Archive for the ‘Arts & letters’ Category

Arise, ye pris’ners of … Hollywood?

May 1, 2023

The New York Times is a little short on May Day news, surprise, surprise.

Other than one piece about the French, who remain pissed off about having their retirement-age goalposts shifted two years (To age 64! Zut alors!), I found exactly one labor story on the website.

It concerned the struggles of — wait for it! — screenwriters.

Screenwriters?

Now, I don’t mean to make light of screenwriters’ issues. They remind me very much of the issues Your Humble Narrator faced as a free-range rumormonger. So, up the rebels, etc.

Nevertheless, it seemed appropriate to make today’s singing of “The Internationale” the version from the 1981 Warren Beatty-Diane Keaton vehicle “Reds,” which I have liberated in the name of the people from YouTube, which is owned by Google.

The writers credited for the flick are Beatty and Trevor Griffiths, according to IMDB, which is owned by Amazon.

And you’d better hope Apple TV flogged Brendan Hunt, Joe Kelly, Bill Lawrence, Jason Sudeikis and the rest of the writers room into cramming a shit-ton of “Ted Lasso” episodes into the can. According to Mother Times:

Absent an unlikely last-minute resolution with studios, more than 11,000 unionized screenwriters could head to picket lines in Los Angeles and New York as soon as Tuesday, an action that, depending on its duration, would bring Hollywood’s creative assembly lines to a gradual halt. Writers Guild of America leaders have called this an “existential” moment, contending that compensation has stagnated despite the proliferation of content in the streaming era — to the degree that even writers with substantial experience are having a hard time getting ahead and, sometimes, paying their bills.

“Even writers with substantial experience are having a hard time getting ahead and, sometimes, paying their bills.” Been there, done that, got the T-shirt.

R.I.P., Keith Reid

March 30, 2023

Keith Reid, the lyricist behind Procol Harum’s legendary “A Whiter Shade of Pale,” has gone west. He was 76.

I would’ve written “has left the stage,” but Reid was apparently never on it. He was “a full-time non-performing member” of the band, according to The Guardian.

That doesn’t mean Reid wasn’t carrying his share of the load. He wrote almost all of Procol Harum’s lyrics throughout nine albums, from 1967 through ’77, and then a couple more albums’ worth for good measure in 1991 and 2003.

In an interview with Uncut magazine cited in American Songwriter, Reid addressed the song’s origin and meaning.

“I had the phrase ‘a whiter shade of pale,’ that was the start, and I knew it was a song,” he said. “It’s like a jigsaw where you’ve got one piece, then you make up all the others to fit in. I was trying to conjure a mood as much as tell a straightforward, girl-leaves-boy story. With the ceiling flying away and room humming harder, I wanted to paint an image of a scene.”

In the 1991 film “The Commitments,” Jimmy Rabbitte derides Reid’s work on “Whiter Shade” as the “poxiest bleedin’ lyrics ever written.” But I notice he knew them so well he could correct Steven Clifford when the pianist misquotes the first line.

Me, I loved those lyrics, and the organ riffs nicked from Bach, too. So I tip me cap to Reid, who joins his old bandmate, lead singer Gary Brooker — who wrote the music for “Whiter Shade” — in that ever-growing jam band in the sky.

Extra credit listening

• “A Salty Dog.”

• “Conquistador.”

The cat’s meow

March 27, 2023

It’s all uphill from here?

Mack awakened, started up, stretched, staggered to the pool, washed his face with cupped hands, hacked, spat, washed out his mouth, broke wind, tightened his belt, scratched his legs, combed his wet hair with his fingers, drank from the jug, belched and sat down by the fire.

— John Steinbeck, “Cannery Row”

“Men all do about the same things when they wake up,” Steinbeck continued.

Maybe so. But my morning ritual departs from the norm in subtle ways.

There is no pool, jug, or fire by the bed; the nightstand holds a lamp and glass of water, and a sink is just a few steps away.

Once I’ve tumbled out of bed I snatch up bits of clothing at random and dress in the dark just to see what happens. This morning when I turned on the bathroom light I saw the pea-green T-shirt I’d selected complemented my fetching pallor. Thanks to an overlong winter that has spilled over into spring I looked like a scoop of pistachio ice cream with eyes.

It didn’t help that Miss Mia Sopaipilla had begun singing “Happy Birthday” to me around 2:30. I thought I was prepared, having gone to bed early, but nothing prepares you for a cat singing “Happy Birthday” at 2:30 in the morning. Especially when you know it’s not “Happy Birthday” she’s singing.

Who knows what makes a cat sing anything at 2:30 in the morning? Not me, because I refuse to get up and find out. I rolled myself up like a burrito in the blankets, put a pillow over my head, and stayed put until 5.

Shortly after I finally arose to serve Her Majesty I heard an ambulance, but I wasn’t in it.

At least I don’t think I was. But I’ve only had two cups of coffee so all bets are off.

Up from the grave

February 16, 2023

I got swept away. So sue me.

This is what comes of watching zombie shows on TV.

Turn your radio on.

Radio Free Dogpatch keeps trying to claw its way out from under its tombstone, and I guess I got tired of beating on it with a shovel and burying the sonofabitch again.

Basically, I just wanted to see whether I (a) could remember how to do a podcast after taking two years off, and (2) could keep from getting too deep into the audio-technical weeds.

There’s something about having a dedicated “podcast studio” with a Zoom PodTrak P4 hooked up to a MacBook Pro lashed to a 27-inch monitor and Hindenburg and cables running ever’ whichaway that leads to delusions of grandeur, is what. Chiseling away at the stone, you think you’re Michelango revealing his David, but what you you wind up with is Clarabell honking his horn.

Anyway, a small notion caught up with me while I was running the trails on Tuesday and when I got home I just kept on running with it. Ira Glass is still out there somewhere. Dude just couldn’t keep up. Sucks to be him, hah?

Anyway, this is the scenic route to announcing: Yes, yes, yes, it’s time for a special Undead Episode of Radio Free Dogpatch, another toot on the rusty tin whistle souring the globe-spanning, star-studded orchestra that is podcasting. My heartfelt apologies in advance.

P L A Y    R A D I O    F R E E    D O G P A T C H

• Technical notes: I didn’t know how into it I’d be after two years off, so I set up shop on the dining-room table, using a Shure SM58 mic and the Zoom H5 Handy Recorder. Editing was in Apple’s GarageBand, with a sonic bump from Auphonic. Zapsplat, Freesound and Voice Memos on the iPhone provided the music and sound effects, with the late Donna “Hot Stuff” Summer singing backup for Thomas “Keep the Change” McGuane, who remains very much with us.

Resurrection

January 29, 2023

Desert Oracle, Vol. 1. May there be many, many more.

Weirdos and those who love them, rejoice: Ken Layne says he’s reviving his Desert Oracle quarterly, which many of us thought had died and was buried without ceremony somewhere in the desert, like Cactus Ed Abbey.

I bought and enjoyed the first book, a collection, compendium, companion, whatevs. And I help underwrite Desert Oracle Radio, the only audio project I support, though I subscribe to a wide range of virtual and actual magazines.

My next step along this twisted trail is probably subscribing to the quarterly. In for a penny, in for a pound, as the fella says.

In his “An Ode to ‘Desert Oracle'” in Alta Journal, Layne cuts straight to the heart of the beast:

Publishing a little magazine is attractive to exactly one kind of person: a writer who doesn’t want to work for somebody else’s magazine.

My old Pueblo Chieftain bro’ Hal Walter, who didn’t want to work for somebody else’s newspaper anymore, did something similar with Mountain Athlete, which lasted about six or seven years back in the late Eighties and into the early Nineties. Denver Post columnist Ed Quillen did likewise with Colorado Central, which has outlived him.

I contributed to both efforts in small ways, once loaning Ed one of my trucks so he could make it to a speaking engagement.

“Now remember, Ed, you can’t smoke in my truck,” I told him before he motored off. The trip took him about twice as long as it would have taken me because I wouldn’t have stopped and climbed out to burn one at every other mile marker.

But the closest I ever came to “publishing a little magazine” is this comosellama you’re looking at right now. The deadlines are flexible and the audience tolerant, and I can bear the small expense without having to sell a few bikes or vintage Macs.

Not adding books, podcasts, and road shows to the to-do list helps, of course. Saves trees, eardrums, and gasoline, too.

Besides, someone’s got to rustle up the grub around here. There are only so many hours in the day.

Someone’s looking for me

December 14, 2022

Book ’im, Dan-o.

Just ’cause you’re paranoid, etc.

I was browsing the Books section at The New York Times a couple weeks ago and stumbled across a blurb for a book that looked interesting — “No One Left to Come Looking for You,” by Sam Lipsyte — so I ordered it from Page 1 Books, my fave local bookseller.

It was a special order, wouldn’t even be released until Dec. 6, so immediate gratification would not be mine. No worries; no hurry. And so I went about my business.

Then, yesterday, I wandered back to the Books section and spotted a “By the Book” Q&A with Lipsyte, in which he drops a reference to a song that knocked me out the first time I heard it way back when — “Birth, School, Work, Death” by the Eighties alt-rockers the Godfathers.

So naturally I dialed it up on the old YouTube and commenced rocking out, which was about when my email went “Ping!” It was Page 1 informing me that my book was ready to be picked up.

I think my next purchase will be a rear-view mirror for the MacBook Pro.

R.I.P., Thomas Cahill

October 30, 2022

Ah, sure, an’ in what class of a donnybrook would ye be without us so?

The scholar and scribe Thomas Cahill has gone west. He was 82.

Cahill is perhaps best known for his book, “How the Irish Saved Civilization: The Untold Story of Ireland’s Heroic Role from the Fall of Rome to the Rise of Medieval Europe.” (You’re welcome, by the way.)

It was to be the kickoff to a seven-part series about critical moments in Western European civilization, according to The New York Times; he wrote six before his death Oct. 18 in Manhattan.

In his introduction, Cahill argues:

“And yet … Ireland, a little island at the edge of Europe that has known neither Renaissance or Enlightenment — in some ways, a Third World country with, as John Betjeman claimed, a Stone Age culture — had one moment of unblemished glory. For, as the Roman Empire fell, as all through Europe matted, unwashed barbarians descended on the Roman cities, looting artifacts and burning books, the Irish, who were just learning to read and write, took up the great labor of copying all of western literature — everything they could lay their hands on. These scribes then served as conduits through which the Greco-Roman and Judeo-Christian cultures were transmitted to the tribes of Europe, newly settled amid the rubble and ruined vineyards of the civilization they had overwhelmed.”

Without “the Mission of the Irish Monks,” he continues, “the world that came after them would have been an entirely different one — a world without books. And our own world would never have come to be.”

By the end of “How the Irish Saved Civilization,” Cahill seems to wonder whether the worlds of then and now are really all that different.

He writes:

“As we, the people of the First World, the Romans of the twentieth century, look out across our Earth, we see some signs for hope, many more for despair. …

“Perhaps history is always divided into Romans and Catholics — or better, catholics. The Romans are the rich and powerful who run things their way and must always accrue more because they instinctively believe that there will never be enough to go around; the catholics, as their name implies, are universalists who instinctively believe that all humanity makes one family, that every human is an equal child of God, and that God will provide.

“The twenty-first century, prophesized (André-Georges) Malraux, will be spiritual or it will not be. If our civilization is to be saved — forget about our civilization, which, as (St.) Patrick would say, may pass “in a moment like a cloud or smoke that is scattered by the wind” — if we are to be saved, it will not be by Romans but by saints.”

Time travel

October 8, 2022

Truckin’, like the doo-dah man.

• Editor’s note: It’s a gray, gloomy day here at El Rancho Pendejo, and Hal Walter’s road-trip tale has put me in mind of my own meditation from the spring of 2000, when the vile Crusty County weather had me thinking about snorting that long white line to wherever.

“I have been buggered to near death by the clock.” — Jim Harrison in “The Beige Dolorosa,” from the novella collection “Julip”

“How do I shut this alarm off?” my wife asked some years back. Her sports watch was cheeping incessantly, like a baby bird in a sack of crack.

“Like this,” I replied, snatching the watch from her, placing it on the kitchen floor and pounding it into a flattened silence with a claw hammer. We both laughed, but warily; killing time just isn’t that easy.

Still, when you see time limping along like it does in a snowbound April in the Colorado mountains, scraping the slush off its boots on the welcome mat of spring, there arises a murderous desire to put it out of its misery. So Shannon has begun hiding the hammers as I glare at the clock, as if I could will its crawling hands into picking up the pace, spinning me up some sunshine.

• • •

“We’re going to be late,” I warned my friends Hal and Mary as we dawdled first over stout, then over coffee, in a succession of Bibleburg bistros. It was my 46th birthday, and we were headed to Colorado College for a poetry reading by one of my favorite authors, Jim Harrison. Harrison seems the sort to bark at nitwits who interrupt his work, and I wanted his autograph, not his antipathy.

Jim Harrison laid his Jim Hancock on my copy of “Warlock,” though it was not among his favorite works.

As it turned out, we were right on time, and Harrison was late. A student of Zen Buddhism with his own temporal compulsions, Harrison announced: “I’m not a long reader. This will be exactly 52 minutes.” A koan for a birthday present.

Frankly, I’d have settled for a little less light and a little more warmth. Spring brings Colorado the heavy snows that we used to get in winter like everybody else, and the way my mental batteries were running down under the gray-flannel skies had me convinced that I was solar-powered.

My last escape attempt, a mid-March road trip to a cycling festival in California, was too short and not nearly sweet enough. I’ve been contemplating another to someplace where the locals’ knowledge of snow is limited to what they’ve been able to glean from the Encyclopedia Britannica, but you can’t pilot a Toyota truck to the Virgin Islands, not even in four-wheel drive.

And then there’s the expense. The rising price of gasoline aside, it’s not always possible or desirable to sleep in a pickup, which lacks certain amenities — like a toilet, shower, sink, stove, furnace and elbow room, especially when the camper shell is stuffed fore to aft with a bicycle, a cooler full of beer and a day pack crammed with computer gear and drawing tools.

Even if you pack camping gear and spend your nights outside the truck, you’re doomed to an occasional Motel 666 if for no other reason than hygiene, an impulse that will cost you anywhere from $30 to $60 a pop, depending upon your ZIP code at the time.

So lately I’ve been eyeballing used RVs and wondering whether I’m old enough to own one. This is not unlike like cigar-smoking; you have to be of a certain age to pull it off without looking ridiculous.

Too, as a cyclist who has played mirror-tag with many a blue-haired land-yacht captain over the years, the notion leaves me feeling a little like a Lakota warrior applying to join Custer’s 7th Cavalry.

And the entry fee for the RV lifestyle is a high curb to hop — even an elderly, smallish Toyota RV can run from five to ten large, while free-lance cycling journalism pays on the small side.

• • • 

In the essay “Going Places,” from his collection “Just Before Dark,” Harrison advises: “Do not scorn day trips. You can use them to avoid nervous collapse.” So with a light snow falling and the promise of more on the way, I jumped into my ’83 Toyota 4WD and headed north to talk to a guy who had a used, slide-in, pop-up camper for sale.

As I bounced crazily down our steep, corrugated goat path to the county road — this truck, which under a previous owner carried a camper, has springs apparently salvaged from a buckboard — I realized I’d forgotten my watch. A moment of dismay, then satori; I had more than enough time to make the noon appointment, and there was nothing of pressing urgency requiring a timepiece, so screw it.

So, after checking out the camper — affordable and nicely minimalist, with a cabover bed, a small sink and stove, a pedestal table and bench, and a furnace — I spent the afternoon idling around downtown Bibleburg, where it was not snowing, the roads were paved, and distractions were available in variety.

Drank a pint of Guinness and ate a burger in Jack Quinn’s; looked for Harrison books in the cavernous used-book store Gateways; sipped a tall Americano in a Starbucks staffed by two pleasant young women chattering away like magpies. Then I took my sweet time getting home, and not just because I was following a snowplow and an 18-wheeler up a slushy Hardscrabble Cañon.

Again, Harrison, in “The Beige Dolorosa” from “Julip”: “The clock is the weapon with which we butcher our lives.”

The character who writes this line on an index card — an academic rebelling against the tyranny of the clock as he comes to terms with a vastly altered life — then wraps his watch around the cord of his Big Ben electric clock and dangles both in the toilet, flushing and laughing.

He continues: “The damnable watch still worked. I put it on the floor, stepped up on the toilet seat and jumped, smashing the watch to bits. It occurred to me that I was getting a little excitable, so I took the remnants of the two timepieces outside and peed on them to complete the scene appropriately. I reached back in the cabin and turned off the light, the better to see the stars. They were so dense they made the sky look flossy, almost a fog of stars which had drawn infinitely closer to me than ever before, as if my destruction of time had made me a friendlier object for their indeterminate powers.”

Smash your watches. Pee on your clocks. Go look at the stars.

Double dumbstruck

September 11, 2022

Gassing up for the long commute.

“This heat’s not good for the brain. Turns out nothing much is good for the brain in the 2020s. TV rots it, the Internet turns it to jelly, the miserable climate bakes it, 90 percent of what we call ‘work’ is deliberately designed to actually erase the human brain; this has been proven. Podcasts: Now there’s a guaranteed way to reverse years of book-learning and social skills. There’s online gambling, TikTok … and then Queen Elizabeth II passed away and it was like a Bat-Signal in the sky to make everybody go extra double-dumb. … Only in Ireland did they seem to sort of be enjoying it all.” — Ken Layne, “Like a Hurricane,” Desert Oracle Radio

You said a mouthful, brother.

The news has been so relentlessly grotesque that I found myself double-dumbstruck, which is to say rendered speechless by astonishment while simultaneously catching a puck in the gob from a wildly flailing eejit.

The prospect of commenting on any of our ongoing Dumpster fires felt like pissing into the drinking water in Jackson, Mississippi — an enhancement, to be sure, but not a solution any sane person would swallow.

So I kept it zipped. Averted my eyes. Instead I watched the hummingbirds mobbing our feeders; the little buzzbombs will be leaving us shortly. Played with Miss Mia Sopaipilla, who remains extraordinarily kittenish for a 15-year-old cat. Rode the bike(s) — 130 miles last week, 140 this week.

With “Better Call Saul” in the rear view we branched out a bit in our evening TV-watching. I can recommend “Letterkenny,” (absurdly funny Canadians); “This Fool” (snarky South Central working-class vatos); “Belfast” (The Troubles through a child’s eyes); and “The Sandman,” derived, like “Watchmen,” from a high-gloss DC comic of which I had been ignorant.

• Honorable mention: “Funny Pages,” a bent coming-of-age story about a teenage cartoonist who gets an up-close-and-personal look at the subterranean bits of “underground comics.” Could be straight out of “Zap,” “Bijou,” or pretty much any other comic you read back when weed was still illegal. And yes, Your Humble Narrator recognized more than a few unsavory aspects of himself in this film.

What about literature, you ask? Check out a couple road-trippers on the ragged edge: the cabbie Lou in Lee Durkee’s “The Last Taxi Driver,” and the shaggy mercenary Will Bear in Dan Chaon’s “Sleepwalk.”

• Honorable mentions: “Night of the Living Rez” by Morgan Talty (his first book; dark tales of a Native community in Maine) and “Homesickness” by Colin Barrett (his second; darkly funny tales of the Irish at home and abroad).

If none of these diversions from the daily disaster does the trick for you, find a hummingbird to watch or a cat to play with.

R.I.P., Barbara Ehrenreich

September 2, 2022

She took what they were giving ’cause she was working for a living.

Barbara Ehrenreich, the journalist, activist, and author who never lost touch with her working-class roots, has clocked out. She was 81.

Her New York Times obit draws from the introduction to “Nickel and Dimed: On (Not) Getting By in America,” in which she recounts wondering with a magazine editor how the unskilled survive on the wages paid them and then blurting out something that she “had many opportunities to regret: ‘Someone ought to do the old-fashioned kind of journalism — you know, go out there and try it for themselves.'”

Which is exactly what Ehrenreich did, of course, working and living as a waitress, hotel maid, nursing-home aide, and Walmart “associate,” among other things. Then she came back and told us all about it.

And though she would be writing it up, she wasn’t phoning it in:

People knew me as a waitress, a cleaning person, a nursing home aide, or a retail clerk not because I acted like one but because that’s what I was, at least for the time I was with them. In every job, in every place I lived, the work absorbed all my energy and much of my intellect. I wasn’t kidding around. Even though I suspected from the start that the mathematics of wages and rents were working against me, I made a mighty effort to succeed.

She was not, and is not, alone. And in her Evaluation at the end of the book, Ehrenreich proposed that those of us who live in comfort while others barely scrape by should feel not just guilt, but shame.

When someone works for less pay than she can live on — when, for example, she goes hungry so that you can eat more cheaply and conveniently — then she has made a great sacrifice for you, she has made you a gift of some part of her abilities, her health, and her life.

What a gift was Ehrenreich’s life. Peace unto her, her family, friends, and readers.