One bodhisattva for Katmandu, please

Buddha don’t need no Rand McNally, yo.

The body may be at rest, but the mind wanders as it will.

Two songs have been getting heavy play on my cranial jukebox: “Katmandu,” by Bob Seger, and “Bodhisattva,” from Steely Dan.

The first, from 1975, ostensibly about salvation via relocation, is actually what Seger described as “an exasperated song” written near the end of a decade-long stretch “where I was going nowhere fast. …  I still had some of that defeatist mentality and you can hear it in there.”

The second is a 1973 critique of cookie-cutter spiritualism and its related divestiture of worldly goods that co-writer Donald Fagen once summarized as: “Lure of East. Hubris of hippies. Quick fix.”

Thomas McGuane was scouting that territory even earlier, in his 1971 novel “The Bushwhacked Piano,” in which the peripatetic Nick Payne’s father tells his wayward son: “I just find the Rand McNally approach to self-discovery a little misguided. … My rather ordinary human response has been to resent having to go to work in the face of all that leisure.”

That these musical and literary ingredients are suddenly bubbling to the top of my consciousness, such as it is, may be a consequence of having just finished McGuane’s latest story collection, “A Wooded Shore,” in which a selection of the damned find themselves adrift in various fashions and locations, Dante’s Sea of Excrement being among the hot spots. “I’m a realist, you see,” says that particular voyager.

“Sure rings a bell these days,” as McGuane told The New York Times. On the mark as usual, Tommy me boyo.

Or perhaps it’s that I’m rocking a streak of vivid dreams about bicycling in outlandish circumstances, perhaps as a reaction to getting myself locked into a small selection of predictable 20-milers, your basic hamster-wheel loops, for no good reason that I can think of beyond sloth and convenience. An assist from Rand McNally is not required for this sort of tour de meh. Trying to break the chain I recently took two rarely ridden bikes on short outings, one of them involving a few miles of singletrack I hadn’t ridden since January. I dabbed frequently and shamelessly.

I suppose it could just be that fall is upon us, and with it our local elections and the fabled “fall back,” slated for Sunday, Nov. 2. Oh, good, an extra hour of nightmares.

When swimming the Sea of Excrement, I recommend the backstroke.

Be here when?

The Cuisinart bread warmer/scorcher.

On Saturday I was making breakfast and mulling over Ken Layne’s latest Desert Oracle podcast when I smelled something burning.

The Wirecutter boyos say you can’t buy a proper toaster anymore, whether you spend a lot or a little, and I believe them. If I don’t keep an eye on and make adjustments to this cheapo Cuisinart what I wind up with is either lightly dried bread or a blackened slab that looks like a smoking shake shingle from a lightning-fried cabin.

A little thing, to be sure. Hardly the foundation for a thumbsucker The New Yorker might buy. And never mind writing about it — simply thinking about it may be a red flag, or so posits the Desert Oracle:

If you don’t have any sense of mission or destiny, or religious faith, or really any sort of sustainable lifetime philosophy, then the small stuff is all you can think about. Because no matter where you are in life, at one time or another you are going to have all the usual problems: health, money, sorrow, disgust, anger, gum disease, athlete’s foot, too much house or none at all. Your dog either up and died or it’s neurotic and full of hate and will outlive you by decades. Everybody’s out to get you or nobody pays any attention at all. The entirety of modern technological society has brushed away and marginalized the personal practice of philosophy. So we lose the plot while we’re in it. It’s like one of those Disney “Star Wars” movies.

I’ve had all of these problems, except being outlived by dogs. And that rough beast is bound to come slouching around one of these days, because Herself wants one, even more than she wants properly toasted bread in the mornings, slathered with Irish butter and French spread.

Maybe I should relocate to one of Jimmy Buffett’s Margaritaville-branded “active-living communities,” a paradise for Parrotheads, which is a philosophy of sorts, maybe even a religion.

I had a brief Buffett period, and still enjoy his early works, like “He Went to Paris,” “Cuban Crime of Passion,” and “Death of an Unpopular Poet.” He may have foreshadowed his future as a geezer miner with the lyrics to “I Have Found Me a Home”:

And I have found me a home

Yes, I have found me a home

And you can have the rest of everything I own

’Cause I have found me a home.

I think we’re all bohos on this bus.

That song and the rest of my best-of-Buffett list are from his 1973 breakout album, “A White Sport Coat and a Pink Crustacean,” which features, among others, Steve Goodman on acoustic lead guitar, Vassar Clements on fiddle, and Thomas McGuane on liner notes (“We are beset by the quack minstrels of a non-existent America, bayed at by the children of retired orthodontists about ‘hard times’ and just generally depleted by all the clown biographies and ersatz subject matter of the drugs-and-country insurgence that is replacing an earlier song mafia,” and if that isn’t vintage Captain Berserko I’m a Daytona Beach Realtor.).

The folks who live in Buffett’s beach-bum burgs out there in Disney country certainly seem to have a philosophy that works for them. In his New Yorker piece Nick Paumgarten quotes Stuart Schultz, Latitude Margaritaville’s head of residential community relations (and a former summer-camp director), as saying that living in a Margaritaville property is “like being in college, but with money and without having to study. You have a great dorm room, you never have to go to class, and there’s always a party.”

Hm. I dunno. An earlier version of me never went to class but took in many a party, so I feel like I’ve done my time in that dorm room. And like the toast from my Cuisinart I have the scorch marks to show for it.

It’d probably be smarter to stay put. Get a philosophy. And maybe a dog.

Gassho, Thich Nhat Hanh

Thich Nhat Hanh, via Upaya Zen Center.

The Vietnamese Buddhist monk and teacher Thich Nhat Hanh has gone. He was 95.

A champion of mindfulness, compassion, and peace, he departed from the Tu Hieu Temple in his homeland, where once — as an opponent of the Vietnam War — he was not welcome.

He returned twice to teach, publish, and lead retreats and ceremonies before finally going home for good in 2018, following a stroke four years earlier.

In his book “At Home in the World,” published in 2016, Nhat Hanh addressed his inevitable leaving. He wrote:

This body of mine will disintegrate, but my actions will continue me. If you think I am only this body, then you have not truly seen me. When you look at my friends, you see my continuation. When you see someone walking with mindfulness and compassion, you know he is my continuation. I don’t see why we have to say “I will die,” because I can already see myself in you, in other people, and in future generations.

Even when the cloud is not there, it continues as snow or rain. It is impossible for the cloud to die. It can become rain or ice, but it cannot become nothing. The cloud does not need to have a soul in order to continue. There’s no beginning and no end. I will never die. There will be a dissolution of this body, but that does not mean my death.

I will continue, always.

The Upaya Zen Center of Santa Fe will offer a memorial service via YouTube at 5:30 p.m. Mountain time today. The Zen center he co-founded, Plum Village, plans an extended remembrance beginning tomorrow. You can read more about Thich Nhat Hanh at Lion’s Roar.

Take it to the bridge

Sonny Rollins doesn’t play anymore because he can’t.

But there was a time when he stepped out of the jazz spotlight voluntarily, because he felt he wasn’t living up to his own musical expectations.

Rollins spent the next two years playing to the sky from the Williamsburg Bridge, spanning the East River in New York City. And 60 years ago this month, he returned to the studio for a session that led to his comeback album, “The Bridge.”

“What made me withdraw and go to the bridge was how I felt about my own playing,” says Rollins, now 91. “I knew I was dissatisfied.”

John Fordham of The Guardian has the story here.