Tag: VeloNews

Deadlines

~ Patrick O'Grady ~ 15 Comments
Signposts are few and far between in the Deadline Forest.

I am a creature of the Deadline.

When I was cartooning for my high school and college newspapers in the Seventies the Deadline popped round once per week. From 1977 to 1991, it was in my face every goddamn night, except for the one time I worked for an afternoon paper, when it was in my face every goddamn afternoon.

And after ’91 … well, it got complicated.

By then I was a full-time freelancer and either had a lot or nothing to do, depending on whether anyone other than VeloNews was buying what I was selling.

I was a regular at VeloNews, which began its Boulder residency in 1989 with 18 issues per year and then quickly ramped up with additional issues, special editions, race guides, and whatnot.

When Bicycle Retailer and Industry News came along in ’92 I was a regular there, too. BRAIN was brand-new, and started off with just nine issues that first year. But it soon found its legs and took off like free beer at an Interbike booth, to 18 issues a year, plus trade-show dailies, Sea Otter specials, and all manner of other projects.

So, yeah. I wasn’t a daily newsdog any longer. But I still had me some Deadlines.

In the early days I did my share of straight news, race coverage, and feature writing, with a side hustle of copyediting and proofreading. But eventually I settled into the one-two punch of cartoonist-columnist: an editorial cartoon in every VeloNews, and a “Mad Dog Unleashed” column and “Shop Talk” comic strip in every issue of BRAIN, with extra-credit cartoons in the various Show Dailies and other special editions.

When I started helping run the VN website I added “Friday’s Foaming Rant” to the mix. That came around weekly.

At my peak I was choreographing a conga line of cartoons and columns, each of which had to give at least a wave and a nod to bicycling. This is a very small and shallow pool in which to fish for one’s supper. There are trees nearby, but all the low-hanging fruit was picked long ago.

Happily, I had the Deadline.

You can’t bullshit the Deadline. It is not an essay question, or even multiple choice. You either make it or you don’t; true or false, right or wrong. And a freelancer only gets so many wrongs before an editor figures you are all the way wrong and stops giving you assignments and/or taking your calls.

The Deadline is harsh, but fair. It has no patience with the sluggard, but can be merciful to the weak. Sometimes, when the Deadline rumbles up to see you staring blankly into your wordless word processor or blank sheet of Bristol board, it rolls its Eye and growls: “Christ on a crutch. OK, hop in.”

“Where are we going?” you ask.

“Fuck do you care? Sitting there with your thumb up your ass. Can’t catch a ride like that. Hey, you gettin’ in or what? Tick-tock, shit-for-brains.”

So in you get, and before you can buckle up or even close the door, zoom, off you go, with tires smoking, on a high-speed, no-brakes tour of the back alleys in your brainpan, bowling over trash cans to see what spills out and leaning on the horn to get the Voices hollering.

At this point you are no longer writing or drawing. You are taking dictation and having trouble keeping up. …

When suddenly with a squeal of brakes your ride slaloms to a stop, your door flies open, and the Deadline kicks you sprawling to the curb. Where, in one white-knuckled fist, you clutch the finished Work.

“You’re welcome,” smirks the Deadline. “Pay window’s over there. See you next week, bitch.”

R.I.P., VeloNews

~ Patrick O'Grady ~ 17 Comments
The first edition of VeloNews in which a cartoon
by You Know Who appeared.

VeloNews was found dead on Jan. 1. It was just 50 years old.

Was it murder? Suicide? Natural causes? (i.e., a slow-moving form of frontotemporal dementia?)

Nah. Darwinism. Nature red in tooth and claw, baby. Or, if you prefer your poetry in the original Sicilian, “It’s strictly business.”

• Editor’s note: A tip of the VeloNews cycling cap to Steve O. for the sharp eye on the velo-news.

A new day

~ Patrick O'Grady ~ 11 Comments
The Universe put on quite the display this morning.

A thousand thank-yous to everyone who had kind words for me on the occasion of my retirement. May you be in Heaven a half hour before the Devil knows you’re dead.

In my decades of distinguished service to cycling journalism I rose from lowly VeloNews cartoonist to lowly Bicycle Retailer and Industry News cartoonist, so of course there will be no gold-plated Garmin, no pension. I shall have to get by with the Socialist Insecurity and an occasional surreptitious dip into the purse of my lovely bride, who was making a career while I was making a shambles. Woe, etc.

Today, by way of celebration, I treated myself to a turkey-and-swiss sammich, a leisurely hour on the bike, and some light blog maintenance. Living the dream.

’Tooned out

~ Patrick O'Grady ~ 35 Comments
The Mud Stud, Dude, The Old Guy Who Gets Fat in Winter, and Your Humble Narrator bid adieu to their e-assistant and the bicycle industry.

• Editor’s note: Here it is, the first Monday of a new year, the start of a work week in which I will not. Work, that is. For the story, read on.

I never worked in a bike shop.

But I worked on “Shop Talk,” a comic strip about a bike shop, for 30 years.

And that was long enough, I decided. And so the strip ends with the January 2022 edition of Bicycle Retailer and Industry News, coming soon to a shop toilet near you.

It was fun while it lasted. And it lasted longer than anyone expected. Especially me.

Entire magazines rose and fell in those three decades. But the Mud Stud, Dude, and a rotating, motley cast of supporting characters remained upright, or at least on their feet, mostly, until I pulled the shop mat out from under them in December 2021.

I nearly did it in December 2020, but BRAIN editor Steve Frothingham talked me out of it. He tried to do it again last month, but that time I stuck to my guns. Pens. Whatevs.

The first installment of one of my favorite “Show Talk” strips about the Interbike trade show. The Mud Stud is offsite at the show and confused, as usual.
• Part 2
• Part 3

It was BRAIN’s first editor, Marc Sani, who talked me into it.

Marc was in my cycling club in Santa Fe back in 1991, when I was leaving The New Mexican for the care- and cash-free existence of freelance journalism.

Recognizing desperation when he saw it, he asked if I’d like to contribute to the trade magazine he and some business partners were starting.

The magazine would cover the bicycle industry, about which I knew absolutely nothing. Sure, I was a customer, but Wine Spectator doesn’t hire stew bums to crack wise about viticulture.

Happily, ignorance had never stopped me from sounding off before. And so, before you could say, “Duuuude,” the Mud Stud became the not-too-swift shop rat who partied in the back of Bicycle Retailer while the Suits conducted business up front.

The strip was developed on the fly. Pure anarchy, as represented by the tattoo on the Stud’s left shoulder. I had no idea who the characters would be, or what they would do, since the only part of me that had ever worked in a bike shop was my wallet.

The Mud Stud was the star of the first “Shop Talk” in BRAIN’s debut, the January-February issue of 1992. But then he vanished until August, pre-empted by a vaguely roadish, aproned, backwards-hatted wrench whose name was never revealed. Turns out, dude answered to “Dude.” Who knew?

As for the Mud Stud, that was never intended to be his name. It was a logo on the T-shirt he wore in his second appearance, and for some reason, it stuck, like the omnipresent X-shaped bandage on the left side of his head.

So did the Stud. After his early truancy, the Stud has appeared in BRAIN as regularly as bad news about Schwinn, which he once tried to buy with a Dave Wiens trading card and $6 in food stamps.

Other brainstorms to sweep from beneath the Stud’s greenish-blond Mohawk like tornadoes through cycling’s trailer park have included showing up in his baggies with a board on the day shop employees were to learn how to surf the Internet; turning a track pump into a bong; and engaging in a naked midnight mountain-bike ride down Deadman’s Dropoff with a water bottle full of tequila and a lawyer’s daughter on the handlebars.

Professor Stud never graded on a curve, but he was occasionally critical of a student’s hucking.

Longtime readers know that bandage on the Stud’s dome is neither decoration nor affectation. As the Stud’s slacker pal Biff Trail once noted, “He’s the only dude I know whose NORBA license has an organ donor’s release.”

Like the rest of the cycling industry, the Mud Stud was at his absolute best during the Interbike trade show. Appearing in a long run of special-edition “Show Talk” strips, he bought 6,000 Missy Giove™ nipple rings, then unloaded them at a discount to Roseanne Barr; gambled the bike shop away to a Vegas mobster, then won it back with the backing of a trustafarian inline-skater geek name of Slater the Skater; and failed to make the show at all one year when he mistook New Mexico’s Las Vegas for the one in Nevada.

Lest you dismiss him as dingbat, dimwit, or dufus, you should know that the Stud used to teach at Harvard. Either law or physics; we’re not sure. Hey, a lot of us took the scenic route to the bicycle business, among them at least one cartoonist.

In the glory days, I got to draw a full-page cartoon now and then.

Once he arrived, the Mud Stud learned to dine on Spaghetti-Os, shower by riding through the car wash, and make delicate adjustments to $5,000 bikes with a claw hammer. Where he lives remains a mystery. What he lives for is to ride, and to wrench, if only to feed the monkey. And maybe that’s why he managed to keep his job for 30 years.

Actually, the Mud Stud did get fired once, for spray-painting a filthy word on the shop manager’s car after the boss pretended to sack him in a practical joke. He was guilty, but also innocent.

“C’mon, dude,” said Biff, speaking for the defense. “It’s not like he spelled it right or anything.”

“Oh, OK,” grumbled the manager, as he relented. “Besides, without him, we got no comic strip.”

And now, after all those years, even with him, we got no comic strip.

But we still have him. So, look for the Mud Stud, Dude, Biff, and The Old Guy Who Gets Fat in Winter — who wandered into “Shop Talk” after VeloNews shrank to such an alarming degree that it could no longer contain his bibs-busting buffoonery — to pop round here from time to time.

We’re old. We’re retired. But we’re not dead.

Clubbed

~ Patrick O'Grady ~ 19 Comments
Your Humble Narrator working a race for VeloNews Back in the Day®, when subscription fees and advertising revenue were enough to make the nut.

Steve-O raises an interesting question:

Your thoughts (and everyone else’s) on Bicycling’s new $40/year membership model?

This seems to be the flavor of the month. VeloNews is doing something similar for $99 a year, along with most of its cousins in the Pocket Outdoor Media group.

It’s tough to get readers to pay for “content.” Most people who read a daily newspaper Back in the Day® had no idea that their subscriptions didn’t cover the cost of the ink on the newsprint, much less the tab for all the technology and people it took to make the blat land on the stoop every morning. For a reader, the daily paper was a cheap date, with the real cost borne by advertisers.

Advertising is a tough sell these days, for newspapers, magazines, and websites. So what’s left? “Memberships.”

The New York Times has had some success with digital subscriptions. Likewise The Wall Street Journal. Two real powerhouses that can serve up the goodies you can’t get anywhere else.

I see value in the NYT and The Washington Post, so I subscribe to both. I also subscribe to The Atlantic, and Charlie Pierce’s blog at Esquire. All of these outfits provide things I want and need. I wish there were some Flyover Country version of The Atlantic so I could subscribe to that too.

But when you get down to the enthusiast-publication level, the pitch for memberships gets a little tougher. What do Bicycling or VeloNews have that I want/need badly enough to pay for it?

I like reading Joe Lindsey and Andrew Hood. And I like them as people, too. But with all due respect, I’m not sure that I want to spend $150 a year with their employers. There’s a bunch of stuff in both magazines/websites that I couldn’t care less about. It would feel like signing up for cable TV. I pulled that plug back in 2006 and now we buy our TV a la carte.

Perhaps the biggest issue with hawking memberships, subscriptions, and advertising is the one that started cropping up toward the end of my freelancing career. I was fortunate to be earning steady, predictable money as a regular contributor to both VN and Bicycle Retailer. But there were lots of other hired guns who were starting to get ambushed by what we called “fans with keyboards.” People who’d work for chump change, a T-shirt, or even just the byline.

Today there are so many talented amateurs and semipros out there who are willing to create wonderful stuff for free, or for pennies, that paying for the pros — who so often find themselves consigned to following the dictates of some uninspired editor or an advertising-driven calendar of theme issues — can seem extravagant.

“OK, guys, time for the annual stationary-trainer roundup, the ‘How LeMond won using aero bars’ retrospective, and who’s doing this week’s ‘fitter/faster in 10 seconds a day’ piece?”

Everybody thinks they’re working hard, and that you should buy what they’re selling. Not everybody is right.