Horseshit and gunfire

Black and blue and yellow.

Black Friday? Not entirely. As long as you avert your eyes from the news, that is.

And from your email in-box, too. Jaysis H., etc. Everybody and his bookkeeper is trying to sell me something. Take a break, f’chrissakes. I’m still digesting last night’s feast.

Well … truth be told, as feasts go it was fairly light dining. Green chile stew, salad, freshly baked cornbread, and raspberry cobbler with whipped cream. Fake beer for me, real beer for Herself.

While feasting we watched a couple episodes of the old HBO series “Deadwood,” a tale of unfettered capitalism ascendant in which much of the dialogue sounds like Pestilence Piggy addressing the press.

In one episode a gambler and whoremonger growing fat on fear of and hatred for the government ordered the newspaper office ransacked, its machinery vandalized and shat upon.

So, yeah, ripped straight from today’s headlines. Art imitating life; horseshit and gunfire.

Before we sat down to eat I slipped out for a bracing 90 minutes on the Soma Double Cross, tooling around the Elena Gallegos Open Space and a few of its neighboring trails. Lots of folks out, hoofers and rollers, either working up an appetite for Thanksgiving dinner or sweating out the gravy. And no wonder, with temps in the low 50s, though there was still a bit of mud in the shady spots after last Thursday’s rain.

The DC is a good choice for EG: 42mm Soma Cazadero tires at 30/35 psi, a low end of 24x34T, and grippy IRD Cafam cantis for when shit gets real. Eight-speed bar-cons and XT/Ultegra derailleurs. The 54cm frame is small for me, but has a longish top tube, so I don’t look like a frog trying to hump a helmet when I’m in the saddle. The little sucker is really frisky in the swoopy, twisty bits.

I enjoyed myself so much that I went right back out and did it again today. One more thing to be thankful for. Like leftovers.

‘No more fun of any kind!’

Disney CEO Vernon “Dean” Wormer pulls the plug on Jimmy Kimmel.

The Dean came for Jimmy Kimmel’s “Animal House” yesterday.

Nobody should be surprised, especially Kimmel, who has been attending the Hollywood School of Hard Knocks for the better part of quite some time and been sacked and/or compelled to apologize more than once over a long and checkered career.

Kimmel got his start in radio while still in high school, but didn’t land on America’s TV screens until 1977, when he provided the comic relief on “Win Ben Stein’s Money,” which aired on Comedy Central. “The Man Show” followed two years later.

And then in 2003 he got to hang out his own late-night shingle, “Jimmy Kimmel Live!” on ABC.

Maybe he felt safe there. Comedy Central would fall under the pinstriped shadow of Paramount, which earlier this year punked CBS News and Stephen Colbert to get its merger with Skydance approved.

But this year, ABC — a lesser rub-and-tug parlor in the Disney chain of cut-rate whorehouses — found itself caught between two rocks and a very hard place.

Two big owners of TV stations — Nexstar and Sinclair, the first seeking FCC approval to buy a rival, the second a right-wing white-noise machine — said they would suspend “Jimmy Kimmel Live!” after he addressed the killing of the recently canonized — or is that “cannonized?” — Charlie Kirk. Disney’s empty suits took notice and then gave same to Kimmel, reportedly as his audience was filing in for yesterday’s show.

If Kimmel didn’t see it coming, Calvin Coolidge certainly did. In an address to the American Society of Newspaper Editors on January 17, 1925, the president said: “After all, the chief business of the American people is business. They are profoundly concerned with producing, buying, selling, investing and prospering in the world.”

Some of them are, for sure. And you’re only funny until you get in their way.

Alien nation

A Wall won’t stop him. Her. It. They. Whatevs.

Ordinarily I’d be mildly excited about “Alien: Earth,” Noah “Fargo” Hawley’s take on Ridley Scott’s extraterrestrial horror franchise come home to roost.

But don’t we have enough real monsters down here already?

A handful of corporations battling over the remains of a dying planet? Check. Gazillionaire techlords acting on their every whim without let or hindrance? Roger that. The nice robot is your friend? Oh, hell, yeah.

Same goes for “Wednesday,” Tim Burton’s vision of the spooky daughter from “The Addams Family.” Steve Buscemi joins the cast this season as an educator with a whole Edgar Allen Poe thing going on. And while I love me some Tim Burton, Steve Buscemi, E.A. Poe and Charles Addams, not necessarily in that order, well … see paragraph no. 2 above.

Our real-life spooks are hellbent on robbing me of my sweet girlish laughter, is what. The sonsabitches will do that to us, if we let them. I’ve had to add some old Dan O’Neill comics to my bathroom library to remind me ’twas ever thus.

Dan O’Neill in the dock, unrepentant.

Corporate swine, gazillionaire techlords, and the politicians who serve them deserve all the mockery we can muster and then some. Just ask O’Neill, who went to war with Walt Disney Productions Back in the Day®. Disney proved a remarkably humorless and implacable foe, for an outfit that made bank on the antics of a cartoon rodent and his pals, but O’Neill kept on slugging, a smile on his lips and a song in his heart.

He lost, of course. But it wasn’t a knockout; the judges had to turn themselves inside out to declare Disney the champeen. And even in victory the Mouse was left coughing up a couple mil’ in legal-fee corpuscles.

Forty-five years later, thanks to the Innertubes, parody, satire — and yes, outright mockery — can spread a whole lot further and faster than a handful of underground comic books, if we’re not all too busy clutching our pearls on our fainting couches. Follow the lead of Stephen Colbert, Jon Stewart, and “South Park.” Hit ’em where it hurts with the ol’ one-two — the hee and the haw.

I don’t think Dan will be sprawled on his couch watching “Alien: Earth,” if only because it’s streaming on FX/Hulu, which is owned by — wait for it — Disney.

Between you and me, I hope O’Neill and the other surviving Air Pirates are busy working up a fresh parody of our modern monsters. Are you ready for Mickey Xenomorph? Game over, man … game over!

Dead air

KRCC is just one of the three public broadcasters we support.

CPR, we hardly knew ye.

The Right got another zopilote feather in its asshat with the news that the Corporation for Public Broadcasting will cease operations in 2026.

What’s the problem? Why, money, of course. There’s just not enough to go around! Writes The New York Times:

Hey, $500 million here, $500 million there, and pretty soon you’re talking about real money. Money for stuff like — oh, I don’t know — say, a $30 million military parade to give Felonious Punk a chubby on his birthday. Or $1 billion to refurb’ a Qatari jet that he will take with him to his “library,” which will be a walk-in closet full of fuck books, golf scorecards (see the Fiction stacks), and classified documents (homeless dude thumbing through them whilst on the shitter).

And then there’s the tab for flying this fat cunt around the world to visit his golf courses, where the locals gather to jeer, snigger, and call him a fat cunt. We can call him a fat cunt right here at home for free. See? I just did it. Didn’t cost one of the pennies we won’t be making in 2026.

Maybe that’s why the Corporation for Public Broadcasting got it in the neck. No pennies for that crowd.

The Wrath of Con

“You did what?”

Is Khan Noonien Singh running Starfleet in this timeline?

No, he’d have been deported to the Klingon Empire by now. The braying asshole whose shysters just extorted $16 million from Paramount is merely a student of his methods:

To boldly go … where? To the bank for a cashier’s check, it seems. Hold the phasers, drop the shields, piss on the dilithium crystals and call in the Tribbles.

Beam me up, Scotty — there’s no intelligent life down here.