
The director at work. Just call me Quentin Ferrentino.
Back in the saddle again. …
Wrapped a video about the Bianchi Orso yesterday and shipped it off to the Adventurous Cyclists. I don’t know if these little flights of fancy get any altitude once they leave the nest, but making one drags me out of the dark corners of my head and into the light, however briefly, squinting like an astigmatic Morlock without his prescription Rudy Projects.

The Bianchi Orso in a bikepacking configuration, up against the Wall of Science.
There’s never a plan. Well, not really. I always snap some stills of the bike and its bits in various configurations, loaded and unloaded, up against the Wall of Science. But then I just bugger off with the machinery, a GoPro and an old Flip Video tripod, and see what happens. Make a ride of it. The body sweats in tandem with the brain.
By the time I get around to shooting video I’ve already written the print review, so I have that road map filed away for reference, a sort of mental GPS chirping, “Proceed 500 meters down the trail, cross the dry wash, then tackle that kitty-litter climb. Try to look like a bikepacker instead of a poseur. And stay out of the cholla f’chrissakes, you still have to edit this footage.”
Speaking of which, after a couple-three of these little adventures with the bike in various getups I have a mountain of clips to turn into a two-minute molehill. It’s like doing a jigsaw puzzle without any idea of what the finished picture is supposed to look like.
“OK, lessee here, there’s an intro, here’s an outro, now what about the in-between? Component roundup, yup; racks and sacks, uh huh; bikepacking rig, mmm hmm. Some road. Some dirt. How ’bout something ridiculous, just ’cause? Two minutes on the nosey.”
Finding some suitable background music may be the biggest hurdle. Apple’s iMovie doesn’t include a ton of useful tunes, and I draw the line at going all Ennio Morricone on these things with my two-bit orchestra. Light on the good, heavy on the bad and ugly, is what. I don’t have a piano, the flute scares the cats, and my guitar “stylings” sound like a raccoon chasing a rat through a box spring at the dump.