folks!

Pontificating from the rectumry

Barking mad and talking out his arsehole as per usual.

His Excremency King Piggy the Sticky-Fingered will be farting higher than his ass this evening during what the legacy media insists upon calling “the State of the Union address” but will almost certainly be more along the lines of the late George Carlin’s “Complaints and Grievances,” only not funny.

I will not be watching for mental-health reasons. Not his mental health; that leaky vessel has sailed, caught fire, exploded, and sunk. My mental health. What with the tariffs and inflation and whatnot, new TVs are way too pricey for me to be shooting ours in a fit of rage.

What say we all give it a miss this time around? If the senile old toad doesn’t stroke out tonight in what he promises will be a long airing of Crimes Against Him, he might just get ferried across the Styx tomorrow by the sort of ratings you might expect from a live goat fuck on the Trinity Broadcasting Network.