To the BikeCave!

The BikeSignal appears in the foothills of the Gotham Mountains.

Always the Joker, hey?

Well, it can’t be politics 24/7 around here, even after a rare November blizzard of good news that nevertheless was not quite good enough to exorcise Beelzebozo from the body politic.

Denied the explosive hemorrhagic stroke of our dreams — well, mine, anyway, especially if it takes place on live TV — the Republic remains possessed. I’m surprised he’s not trying to grab the Beaver Moon with his stubby little fingers. We’re gonna need a bigger priest.

Happily, the weather has been spectacular for the distracting bikey ridey, with highs in the 70s and hardly any wind, which is unheard of in New Mexico. Shucks, it’s already just two degrees short of 60 at 9 in the a.m.

While we wait for winter to set in, if it ever does, I’ve been dialing back the weekly mileage and airing out some dusty machinery. Getting the callup in the past couple weeks: Rivendell’s Sam Hillborne, both Steelman Eurocrosses (it is cyclocross season), the Jones, DBR Axis TT, and New Albion Privateer.

The black sheep in my velo-family.

Today may see the Voodoo Wazoo getting a little dirt on its knobs. Or p’raps the Bianchi Zurigo Disc, which as the only alloy-framed, carbon-forked, SRAM-controlled steed in the shed is definitely the odd man out, especially when it’s sporting 32mm Conti slicks, as it is at the moment.

Whenever I wander off into these seasonal inspection tours, in the back of my mind I’m thinking idly about thinning the velo-herd. But I notice that despite my best intentions there remains nary a hook unburdened in the garage with a few more two-wheelers parked on the deck.

N+1, baby; n+1.

OK, say ‘cheesy’

A fuzzy Beaver Moon, which I suppose could be considered appropriate.

Betimes I wish I had an actual camera instead of an iPhone, especially when zooming in on something like the last full supermoon of the year.

But then I remember that I’m no great shakes as a shooter and the phone that I already own is exactly my speed. I’m not exactly Ansel Adams. More like Gomez Addams, or maybe Uncle Fester.

Hell, people who know what they’re doing shoot movies — actual films, not TikTok dances or cute-animal videos — using iPhones.

Not me, of course. Because (a) I don’t know what I’m doing, and (2) I don’t really want to learn.

When I was shooting bike reviews for Adventure Cyclist and teasers for Charles Pelkey’s Live Update Guy it was occasionally fun, kinda, sorta. But also complicated, because I was using a GoPro, or a more traditional camcorder — Sony VIXIA mini X or Panasonic HC-V770 — and there’s a whole lot of wobble when you’re recording video and audio in the wild, especially when the production crew is dumber than a bag of hammers and your leading man has a radio face.

Anyway, them newfangled consarned moving pictures do all the work for the audience. When you read or listen to a story, your imagination has to break a sweat. With video it just sorta slouches on the couch with one hand in the popcorn bowl and the other thumbing a phone, checking to see if there’s something better on.