Category: Radio Free Dogpatch

Doing time

~ Patrick O'Grady ~ 12 Comments
Miss Mia knows how to be jailin’.

In his loosely autobiographical novel “Homeboy,” ex-con Seth Morgan had a character offer some advice for a new fish worried about doing time.

“The time does itself,” schooled Smoothbore. “You jist got to live with it.”

A few pages closer to the penitentiary, the narrator elaborated:

Jailin’ was an art form and lifestyle both. The style was walkin’ slow, drinkin’ plenty of water, and doin’ your own time; the art was lightin’ cigarets from wall sockets, playin’ the dozens, cuttin’ up dream jackpots, and slowin’ your metabolism to a crawl, sleepin’ twenty hours a day. Forget the streets you won’t see for years. Lettin’ your heart beat the bricks with your body behind bars was hard time. Acceptin’ the jailhouse as the only reality was easy time. Jailin’.

Staying at home, social distancing — these aren’t jailin’, but they’re not exactly freedom, either. Sure, the cell is a little bigger, the guards a little less visible, and the food better. Still, you’d rather be out on the street.

But listen to Smoothbore. Let the time do itself. Live with it.

With any luck at all, you have a short stretch and an agreeable cellmate. You know — someone who doesn’t mind doing the laundry while you stretch out on your bunk and listen to the latest thrilling episode of Radio Free Dogpatch!

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• Technical notes: The bargain-basement broadcasting continues. I used the Audio-Technica ATR2100-USB mic,recording directly to the MacBook Pro using Rogue Amoeba’s nifty little app Piezo. Editing was as usual, in GarageBand. Once again the background music is by Your Humble Narrator, assembled from bits and pieces in the Mac and iOS versions of GarageBand. Other sonic adornments come from the iMovie and GarageBand sound libraries.

Antisocial distancing

~ Patrick O'Grady ~ 23 Comments
The outside is still there. We’re just not making as much use of it lately.

No child likes homework. And damn few adults like working from home full time, once they’ve given it a whirl.

Oh, sure, some of us are cut out for it. Truth be told, without the option to work remotely, some of us wouldn’t be remotely employable.

So as you noobs open your laptops on the kitchen counter, launch Skype, and settle into The New Normal, remember the Old Abnormal. We’re still here, in our three-day beards, unbrushed teeth, and soiled yoga pants, taking regular meetings with the voices in our heads.

We pioneered this shit. Homesteaded it, you might say. And we like it.

So, welcome to orientation.

First, the bad news: The voices in your head are not the ones you’re used to hearing around the water cooler in the office.

The good news? You can tell them to shut the fuck up and they won’t rat you out to HR.

Yes, it’s another thrilling episode of Radio Free Dogpatch!

P L A Y    R A D I O    F R E E    D O G P A T C H

• Technical notes: It’s another bargain-basement broadcast. I used the Audio-Technica ATR2100-USB mic, and skipped the Zoom H5 Handy Recorder in favor of recording directly to the MacBook Pro using Rogue Amoeba’s nifty little app Piezo. Editing was as usual, in GarageBand. The intro music is by Your Humble Narrator, assembled from bits and pieces in the iOS version of GarageBand on a 9.7-inch iPad Pro. Angry shouting and background music (the latter by Doug Maxwell/Media Right Productions) is courtesy of the YouTube Audio Library. Cash register by kiddpark at Freesound.org. Herself was voiced either by Elle Macpherson, Tyra Banks, or Rosario Dawson, I can’t decide.

Rolled another one

~ Patrick O'Grady ~ 29 Comments
Eric “Nohand” Crapton takes his solo. | Photo by Herself

One of the interesting aspects of occasionally wandering away from straight writing into “multimedia,” by which I mean short videos, podcasts, and what have you, is seeing how one thing can become another if you use a big enough hammer.

It’s not always a better thing. But it’s inevitably something different. So what we have here is a podcast that grew like a weed, a wart, or a boil from a couple of short blog posts.

When I blew up my ankle last Friday my instinctive reaction was to write a long blog post about the first time I did that, in 1983. I was a depressed 29-year-old fat bastard who had just quit one job in Oregon for another in Colorado, and suddenly, boom, there I was in a walking cast, on crutches, 1,400 miles from my new home.

A fiberglass foot makes it tough to drive stick. Hell, I couldn’t even load the truck. Stairs were involved. Plus I had two dogs who were nearly as ill-mannered as I was.

And then there was the time I broke a collarbone midway through a long-loop mountain-bike race. Lemme tell you, that shit will affect your finishing time. My cyclocross training proved useless. Couldn’t even shoulder the bike and run. Couldn’t drive then, either, and it was a long haul back to Bibleburg from Gunnison.

Happily, in both instances, I got by with a little help from my friends. Until this last time, when I was on my own.

Golly gee, Mister Dog, what happened then? There’s only one way to find out, sonny, and it’s not by reading — you gotta listen to the latest episode of Radio Free Dogpatch!

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• Technical notes: This episode was recorded with a Shure Beta 87A microphone and a Zoom H5 Handy Recorder, then edited in Apple’s GarageBand on the 13-inch 2014 MacBook Pro. Post-production voodoo by Auphonic. The background music was assembled from various loops in GarageBand by Your Humble Narrator, while the various sound effects were gleaned from G-band and the iMovie effects bin.

Random acts of radio

~ Patrick O'Grady ~ 20 Comments
The mighty Zenith K725.

Back in the Day® it seemed some oversensitive jagoff was always shrieking at us to “Turn that noise down!” Or even off.

How little things have changed.

Impeachy the Clown and Porky Pompeo have it in for NPR because a couple of its reporters had the temerity to, like, y’know, report, an’ shit.

And they’ve started cranking up that tired old double-chin music about defunding NPR and the Corporation for Public Broadcasting, because these fatboys can only punch down.

Naturally, this triggered me, because I’m as oversensitive as the next jagoff. Throw in the confluence of Presidents Day and Random Acts of Kindness Day, and boom: Before anyone could tell me to shut my yap I was opening wide to deliver another painful sound bite with the yellowing fangs of Radio Free Dogpatch.

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• Technical notes: This episode was recorded with a Audio-Technica AT2035 microphone and a Zoom H5 Handy Recorder, then edited in Apple’s GarageBand on the 13-inch 2014 MacBook Pro. Post-production voodoo by Auphonic. The background music was cobbled together by Your Humble Narrator using Apple’s GarageBand and the iMovie effects bin. KRCC operations manager Mike Procell appears through the miracle of Rogue Amoeba’s Audio Hijack.

The Monitor in the Merrimack

~ Patrick O'Grady ~ 5 Comments
C’mon. When you’re staring at this much screen you want a box of popcorn, a big ol’ soda, and a preview of coming attractions that does not include the honking 18-wheeler into whose lane you have strayed.

I have an ironclad disagreement with the notion of a multiplex in motion.

My argument is a simple one: If you want to drive, get an automobile. If you want to text, tweet, phone, Facebook, Instagram, eat, drink, smoke, shoot, or stream anything other than your own bad self down the road, why, get a sofa and some fixed location to put it in.

Our discussion of the Escalade Multiplex with its 38 inches of curving OLED real estate caused me to remember an earlier screed on this very topic, from the pages of Bicycle Retailer and Industry News circa 2014. For a change I cited sources other than the voices in my head, though of course they too were interviewed at length.

Rather than simply reprint the column — c’est ennuyeux! — I barked it into the old Shure SM58 and presto! Yes, yes, yes, out popped another episode of Radio Free Dogpatch!

Too late for this year’s Pulitzer for Audio Reporting, but hey, there’s always next year, amirite? Or maybe 2024, when the sonofabitch will be 10 years old and journalistic standards may have declined even further, perhaps to my level.

P L A Y    R A D I O    F R E E    D O G P A T C H

• Technical notes: This episode was recorded with a Shure SM58 microphone and a Zoom H5 Handy Recorder, then edited in Apple’s GarageBand on the 13-inch 2014 MacBook Pro. Post-production voodoo by Auphonic. The background music is “Well Oiled Machine” from Zapsplat. Sound effects from Apple’s iMovie effects bin and Your Humble Narrator.