Through a glass, darkly

The Hall of Dreams.

Weird dreams last night. Lots of rain; a bicycle with a dynamo light I couldn’t get working; a close encounter with a mystery motorist who nearly clipped me as I wrestled with the unresponsive light; long drives with people I knew through vaguely familiar landscapes and towns; a small, dilapidated guest house that likewise had the feel of someplace I’d lived before; a couple of friendly dogs I didn’t recognize; and a visit to and some conversation with a genial old man living in a single cluttered room.

What finally blew me out of bed at 5:19 a.m. — and I mean had me out of the rack and onto my feet in some fight-or-flight reaction — was the sound of a woman either laughing or crying.

Herself watching a cute-animal video on the iPad? The garlicky pasta sauce I made for dinner? La Llorona?

Wasn’t Herself. She was in the kitchen making coffee and entertaining Miss Mia Sopaipilla. And she had disturbing dreams too, about her late mom and an old friend who passed not long after Herself the Elder. So it could’ve been the pasta sauce, I suppose.

La Llorona? A strong maybe. This is the Southwest, after all, though my crowd, the Ó Grádaighs of County Clare, is more closely associated with the banshee, an Irish herald of death.

So it may be relevant that yesterday I spoke with one old bro’ about friends and relatives gone west, and with another about the Doors, who took their name from Aldous Huxley’s book describing his experiences with mescaline, “The Doors of Perception,” its title likewise lifted from a William Blake metaphor in his book, “The Marriage of Heaven and Hell.”

If the doors of perception were cleansed every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern.

Now, I have had my own experiences with mescaline and other psychedelics, starting in “high” school and continuing off and on into the Eighties. And they certainly took the Windex to my perceptual doors, if only for a little while.

But these days I see “through a glass, darkly,” as did Paul in 1 Corinthians 13, adding, “now I know in part; but then shall I know even as also I am known.”

Or, as newspaper lingo once had it: “More TK” (more to come).

Y’think? Naw. Maybe? I dunno.

Until further enlightenment arrives, I’m betting on either garlicky pasta sauce or acid flashback, though the latter doesn’t explain why Herself had weird dreams too. An acid head she was not.

The good news? We have leftovers. So, “more TK.”

The doors of perception

The’ hell is that? Jon Snow lopping the noggins off wights? The Night King riding Viserion to battle like Robert Duvall in a Huey? Melisandre lighting it up? Nope. Just Maester O’Grady taking a picture of his TV in the dark.

And now, for something completely different. …

If you thought Sunday’s epic battle between the dead and living seemed a little, well, dark, even for “Game of Thrones,” you’re not alone. But before you dash out to buy a new TV, attend ye to the wisdom of Maester Devin Coldewey at TechCrunch (h/t Jason Snell at Six Colors).

Speaking of the walking dead, Matthew Butterick (h/t John Gruber at Daring Fireballhas a few words to say over the lumbering carcasses of the typographical foot soldiers employed so far by the Democratic candidates for president. The lede? It kills:

“You cannot bore people into buying your product,” according to David Ogilvy. So true. Nevertheless, election season arrives, and radical boredom inevitably becomes the preferred strategy for most candidates. Let’s have a look at the typography anyhow.

And yes, today’s headline is drawn from William Blake via Aldous Huxley and Jim Morrison.