OK, say ‘cheesy’

A fuzzy Beaver Moon, which I suppose could be considered appropriate.

Betimes I wish I had an actual camera instead of an iPhone, especially when zooming in on something like the last full supermoon of the year.

But then I remember that I’m no great shakes as a shooter and the phone that I already own is exactly my speed. I’m not exactly Ansel Adams. More like Gomez Addams, or maybe Uncle Fester.

Hell, people who know what they’re doing shoot movies — actual films, not TikTok dances or cute-animal videos — using iPhones.

Not me, of course. Because (a) I don’t know what I’m doing, and (2) I don’t really want to learn.

When I was shooting bike reviews for Adventure Cyclist and teasers for Charles Pelkey’s Live Update Guy it was occasionally fun, kinda, sorta. But also complicated, because I was using a GoPro, or a more traditional camcorder — Sony VIXIA mini X or Panasonic HC-V770 — and there’s a whole lot of wobble when you’re recording video and audio in the wild, especially when the production crew is dumber than a bag of hammers and your leading man has a radio face.

Anyway, them newfangled consarned moving pictures do all the work for the audience. When you read or listen to a story, your imagination has to break a sweat. With video it just sorta slouches on the couch with one hand in the popcorn bowl and the other thumbing a phone, checking to see if there’s something better on.

True grit: Rooster Cogsburn squints into the wind

“OK, try to make me look good here, you hack.”

It was so bloody windy here yesterday that when I shifted gears, in that split-second when the chain was between cogs, I could feel myself shedding forward momentum.

“Lights, camera, action!”

Happily, I was riding mostly to shoot video for another Adventure Cyclist “Quick Spin,” which meant I spent as much time off the bike, playing director and cameraman, as I did on the bike as the “talent.” The wind’s not so much of an issue when you’re jogging between takes from camera to bike and back again.

The Air Quality Division’s health alerts over airborne dust are another matter entirely. But I’ve decided to think of those as a spa treatment. A free skin peel.

These trails are just south and east of El Rancho Pendejo, and if traffic’s light on Tramway it’s easy to forget there’s a minor metropolitan area right next door — so much so that I often don’t notice the constant low-level background hum of infernal combustion until I get home and start editing the video.

I’d yell “Quiet on the set!” but it’s pointless. Everyone’s wearing earbuds and/or has the windows rolled up.

 

Spaghetti western

The director at work. Just call me Quentin Ferrentino.

Back in the saddle again. …

Wrapped a video about the Bianchi Orso yesterday and shipped it off to the Adventurous Cyclists. I don’t know if these little flights of fancy get any altitude once they leave the nest, but making one drags me out of the dark corners of my head and into the light, however briefly, squinting like an astigmatic Morlock without his prescription Rudy Projects.

The Bianchi Orso in a bikepacking configuration, up against the Wall of Science.

There’s never a plan. Well, not really. I always snap some stills of the bike and its bits in various configurations, loaded and unloaded, up against the Wall of Science. But then I just bugger off with the machinery, a GoPro and an old Flip Video tripod, and see what happens. Make a ride of it. The body sweats in tandem with the brain.

By the time I get around to shooting video I’ve already written the print review, so I have that road map filed away for reference, a sort of mental GPS chirping, “Proceed 500 meters down the trail, cross the dry wash, then tackle that kitty-litter climb. Try to look like a bikepacker instead of a poseur. And stay out of the cholla f’chrissakes, you still have to edit this footage.”

Speaking of which, after a couple-three of these little adventures with the bike in various getups I have a mountain of clips to turn into a two-minute molehill. It’s like doing a jigsaw puzzle without any idea of what the finished picture is supposed to look like.

“OK, lessee here, there’s an intro, here’s an outro, now what about the in-between? Component roundup, yup; racks and sacks, uh huh; bikepacking rig, mmm hmm. Some road. Some dirt. How ’bout something ridiculous, just ’cause? Two minutes on the nosey.”

Finding some suitable background music may be the biggest hurdle. Apple’s iMovie doesn’t include a ton of useful tunes, and I draw the line at going all Ennio Morricone on these things with my two-bit orchestra. Light on the good, heavy on the bad and ugly, is what. I don’t have a piano, the flute scares the cats, and my guitar “stylings” sound like a raccoon chasing a rat through a box spring at the dump.

Lights, camera, inaction

Must be a gravel bike.*
* Gravel not included.

Timing is everything.

Yesterday morning I went out for a short run (keep muscle memory alive!) and then hopped on the Giant ToughRoad SLR 1 with the idea of wrapping up its video review for Adventure Cyclist in advance of the next member newsletter.

It might have been smarter to do the shoot first and the stumble second.

I figured that by midmorning on the Monday following Easter weekend most of my fellow trail users would be on the job, in school, or buried deep in household chores. Nope. My cinematography was interrupted over and over again by moms pushing strollers, dog walkers, hikers, rock climbers and other truants.

You’d think we had the nation’s second-worst unemployment rate or something.

What? We do? Never mind.

And with Il Douche busy crashing the economy I might have to start shooting these things on a trainer in the living room. The open space around here is liable to start looking like a hobo jungle out of “The Grapes of Wrath.”

 

Making tracks

Yesterday kind of got away from me somehow. It never really did warm up as advertised. But I finally got out for a short spin, and for laughs I took a Shimano CM-1000 along for the ride.

These trails start two blocks (!) from El Rancho Pendejo, as part of the Casa Grande Linear Park, and you can take them south to within eyeshot of I-40.

They tend to crowd up pretty thick on weekends, but I must have hit the sweet spot, because there weren’t all that many other folks out and about.

The recording of the Orchestrion, a mechanical street organ at The Hague (not the album/concept by Pat Metheny), is by RTB45 at www.freesound.org.