
When I bought my first copy of “The Milagro Beanfield War” by John Nichols — I have bought several over the years, replacing copies rumpled, thumbed and dog-eared half to death — the clerk at the Alamosa bookstore confided, “You know, this is about us.”
I bet a lot of people thought that, from Saguache to Socorro. “This is about us.”
The New York Times was not impressed. Reviewer Frederick Busch, himself a writer of novels and short stories, observed: “Nichols’s attempt to make his love for an area and his social concern coincide with his often celebrated sense of humor is doomed by his own always visible hand.”
Well, I never read any of Fred’s work. But I read a shitload of John Nichols. And I always came back to “Milagro.”
It wasn’t a great novel. As an editor I wanted to run through it with a cleaver, dispatching various digressions, superfluous characters, and a general flowery wordiness that must have caused a thesaurus or three to burst into flames from overuse. And the movie was pretty awful.
But “Milagro” gave me my first hint that water was not just something that came out of a faucet whenever and wherever you wanted it. And I met some of its characters — Joe Mondragon, Horsethief Shorty, Amarante Cordova, Charley Bloom — in places like Alamosa, Greeley, Española, Santa Fe, and Albuquerque.
Most of all, I enjoyed their wandering, collective story, in which The Little Guys go toe to toe with The Man. Damn the torpedoes, full speed ahead. ¡Vamanos! They won a battle, but the war continues.
Alas, John Nichols does not. He has gone west after a long illness, according to his family. He was 83.



