Month: March 2020

We’re in the soup

~ Patrick O'Grady ~ 12 Comments
This soup didn’t come out of a packet.

We were not Jewish. But whenever one of us was sick, Mom would break out the chicken soup.

Well, kinda, sorta.

It was the sort of soup a harried Midwestern Presbyterian considered suitable for ailing children, a saucepan of rehydrated Lipton chicken noodle, with a side of Premium saltines. And if I played my cards right, I could work Mom for the fake soup and a couple of comic books. Winning!

Well, here we are again. The Plague is upon us, we’re shivering under the comforter, and someone is bringing us a plastic bowl of industrial soup with some dried-up old white crackers.

Say, who is that wearing Mom’s apron? It’s … it’s … oh, my God, it’s. …

Yes, it’s another thrilling episode of Radio Free Dogpatch!

P L A Y    R A D I O    F R E E    D O G P A T C H

• Technical notes: It’s another low-and-slow-fi episode this week. I used an Audio-Technica ATR2100-USB mic, and skipped the Zoom H5 Handy Recorder in favor of recording directly to the MacBook Pro using Rogue Amoeba’s nifty little app Piezo. Editing was as usual, in GarageBand. You’ll recognize Babe and the gang from The Firesign Theatre (“How Can You Be In Two Places At Once When You’re Not Anywhere At All”) and the doctor from “Monty Python’s The Meaning of Life.” The background music is by Your Humble Narrator, assembled from bits and pieces in the iOS version of GarageBand on a 9.7-inch iPad Pro.

Rebooted

~ Patrick O'Grady ~ 13 Comments
If spring hasn’t quite sprung, well, it’s thinking about it.

It was a pretty pleasant morning yesterday in the Duke City, so I bit the bullet and ventured out for a short walk around the flattest parts of our neighborhood, which made it a very short walk indeed.

I did a bit with both crutches, and a bit with one, and a bit with none; chatted up a few neighbors who wished to plumb the depths of my stupidity; and finally headed back to the rancheroo for a spot of lunch.

Then I pulled off the Darth Gimp boot and its Vasque Clarion companion, leaned back in my chair, and put both dogs up on a footstool to rest awhile.

Just out of reach. Like a cat.

Not until I settled in and got comfortable did the smoke alarm go off.

Beep.

Beep.

Beep.

Etc.

So I put on the Darth Gimp boot and its Vasque Clarion companion, levered myself out of the chair, crutched into the entryway … and it stopped.

“Turkish, are you fucking with me? I asked. The question seemed relevant, if a tad mystical.

For starters, as all cat people know, your cat will never assign you some vital task until you are settled in and comfortable.

Second, the night Turkish died, as Herself and I were settling into bed, and I rested my right hand on the spot where our big, big boy would usually lounge for a bit, the bathroom light suddenly turned itself on, and then off.

Now there was this. And it wasn’t lost on me that I had instructed that my old comrade’s remains be cremated.

I crutched into the kitchen for a fresh battery, because why the hell not, and the smoke detector started up again. So I returned with the battery and a small stepladder, and — praying there wasn’t a giant, pissed-off, blue-eyed spectral cat in a cloud of smoke up there somewhere  — made the swap without incident.

Turkish always liked the high spots.

 

Revolver

~ Patrick O'Grady ~ 17 Comments
It is not dying. But it is sucking.

Hey, what can I tell you? The old Beatles album seemed appropriate for today’s indoor-cycling soundtrack.

“Turn off your mind, relax, and float downstream.”

Downstream appears to be where we’re headed, a’ight. In the SS Wall Street, a cruise ship full of coronavirus and cheap oil, captained by a drug-addled golf cheat with a crew of button-down barnacles, lampreys and other hangers-on.

Tomorrow may never know, but today isn’t exactly up to speed, either.

Move

~ Patrick O'Grady ~ 20 Comments
Move. Just not too much.

“Move” is the first cut on the 1957 Miles Davis album “Birth of the Cool.” And that’s what I did yesterday. Move.

Not much, mind you. It’s still just over two weeks since I broke that ankle, though it seems more like two years. But I’ve been treating the fucking thing like it’s made of Waterford crystal and all of a sudden I was sick of its bullshit.

Yesterday’s playlist. I probably should’ve gone for “Kind of Blue,” but I needed to get my head out of that particular space for a while.

So I clomped out to the garage, pulled the rim-brake Soma Saga down from its hook, clamped it to the old Cateye Cyclosimulator CS-1000, and went for a short “ride.”

It wasn’t as stupid as it sounds, probably. I did a half hour in low gears. Three-point-five miles with Miles, for an average speed of 7 big big mph. I was wearing my Darth Gimp boot on the starboard side and a Vasque Clarion hiking boot on the port, which kept me more or less symmetrical. Also, I dropped the saddle a couple cm to allow for a certain lack of flexibility in the wonky bits.

Sure, it felt creepy at first. If you’ve ever broken a bone you know that feeling — “Should I or shouldn’t I?” — about taking the damaged goods off the shelf for a little look-see.

“OK, yeah, right, here we go, show me what you got you miserable motherf. …”

But it went OK. The swelling continues to diminish, I’m seeing more definition in the foot, and with any luck I won’t need that bespoke piñon-and-turquoise peg and a Norwegian blue (lovely plumage) for my 66th birthday.

Incidentally, “Birth of the Cool” is also the title of a documentary about Miles, the man and his music. You can catch it on PBS.