
Lots of interesting chatter in comments about the coverage of bicycle racing in the Age of the Internets. I’ve been at it for about 20 years now, and the changes I’ve seen have not all been for the better, any more than they have been in the mainstream media.
We in the press were late to realize how easily we could be bypassed. Think of the media as this great stone edifice, an imposing castle standing athwart the road from News to Youse. None shall pass — not without paying tribute, anyway.
Well, Al Gore and his pals done went and built a bypass — the high-speed Infobahn — and now sleepy Journalism Lane gets about as much paying traffic as the frontage road alongside I-25, formerly known as Highway 85-87, if I recall correctly.
The organizers of the Giro are giving their video away — I’ve been watching the race on the Gazzetta dello Sport website. The Amgen Tour of California folks were doing the same thing last year. In neither case did I have to install any extra bits of this and that to make it happen. Other events, like the spring classics, can be had via pirate video — sites like cyclingfans.com hunt down high-quality streams like fly fishermen on meth.
Nobody invites me to the strategy sessions at Competitor Group Inc. HQ in San Diego, for obvious reasons. But if they did, I’d ask whether we’re trying to secure the rights to stream video from the grand tours. And if we’re not, then how come?
Sure, it has to be expensive, if it can be had at all, especially when those millions of eyeballs start a-buggin’ and the server farm commences to smokin’. And yeah, there are still plenty of cube dwellers who will settle for a text-based live update (easier to hide from the boss, don’t you know). Charles does a great job with the VN live, especially when it comes to promptly answering questions from the tuned-in tifosi. Me, I’m more of a color guy, especially if that color is blue.
But a text-based live update, no matter how well it’s done, seems so … last millennium.
I’m guessing most cycling fans want to watch the actual race, preferably augmented by some informed commentary. The CGI boss-fella is Peter Englehart — the Outdoor Life Network honch’ who was responsible for OLN’s acquisition and production of the Tour de France — so who knows? We may yet see some action on that front.
If not, things are gonna get awfully dark around the ol’ castle.

