The inimitable Neal Adams has finally stepped away from the drawing board. He was 80.

Adams was, in a word, a legend. I devoured comic books from my early childhood through college, from Superman to the X-Men, the Fabulous Furry Freak Brothers to Mr. Natural, and I’d never seen anything like his art. When Adams took on a character, he nailed it.

“Yeah, that’s how [insert your hero here] is supposed to look,” I’d think. And if some other artist took over, I’d be all like, “Nope.”

Adams helped put the dark back in the Dark Knight, a.k.a. The Batman; made the Green Lantern-Green Arrow series actually worth a look (a not inconsiderable chore); and fought Frank Frazetta to a draw when it came to depicting Conan the Barbarian.

The Batman may have been his crowning achievement, but Adams didn’t limit himself to Gotham City. He drew for both DC and Marvel, tackling Deadman, the X-Men, the Avengers, Superman, even the gleefully blasphemous Son O’ God Comics for National Lampoon. He was like the Buddhist deity Avalokiteshvara, with a pen in each of his one thousand hands. And like Chickenman, he was everywhere.

He was also a pain in the ass, which as you may imagine only further endeared him to me. He worked to see that creators were treated better than Manpower temps and helped win some long-overdue recognition for “Superman” visionaries Jerry Siegel and Joe Shuster, without whom we’d all have been stuck reading “Archie” comics … another title Adams had a hand in early on.

Peace to him and to his family, friends and fans.