Posts Tagged ‘Tom Waits’

Song, fire, and ice

May 22, 2022

Sign of the times.

Tezcatlipoca, God of the Night Wind, was in something of a mood as we hit the sack last eventide.

The sonofabitch spent the night roaring and rumbling, tipping things over, and generally acting the fool. The power blipped on and off a half-dozen times before I finally toppled into a restless sleep marred by inexplicable dreams.

In one I was outside somewhere with the rest of the bums as Tom Waits sat at a nearby café, trying to compose an opera based on his song “Misery is the River of the World.”

When I moseyed on over to his table and suggested that “Ruby’s Arms” might make a better foundation, Waits snickered and replied to the effect that I must’ve fallen in love with the first girl to kiss me somewhere other than the cheek.

When I wandered back to the bums one of them was gnawing on a sandwich I had scrounged. Let your attention drift for a second and someone will be eating your lunch, swear to God.

Elsewhere other deities were on the job. Coyote took a snowy shit on Colorado, because he thought it would be funny to lay 10 inches of snow on the place right after a 90-degree day. And Xiuhtecuhtli is still torching everything flammable in New Mexico because … well, it’s anybody’s guess. Perhaps he’s croaking the tourist season to punish the pochteca merchant class for sniveling about a dearth of eager employees while refusing to pay a living wage.

Something might be gaining on you

September 11, 2021

It’s been a long, long road.

While they continued to write and talk, we saw the wounded and the dying.Erich Maria Remarque, “All Quiet on the Western Front”

I didn’t have much to say on the 10th anniversary of the 9/11 attacks, and a decade further on down the road I feel even less inclined to hold forth on the topic. A bunch of people got dead, maimed, or insane; another bunch got rich, famous, and powerful; and the rest of us went shopping.

Did we learn anything from the attacks and what Charlie Pierce calls “our blind, feral response?” Doubtful. We check the rear view every 10 years or so, but that’s just reflexive, like glancing at a TV as you pass.

Anything good on? Nahhhhhhh. Same ol’, same ol’. Hey, who wants to go to the mall?

Could be worse. …

August 2, 2021

August slipped in wearing its gray flannel suit.

Sixty-four degrees at 8 a.m., with a monochromatic sky and a forecast that would have Noah muttering, “Not again,” as he reached wearily for the red phone next to his spyglass and Mae West.

“Hello, San Diego Zoo? Two of everything, please, chop-chop. No, no delivery necessary. I’ll pick ’em up. Just truck ’em up to Hot Springs Mountain and keep a sharp lookout for a real big boat.”

Welcome to August.

It’s not what I expected, frankly. With The Visitation on hiatus and my calendar remarkably free of to-do items I had been pondering a brief escape from the sodden Duke City to air-dry the old brain-case.

Fewer deer, more roses.

But the weather is proving uncooperative, and it seems silly to drive somewhere else to watch it rain when I can do that right here at home.

Especially since travel involves either a cheerless motel room that was no bargain before the daily rent shot into the mid-two-hundies (plus you can’t find one anyway), or pitching a tent in a flaming puddle full of vampire bugs, shape-shifting cooties, and hobos who wish all these slumming hipster dickheads would just dig into their Hilton points and piss off so they could enjoy their mulligan stew and squeeze in peace.

Masque of the Dread Breath

Well, at least we’re back to the face panties again, hey? Some of us, anyway. The checker was not up for casual banter as I hit the Sprouts to replenish the larder, possibly because The Great Remasking seemed to be a few faces short of a full team effort at 9:30 on a gloomy Sunday morning.

I had noted some diamonds on my windshield during the drive to the grocery and was hoping the actual tears from heaven would hold off long enough for me to sneak in a quick ride without fenders or jacket.

Sure, we need the moisture. And no desert dweller should bitch about rain, unless he parks his shopping cart in an arroyo. But I’m just enough of a hipster dickhead to need the ride, too.

With the deer rustling their own grub up in the hills we were getting a rerun of roses in the yard, so, yay. But the murky mornings and low ceilings recalled Corvallis, Oregon, the only place I’ve ever lived without a bicycle.

The clouds sagged all the way down to the ground in that burg. The moist walls of my tiny apartment closed in around me like hungry freegans swarming a Whole Paycheck Dumpster and the firewood steamed before it burned in the cheap tin wood stove.

A neighbor’s ducks loved that climate, quacking contentedly outside my bedroom window. I drank a lot.

Horses for courses

Back home, with the groceries put away, I took another glance at the sky and decided to go for it. I used to race cyclocross, I thought. I’ve covered school-board meetings. I can do anything for an hour.

I felt another drizzle tuning up as I approached the base of the short climb to the tram. So I swung around and headed back south, weaving Tramway and a network of foothills avenues into a rolling 20-miler. It was just the ticket. Smoove like butter and dry as a good martini.

Today — eh, not so much. The rain started before I even left the house.

I thought about taking the day off, but I ride with a small group of graybeards on Mondays and Wednesdays, and had already committed to the meetup. I had a feeling they’d be out in it, and it was unfortunate that I had mentioned my fondness for cyclocross in their presence.

So I left the New Albion Privateer parked and pulled a Steelman Eurocross down from its hook. A cyclocross bike for cyclocross weather. A man must carry on.

Sharp-dressed man

I stuffed a jacket into a jersey pocket to make sure the rain stopped, but it didn’t work. Didn’t matter, either. The rain continued, but never turned into a frog-strangler; it was barely even chilly, though I kept my arm warmers on. The jacket stayed in its pocket.

And yes, the geezers were all there. And yes, the Steelman drew many admiring glances. So yes, I’ve fooled ’em again.

At one point as we took shelter under a tree there was a short discussion about cutting a climb and subsequent descent from the usual route. It ended when one of us (not me) observed, “Well, we’re already wet, so. …”

So on we rode, taking the downs along with the ups.

It made me wonder what I’d been missing by not riding a bicycle in Oregon. I mean, I was gonna get wet anyway.

What’s he building?

December 27, 2020

And we wrap up our Christmas 2020 bloggery with Tom Waits, who seems to have had the Music City Bomber on his musical radar back in 1999.

Birthday card from a Mad Dog in Albuquerque*

December 7, 2020

The last leaf on the tree. Well, not really;
we had to make life imitate art a little bit here.

A happy 71st birthday to Tom Waits. This particular autumn is taking a whole lot of leaves; I hope it won’t take him.

* For anyone who isn’t a Tom Waits fan — could such a person exist? — the headline riffs on the title to his song “Christmas Card from a Hooker in Minneapolis,” from the album “Blue Valentine.”

Happy birthday, Tom Waits

December 7, 2019

Himself turned 70 today. Many more to him. You really gotta hold on, Thomas me lad.

New coat of paint

November 23, 2019

“Come On Up To The House: Women Sing Waits,”
is available at Dualtone Music Group.

Tom Waits is an acquired taste (just ask Pat O’B), but Allison Moorer finds him delicious.

Moorer and several other female artists, working with producer Warren Zanes, have released an album of Waits covers titled “Come On Up To The House: Women Sing Waits.”

They lay a sweet, smooth coat of Sherwin-Williams over that weatherbeaten Waits structure, which Zanes describes with all due respect as a “trash-can aesthetic,” and it works beautifully in the cuts I’ve heard.

Roseanne Cash performs a gently reimagined “Time,” one of the Waits songs I like to play badly on guitar. Iris Dement, a frequent John Prine collaborator, takes a deep, Dolly Parton country dive into “The House Where Nobody Lives.” And Patty Griffin’s take on “Ruby’s Arms” strips the original of its instrumental fat and gets right down to the bone.

In an interview on NPR’s “Weekend Edition Saturday,” Scott Simon quotes Moorer describing Waits as “a fully integrated artist who seemingly sees the whole picture at once and knows how to present it so that we do too.”

“He does seem to draw up marginal characters a lot — people who are either stuck in life or we don’t consider them people that we see,” Moorer said. “He exposes the everyday.”

Zanes hopes the album will unearth the lyrical voice that for some may be inextricable from the “grit and the growl” that characterizes Waits’s delivery.

“I think over the years he went deeper into the back of the cave, and sometimes I think people fail to see the very classic nature of the songs because of that ‘trash can’ aesthetic,” he told Simon.

“We viewed it as, ‘His 70th birthday is coming, and it’s a feast day, and we’re gonna take these songs and we’re gonna give them all the sweetness that we can.’ There’s something about the female voice that’s associated with a kind of vulnerability and a kind of emotion that we really wanted to breathe in these songs.”

Meanwhile, here’s the original “Ruby’s Arms,” the closer to 1980’s “Heartattack and Vine.” I was alone and miserable in Tucson when I trudged down Orange Grove Road to some anonymous Oracle Road music shop to buy this one. Still have it, too.

He went down, down, down

July 31, 2019

It’s all downhill from here.

Nope, I didn’t break the speed limit. I maxed out around 35 mph as I dropped from the top of Tramway to Roy, 4th, Guadalupe Trail, Alameda, and finally, the Paseo del Bosque.

As you know, I am a law-abiding fellow, and rarely in a hurry.

Last trip down I was on the Soma Saga (disc). This time I took the Soma Saga (canti), having finally toed the squeak out of the TRP RevoX brakes.

The TRP RevoX. You need a jillion Allen keys and a 13mm wrench to make this dog hunt. But hunt it does. I never had to Flintstone to a stop.

I’ve tried a bunch of brakes on this bike and hadn’t really liked any of ’em. Paul’s MiniMoto would be the shit, but cabling proved a little crowded with 38mm tires and fenders. And I was fresh out of my go-to stoppers, Paul’s Neo-Retro and Touring cantis, having shifted my last pair to the Voodoo Nakisi.

Happily, I had this set of TRPs idling around the garage, so on they went. A little fiddly for a half-assed mechanic to set up, and on our last outing they brayed like jackasses, but now they work and sound just fine. Still, when time and finance permit I’ll give some more money to my man Paul, just ’cause.

The bosque was nuts for a workday morning. Racer dudes and dudettes, recreational riders, e-bikers, recumbents, joggers, skaters, strollers, equestrians, even one grinning young woman aboard what I think was an ElliptiGO.

I had thought about doing the whole enchilada, continuing down past Rio Bravo and back around, but discretion proved the better part of valor. I hung a U at Interstate 40 and went back the way I came for a grand total of 47.8 miles, which felt about right.

As I rode up Roy toward the Tramway climb I saw a rara avis indeed — a triplet, barreling down toward the roundabout at 4th and Roy. I waved, and the dude in the middle waved back, but he looked like he’d rather have both hands on the bars and I can’t say I blame him. That was one crowded bike and like our “democracy” I imagine it demanded everyone’s attention and participation.

If you’re looking for them “Deep River Blues,” they’re off to the left, behind the cottonwoods, and they’re actually more of a brown.

Bucket (play)list

July 14, 2018

It never rains, but it pours. Enough to fill up that bucket, anyway.

The rain gods finally heard our prayers this afternoon. Or maybe they heard the Tom Waits. I was playing “Small Change,” but it might be time to cue up “Rain Dogs.” For I am a Rain Dog too.

Make it rain

June 16, 2018

Finally. What a great day to be a rain dog.