Round up the (un)usual suspects

“No, not the trans antifa, you fool! The irony-poisoned, terminally online, neonazi groyper types!”

Some days I feel the weight of every nanosecond of the 71.5 years I have spent on this planet.

I’m so old that when some fresh young bit of news rears its pimply head, references from books — yes, books! — leap to what remains of my mind.

For instance, there’s P.R. Deltoid, the “post-corrective adviser” to the ultraviolent 15-year-old Alex in “A Clockwork Orange” by Anthony Burgess:

“What gets into you all? We study the problem and we’ve been studying it for damn well near a century, yes, but we get no further with our studies. You’ve got a good home here, good loving parents, you’ve got not too bad of a brain. Is it some devil that crawls inside you?”

Or the bruiser in the cowboy hat in Thomas McGuane’s “Something to be Desired,” who, upon seeing a used tampon land on his windshield at a drive-in movie theater, steps out to make a few inquiries among the usual suspects, which include the hapless Lucien, who had been preparing to continue a mutual infidelity with a casual acquaintance until a rare burst of discretion — “spraying ancient drive-in gravel” in headlong flight — came to seem the better part of valor.

“I got my fiancée here!” shouts the cowboy. “She don’t want to know about your little world!”

Alas, it seems that to gain some insight regarding the suspect in the Charlie Kirk killing I must leave the library and take a deep dive into the wonderful world of … Helldivers2?

In addition to everything else, I’m supposed to worry about whether the asshole on my six with two wheels in the bike lane is “a Nick Fuentes groyper and gamergate 4chan douchebro?” 

No thank you, please. I just finished an oldster’s breakfast of oatmeal, fresh fruit, and tea. It looks like rain. And I’m feeling the cowboy’s confusion here, with a geezerly side of These Kids Today.

I remember when games meant Monopoly, Scrabble, or just tossing the ol’ pigskin around. I don’t want to know about their little world.

Doing it old school, or ‘Yeah! Science (fiction)!’

A script from the Before-Time, possibly written by Dr. Eleven. Or that “Mad Blog” fella.

I always liked science fiction. Science, not so much.

Science always seemed rigid and impersonal. But science fiction, or speculative fiction, if you prefer — especially of the apocalyptic variety — spoke to the gloomy bog-trotter in my DNA.

So I studied the fiction instead of the science, with predictable results. When it came time for me to go to college, there was only one in the state that would accept me with my miserable GPA. However, the institution excused me from freshman comp because I was a fool for words, as long as there were no equations to solve.

SF seems best to me when the future isn’t pretty, but people manage to muddle through somehow. “A Clockwork Orange.” “Alas, Babylon.” Or “Station Eleven.”

We watched the “Station Eleven” TV series on Max, recently watched it again, and afterward I finally got around to reading the book, which as usual is considerably different. Author Emily St. John Mandel was gracious about the changes, though, saying she thought the series “deepened the story in a lot of really interesting ways.”

I doubt that I’m adding any significant depth with this latest episode of Radio Free Dogpatch, but the notions contained therein have been taking up space in my head for a while now and the Voices would like them to leave. They’re your problem now.

• Technical notes: RFD favors the Ethos mic from Earthworks Audio; Audio-Technica ATH-M50X headphones; Zoom H5 Handy Recorder; Apple’s GarageBand, and Auphonic for a wash and brushup. NASA noises, starship flyby, countryside ambience and appreciative audience come from Zapsplat. “Wernher von Braun” is the work of the inimitable Tom Lehrer. The Celtic tune is from Freesound. And the outro clip is from The Firesign Theatre’s “I Think We’re All Bozos On This Bus,” which remains all too relevant. All other evil racket is courtesy of Your Humble Narrator.

Thanks to Stanley Kubrick and Arthur C. Clarke for “2001,” Gene Roddenberry for “Star Trek,” Emily St. John Mandel for “Station Eleven,” Pat Frank for “Alas, Babylon,” Stephen King for “The Stand,” and The Firesign Theatre for … well, for everything.