Category: Music that doesn’t suck

Mojo is everywhere

~ Patrick O'Grady ~ 11 Comments
Mojo Nixon, like Elvis, has left the building.

Come bedtime whatever is Me climbs into its skull, pulls up the ladder and bolts the trapdoor, then settles in for a long night of home movies.

Don’t expect any reviews. We’re not talking not Oscar contenders here. Art-house stuff, shot using iPhones or Super 8 with Byzantine plots and weird camera angles. Definitely not suitable for anyone under the age of 69 without a history of substance abuse, terminal confusion, and attitude poisoning. Popcorn is not served.

Then come morning whatever is Me shuts off the VCR, glances at the dashboard to see if all the idiot lights are green, and then pops the hatch, drops the ladder, and starts pulling the body back on like some tattered and patched Iron Man Halloween costume badly in need of a laundering.

“Jaysis, are we trying to put this shit on backwards? Toes, report! We still got 10 of you guys? OK, there’s No. 10, hung up on a snag somewhere around the right calf. Someone trim that nail! And what about that left knee? More snap, crackle and pop than a bowl of breakfast cereal. Hands, you still at about 70 percent? Sixty? Well, it’ll have to do. Time to open the eyes, we’re redlined on the pressure gauge down in Holding Tank One. Windshield wipers, stat! No washer fluid? Buckle up, we’re gonna have to do this on instruments. … Sound the alarm! We’re going in!”

It gets harder every morning. Well, no, not that. But everything else. Especially in February. All the lubricants are low and/or congealed, the various belts loose and skipping on their sprockets. More bad noise than a haunted house. There is a certain uncertainty in the landing gear, down where the rubber meets the road.

And then you finally get the old ambulatory junkyard to shake, rattle, and roll … only to find out that Mojo Nixon has gone off to join Elvis just as The Supremes start tuning up for the Orange Fartblossom Special. Died on a country-music cruise that he was co-hosting? What? Mojo’s gonna get together with Glenn Frey before Don Henley does!

R.I.P., Les McCann

~ Patrick O'Grady ~ 2 Comments

Well, this is a tough way to start the New Year. It seems Les McCann went west on us this past Friday.

He was 88, which just happens to be the number of keys on a piano.

And man, could he play those 88 keys.

He was best known for “Compared to What,” which was part of an unscheduled performance with tenor saxophonist Eddie Harris and trumpeter Benny Bailey, who joined McCann’s trio during the 1969 Montreux Jazz Festival in Switzerland.

From The New York Times:

Neither had played with Mr. McCann before, and there was no time for rehearsal. But the performance was to be recorded and filmed for broadcast. Despite the pressure, or perhaps because of it, as Mr. McCann recalled in the liner notes for the 1996 CD reissue of the concert album, which was released in 1969 as “Swiss Movement,” “Just before we went onstage, and for the first time in my life, I smoked some hash.” When he got to the bandstand, he wrote, “I didn’t know where the hell I was. I was totally disoriented. The other guys said, ‘OK, play, man!’ Somehow I got myself together, and after that, everything just took off.”

If I’d known a fella could take off like that, I’d have smoked more hash.

On the first day of Zappadan …

~ Patrick O'Grady ~ 4 Comments

Give me your dirty love.

… I bought a fresh digital copy of “Over-Nite Sensation” to replace the one I had in college.

No, not the bigger-and-better, new-and-improved version. The original, you slime. Do I look like I’m wearing a Sears poncho?

Don’t worry — I got a  little something for you, too: Daniel Felsenthal’s look back at Zappa and that album over at The Atlantic.

Felsenthal calls “Over-Nite Sensation” Zappa’s “most inviting listen, forging a muscular, funk-inflected sound that couches the denseness of his more avant-garde music in pop hooks. … The album’s lyrics made a cutting statement about the flimsy values of its time — and the songs themselves were a tightly wound coil of Zappa’s musical ideas.”

You gotta love anyone who posits that Zappa’s long hair and beard resembled a fermata. No, it doesn’t have anything to do with dirty love, you preverts — it’s a symbol of musical notation.

I have good news and bad news

~ Patrick O'Grady ~ 14 Comments

Guess which is which?

It’s a very Irish sort of day here in The Duck! City, gray and gloomy with a steady drizzle, just the ticket for observing the departure of Shane MacGowan.

’Tis a fine soft day so.

He was just 65. But as Jerry Jeff Walker is reputed to have said to an elder, “You’re older than I am, but I’ve been up more hours.” By that reckoning MacGowan may have rivaled Mel Brooks’s 2,000-Year-old Man.

I have the two classic Pogues albums, “Rum Sodomy & the Lash,” produced by Elvis Costello, and “If I Should Fall From Grace With God.”

Every Christmas Eve Herself and I dance in the living room to “Fairytale of New York.” I have never been moved to dance to one of Henry Kissinger’s bleak, self-aggrandizing dirges.

However, I’m happy to let the late chef and author Anthony Bourdain dance a whipsong on Kissinger’s grave. Here’s a passage from his 2001 book “A Cook’s Tour,” forwarded by Hal Walter:

“Once you’ve been to Cambodia, you’ll never stop wanting to beat Henry Kissinger to death with your bare hands. You will never again be able to open a newspaper and read about that treacherous, prevaricating, murderous scumbag sitting down for a nice chat with Charlie Rose or attending some black-tie affair for a new glossy magazine without choking. Witness what Henry did in Cambodia—the fruits of his genius for statesmanship—and you will never understand why he’s not sitting in the dock at The Hague next to Milošević. While Henry continues to nibble nori rolls and remaki at A-list parties, Cambodia, the neutral nation he secretly and illegally bombed, invaded, undermined, and then threw to the dogs, is still trying to raise itself up on its one remaining leg.”

For more of that sort of eulogy, see the Lawyers, Guns & Money blog. I’d give a pretty to see Zombie Hunter S. Thompson arise from the grave and pick up where Bourdain and LG&M leave off. You may recall HST’s Rolling Stone obit for Richard Nixon.

• Late update: Charles P. Pierce also has a few thoughts, as you might expect.