Last leaf on the tree

Palmer Park
Bibleburg as seen from Palmer Park. I used the Vivid mode on my little Canon 300 HS to pimp up the colors a bit.

People often ask me why I choose to live in Bibleburg. Seventy-degree days in late October have quite a bit to do with it.

I slipped out for a pleasant afternoon ride yesterday. Took the arm warmers, just in case; never needed them.

Lots of people were playing hooky. Dog walkers and joggers, moms pushing strollers, folks just slouching along, soaking in those last few sunny moments before it all goes sideways and snowy.

At one point I was high up on the south side of Palmer Park, looking west across town at the mountains. You can’t see the vacant storefronts, unpatched potholes and tinfoil-beanie wingnuts from up there. It’s all fall, all the time, green, orange and gold on a blue background.

This morning I streamed the new Tom Waits album, Bad As Me, and it included a poignant number, “Last Leaf.” The refrain goes:

I’m the last leaf on the tree

The autumn took the rest

but they won’t take me

I’m the last leaf on the tree.

Good stuff from start to finish. We’ll be adding that bad boy to the Waits library when it’s released on Monday.

Return of the Interbiker: Songs from Uranus

On the road again
Eastbound and down, loaded up an' truckin'.

LAS VEGAS, Nevada — Technology is not always our friend, and all too often the march of progress resembles the drunkard’s stumble that Tom Waits famously described in “Nighthawk Postcards (From Easy Street)” as “using parking meters as walking sticks.”

For example, we now enjoy “Italian” bikes wearing Asian components, “high-speed Internet” that is anything but, and “smart” phones that no longer need humans to place calls, choose music or launch apps.

The Italian-Asian hybrid you already know about. The Internet of the Living Dead was at the Fairfield, where I spent much of last night pushing one pixel at a time through a virtual soda straw.

And the “smart” phone? It was in one of the cargo pockets in my shorts when it decided Interbike was boring and needed a fresh soundtrack. Thus throughout the day my iPhone 3GS would randomly set Tom Waits, Gladys Knight and the Pips or Elvis Costello to singing, Ace Ventura-like, out of my butt, generally while I was trying to conduct a little business.

When that proved so 15 minutes ago it started ringing up people in my contacts list and launching apps at random. What’s next — texting my editors to ask them whether they’re wearing crotchless panties? Some of them probably are, and then where the hell will I be?

Oh, yeah — I’ll be on the road, that’s where. Show’s over, and I’m Colorado bound.

All quiet on the western front

Eggs and sausage and a side of toast

Coffee and a roll, hash browns over easy

Chili in a bowl with burgers and fries

What kind of pies? — “Eggs and Sausage,” Tom Waits

Going to Interbike as a “cycling journalist” is a lot like deliberately overeating. Everything that goes in must eventually come back out, one way or another. Then it’s stand back, boys, she’s gonna go a gusher.

Outdoor Demo is but an appetizer, a trifle. It’s too hot to think, and people are either fresh from getting settled into their hotel rooms and routines and/or discovering with dismay which key piece of pro equipment they forgot to fetch with them from Podunk (MiFi, digital recorder, camera, Visa card). So they nibble around the edges out there in the desert outside Boulder City, ride a bike or two or three, gulp a beer in the VIP tent, take a deep breath.

Tomorrow the show opens for real at the Sands Convention Center. I recommend wearing Wellingtons, a slicker and a welder’s mask.

• Late update: Meanwhile, Lennard Zinn waxes rhapsodic over a $2,600 wheelset. Well, he’s waxing something, anyway. Jesus.