R.I.P., Jim Harrison

Jim Harrison laid his Jim Hancock on my copy of "Warlock," though it was not among his favorite works.
Jim Harrison laid his Jim Hancock on my copy of “Warlock,” though it was not among his favorite works.

Damn. I go flying past 62 only to hear that Jim Harrison hit the binders at 78.

My burro-racing pal Hal Walter and I have been Harrison fans for years. Hal especially, since he’s an outdoorsman, as was Harrison; me, I just like to be outdoors, to no particular purpose.

We caught a Harrison reading once at The Colorado College — weird thing is, it was right around my birthday, if not on the actual day itself — and I recall Mr. Harrison being less than pleased with the book I asked him to autograph. Seems “Warlock” was never one of his faves.

I liked it, though, along with other tales: “The Man Who Gave Up His Name,” “Sundog,” “Wolf,” the “Brown Dog” stories and of course “Legends of the Fall.” His essay collection “Just Before Dark” is a keeper, too, as his collection of poetic correspondence with Ted Kooser, “Braided Creek.”

He’ll be missed, and not just by Hal and me. Bon voyage, Jim. Thanks for the tales, and for that autograph.

Speaking of bozos

Phil Austin popped round the blog a few years back to say, "Thanks for the insurrection."
Phil Austin popped round the blog a few years back to say, “Thanks for the insurrection.”

It had completely slipped my mind, but Phil Austin actually dropped by the blog back in 2009 to squeeze the wheeze (honk honk) and tip us off to a quartet of shows The Firesign Theatre had scheduled in Hollywood.

He will be missed. And thanks to Mike Deme for sending me to Doctor Memory with this remembrance from Mike Tiano.

I have yet to hear word one from John Cleese.

One less bozo on the bus

A fragment of the Firesign collection here at Ed Siegelman's Ground Zero Equal Opportunity Apartments, purchased from the fine folks at Giant Toad Supermarkets.
A fragment of the Firesign collection here at Ed Siegelman’s Ground Zero Equal Opportunity Apartments, purchased from the fine folks at Giant Toad Supermarkets.

Nick Danger is no longer at The Old Same Place. Phil Austin, who voiced that character and so many others for The Firesign Theatre, went west on Thursday. He was 74.

I stumbled across Firesign in high school, years before I ever heard of Monty Python, and snapped up almost every bit of work that they did, either as a group — a collective self-dubbed “Four or Five Crazee Guys” for the invisible fifth person that arose from their collaboration — or as fragments thereof.

The collection includes the widely known (“Don’t Crush That Dwarf, Hand Me the Pliers,” “Waiting for the Electrician or Someone Like Him,” “I Think We’re All Bozos on This Bus”) and the less so (“Everything You Know Is Wrong,” “In the Next World You’re On Your Own,” and “The Tale of the Giant Rat of Sumatra”). I got ’em all, on vinyl, CD and occasionally both.

Some friends and I had the good fortune to catch their act in Denver once, Back In the Day™. You can keep your Beatles, Stones, and Dead, thanks. I got my Firesign, and that’s better than a pile of groatcakes soaked in 30-weight with an entrenching tool within easy reach.

Fellow Firesign Peter Bergman beat Austin out the door in 2012. Or maybe he’s on the other side of the album! I’d better check. …

• Late update: Any Firesign fans out there packing iPhones? Tell Siri, “This is Worker speaking,” or ask her, “Why does the porridge-bird lay its eggs in the air?” I’d forgotten that Austin did some voiceover work for Apple commercials, and it seems that “Bozos” may have struck a chord with the Black Turtleneck Mob.

R.I.P., Leonard Nimoy

Mr. Spock, everyone's favorite green-blooded, pointy-eared freak.
Mr. Spock, everyone’s favorite green-blooded, pointy-eared freak.

Mr. Spock has beamed up for the final time.

My favorite quote so far comes from The Los Angeles Times: “My folks came to the U.S. as immigrants,” he said in a 2012 speech at Boston University. “They were aliens, and then became citizens. I was born in Boston a citizen, and then I went to Hollywood and became an alien.”

I don’t know about you, but I watched me a shitload of “Star Trek,” mostly in college, when I was supposed to have been getting one a them, whatchamacallit, edjimications.

Here's a little LLAP dance for you.
Here’s a little LLAP dance for you.

I could Name That Episode about a nanosecond into any one of them, which made me a hair slower than Ed the Beard, a total sci-fi geekazoid who christened his beater Step van “The Hawkwind.” We used it to deliver appliances rather than Michael Moorcock-inspired space rock.

Spock almost always had the snarkiest lines, which may be why I liked the character so much. Scotty and Bones were too excitable, and Kirk was a dickhead authority figure, so yeah, Spock.

When Edith Keeler asked what he was building, Spock replied, “I am endeavoring, ma’am, to construct a mnemonic memory circuit using stone knives and bearskins.”

Chatting about Tribbles with McCoy, who said they were “nice, they’re soft and they’re furry, and they make a pleasant sound,” Spock replied, “So would an ermine violin, Doctor, but I see no advantage in having one.”

Discussing Harcourt Fenton Mudd’s having skipped appointments with Bones, Spock noted: “It’s not at all surprising, Doctor. He’s probably terrified of your beads and rattles.”

Well, now he’s boldly gone where all men (and women) must go. We’ll miss him. Live long and prosper, the rest of yis.