The cruellest month

“And now, here’s T.S. Eliot with the weather!”

I’m gonna go out on a snowy limb here and say it was probably a good idea that the Soma Pescadero and I had our maiden voyage yesterday rather than today.

Yesterday it was knickers and arm warmers; today it’s green tea and bloggery.

Cruel it isn’t, though. Not at the northern edge of the Chihuahuan Desert, where we haven’t seen any sort of precip’ in the better part of quite some time.

Whew! That Eliot feller would’ve made one helluva blogger, amirite? “The poet’s mind,” he once said, “is in fact a receptacle for seizing and storing up numberless feelings, phrases, images, which remain there until all the particles which can unite to form a new compound are present together.”

He also wrote: “Immature poets imitate; mature poets steal.”

F’sure, bruh. Same thing m’self.

The winter of our dissed content

Extry, extry, read all about it … or not.

At The Atlantic, Noah “Fargo” Hawley advises us that too many reporters are writing fiction.

In a fund-raising email from Mother Jones, David Corn warns us (with one hand casually searching our wallet pockets and purses) that the legacy media’s value-neutral, highly inaccurate reviews of the various hams auditioning for parts in the Pestilence-Erect’s latest play are a form of “sanewashing.’

And at Radio Free Dogpatch, well — our little purse pooch of a podcast may not lift the biggest leg on the block, but it dearly loves a good pissing contest. Why not squeak in a little squirt of our own?

So lend an ear to the latest, massively hydrated edition of Radio Free Dogpatch, even though it may be, as The Bard had Richard declaim:

Deformed, unfinish’d, sent before [its] time

Into this breathing world, scarce half made up. …

Shit, now that I think of it, the title may be the best part of the whole damn thing. …

• Technical notes: RFD favors the Ethos mic from Earthworks Audio; Audio-Technica ATH-M50X headphones; Zoom H5 Handy Recorder; Apple’s GarageBand, and Auphonic for a sonic colonic. The music, “Black Fedora” and “On the Job,” and the people networking and chanting all come from Zapsplat. All other evil racket is courtesy of Your Humble Narrator.

Between essence and descent

Shadow descending.

You can’t go wrong with a good T.S. Eliot reference.

Hunter S. Thompson, whose larger-than-life shadow often fell between the idea and the reality, was fond of quoting “The Hollow Men.”

Francis Ford Coppola gave a strong nod to that one as well, along with “The Love Song of J. Alfred Prufrock,” in “Apocalypse Now.”

Crash Test Dummies likewise put “Prufrock” to work, in “Afternoons & Coffeespoons.”

Lately, of course, the news is distinctly more William Butler Yeatsish, with things falling apart, mere anarchy loosed on the world, and the worst filled with passionate intensity.

It all makes me wish I’d paid more (which is to say “some”) attention during my high-school English classes. And that some other, more prominent slackers had gotten more out of history and civics.

Talking shit

A samurai in a latrine; outside, his three attendants hold their noses. Coloured woodcut by Hokusai, 1834. Credit: Wellcome Collection. Attribution 4.0 International (CC BY 4.0).

I stumbled across an item from the Poetry Foundation, “Haiku on Shit” by Masaoka Shiki, in my virtual wanderings and thought it a delightful departure from the daily shit monsoon, against which a parasol, a wetsuit, or a subterranean bunker are no defense.