The artist who created “The Triplets of Belleville” is at it again.
Finally — some good news for a change.
Sylvain Chomet, the French animator behind “The Triplets of Belleville,” is back at the ol’ drawing board after 15 years.
“A Magnificent Life,” in U.S. theaters Friday, is an animated biopic concerning Marcel Pagnol, a French playwright, filmmaker and author whose works celebrated the Provence working class, according to The New York Times(gift link).
The film, says Mother Times, showcases Chomet’s fondness for narratives set in the mid-20th century and protagonists who are artists or performers.
Which is all very fine, of course. And we should all dash out to see it at once, if not sooner. But the good good news is that the maestro is hard at work on a spinoff of “Belleville,” based on a story he wrote more than two decades ago, in which the triplets visit their 100-year-old father, who does not know that they spurned traditional employment to become cabaret singers. Says Chomet:
“It has the same feeling as my previous ‘Triplets’ film. It’s completely mad, and it’s quite a baroque movie with brand-new, very cartoony characters.”
Meanwhile, Chomet’s fans will probably not be surprised by his views regarding today’s soulless, cookie-cutter animation. Asked if there were any recent animated films he’s enjoyed, he mentioned Pixar’s “WALL-E” — which was released in 2008.
The weather suddenly has a nasty case of multiple-personality disorder.
First it was breaking heat records right, left, and center. Then yesterday, it was the thundering winds and the air so thick with particulates, pollen, and various monoxides and dioxides — hence the phrase, “Beware the ’ides of March!” — that one had to chew each breath 666 times before swallowing. The AirNow.gov klaxons were going all like aaaaaaOOOOOOgahh and the local air-quality monitors were an equally loud shade of red that matched my eyes.
I didn’t even think about going out for a ride or run. Nevertheless around 10:30 last night I was blown out of bed and into the spare room by an allergy attack the likes of which I haven’t suffered since LBJ was hoisting his beagles and the Vietnamese by the ears. I didn’t think it was possible for a human body to contain that much snot, unless maybe that body belonged to Karoline Leavitt.
I did wonder whether UFC bro’-brahs Addled Hitler and Bibi the Beast going all Michael Corleone around the Bible Lands might have had some effect on the global climate. I’ve heard it said that The Pestilence can change the weather in DeeCee just by dropping trou’. In any case both should be in cages, and if they wanted to fight, well, I’d buy a ticket.
Today we awakened to temps in the 20s with a forecast high in the 60s, which would be par for the course this time of year. But the forecast also calls for highs to ascend to the upper 80s by Thursday. Perhaps Lucifer has finally found the escalator that runs upward.
“The Devil you say? Wonderful to see you again, old chap. Bit of an upgrade from the trip downward, yes? ‘Hurl’d headlong flaming’ and all that? Will you have tea? Oh, I beg your pardon, something cool for a change, certainly. …”
Speaking of failed rebellions and free beverages, I see “One Battle After Another” took the big prize last night. At times I wonder if the Oscars aren’t actually the work of some third-rate TikTok movie critic name of Domhnall O’Scar, an Irish-American knee-walker who decides who gets what depending upon who’s underwriting his bar tab at the moment.
“One Battle After Another,” y’say? (belch) Is tha’ an empty glass I see before me? Yeer a gennl’mun an’ a scholar, sir. Down the hatch and up the rebels! (urp)”
Still, this year’s “spring forward” meant we spent one less hour today stacking sandbags against the tide of bullshit flowing downstream from the Orange House.
So, winning? Maybe. We must take these little victories wherever we find them.
This morning I burned a little of my saved daylight by reading an essay in The New York Times, in which the daughter of two former American revolutionaries found the Oscar-nominated “One Battle After Another” to be “nothing more than entertainment” rather than “a battle cry for a generation.”
Huh. Hollywood veterano Paul Thomas Anderson cranks out a rapid-fire rom-com inspired by a rambling mythical history by Thomas Pynchon, and Hope Reeves — who herself is working on a comic memoir of being raised by retired Weatherpersons James H. Reeves and Susan Hagedorn — finds it regrettably unserious.
Well. Shit. Can’t have that. Can we?
Why not?
• • •
I myself have been regrettably unserious since — well, since forever — and, like the thought of suicide, it has gotten me successfully through many a bad night. And a few fairly grim days, too, whether shortened or lengthened by government fiat.
My upbringing was unremarkably middle-class — Catholic Republican father, Presbyterian Democrat mother — and yet somehow I came to cast myself in the role of atheist radical son.
A diet rich in Warner Brothers cartoons, Marx Brothers movies and Mad magazine will give a kid a taste for anarchy. Who do you root for? Not The Man, that’s for sure. It was one battle after another and Elmer Fudd lost every one of them.
So while I would eventually become interested in Weatherman, and personally sample various flavors of Marxism — Socialist Workers Party, October League, Communist Party (M-L) — these last two, like Weatherman, offspring of the Students for a Democratic Society — my first real political infatuation was with the Yippies.
• • •
Elmer wanted to cut off my lovely hair and send me to Vietnam. I wanted to Bugs Bunny his ass. And so did the Yippies, whose regrettably serious alias was the Youth International Party.
Abbie Hoffman and Jerry Rubin were probably the most famous of these Groucho Marxists, whose theater was the street. Levitating the Pentagon. Throwing money at traders at the New York Stock Exchange. Running an actual pig — Pigasus the Immortal — for president.
The Yippies invaded Disneyland, taking over Tom Sawyer’s Island, threw pies, and applied for a permit to blow up the General Motors building. When it was denied, the Yippies shrugged and said it only proved that it was impossible to work within the system to change the system.
Alas, that old system sure proved durable, resisting change from within and without.
Some Yippies became yuppies. Rubin traded his Viet Cong flag shirt for the suit and tie of a businessman. He died in 1994 after being hit by a car while crossing Wilshire Boulevard, in front of his penthouse apartment. He was 56, well past the 30th birthday after which nobody was to be trusted.
Hoffman jumped bail after a dope bust and went underground. He eventually resurfaced, did some light time, and returned to activism.
But it was the Eighties — remember those fabulous Eighties, kids? — and the old act didn’t seem to be going over so well with a new audience. Hoffman died, reportedly by his own hand, in 1989. He was 52.
• • •
By then, mockery had already begun infiltrating (or was being co-opted by) The Establishment. “Saturday Night Live,” which debuted in 1975 with guest host George Carlin, somehow remains relevant in an aw-shucks-just-kiddin’ sort of way. David Letterman, Jon Stewart and Stephen Colbert have had their innings, and Jimmy Kimmel is still in there pitching despite some booing from the luxury box at Fudd Stadium.
But there’s something about old-school, street-level mockery that really gets The Man’s dander up. The reigning Man, Elmer Befuddled, who hires out his shotgunning of critters at home and abroad because bone spurs, watches a shit-ton of TV. And if he sees yuuuuge crowds from coast to coast rocking the next No Kings rallies on March 28, giving him the old Warner Bros.’ sendoff — “Th-th-that’s all, folks!”— he might just do a John Belushi, spin right out of his chair, and hit the deck in a slobbering, shitting sayonara.
It comforts me to think back to one of Gilbert Shelton’s “Fabulous Furry Freak Brothers” cartoons, in which political candidate Rodney Richpigge commits suicide by proxy, ordering his chauffeur to drive off a bridge because he thinks people are laughing at him (a half pint of amyl nitrite getting an unexpected wash in Fat Freddy’s jeans was the actual giggle-trigger).
Hope, as they say, springs eternal. No matter what time it is.
Rather than endure The Pestilence breaking wind from the face, I dined informally, at my desk — a bowl of chili, a wedge of buttered cornbread, and a pint of Guinness 0 — while reading about the late and very much unheralded poet Everette Hawthorne Maddox.
Herself was in Fanta Se with a visiting gal pal. Miss Mia Sopaipilla was sprawled nearby in her crinkle tube. The TV was darkly silent in the living room.
I could’ve watched the whole dismal spectacle on the MacBook Pro, but decided that since nobody was paying me to do that, and that I was actually paying for it to take place, I was already down dozens of dollars and not likely to turn a profit on the project anytime soon. A visit to any third-string primate house would have been more informative, with less shit-flinging. Better to read about Maddox for free over at The Poetry Foundation, courtesy of James McWilliams.
Maddox, whom Andrei Codrescu called the “Christ of New Orleans,” published three books of poetry between 1975 and 1988. He died in 1989, just 44 years old, of complications from esophageal cancer. Hundreds crammed into a New Orleans bar to give a proper sendoff to the jobless, homeless, divorced alcoholic who slept in the bed behind the driver’s seat of an 18-wheeler parked outside a used-furniture store. I’d never heard of him before, but McWilliams brought him to life for me:
“Everyone should have an epitaph ready, just in case,” [Maddox] said in a rare radio interview in 1983. He called his version, written around 1974, ‘Hypothetical Self-Epitaph,’ and it comes as close to anything else he wrote to capturing his inner character:
What if I just caved in gave out, pulled over to the side of the road of life, & expired like an old Driver’s license? You might say He didn’t get far in 31 years. But I’d say That’s all right, it was the world’s longest trip on an empty tank.
His few books are hard to find. A plaque in the courtyard of the Maple Leaf Bar on Oak Street calls him “a mess.” McWilliams, who argues that he nevertheless deserves our attention, writes:
The man was dark and troubled, more so than most. But he aimed to offer his audience — his friends, as we’ll see — the brightest reflection of that darkness that he could project.
Contrast that with what The Pestilence offered in last night’s State of the Union address, which the legacy media swarmed like rats to an overflowing Dumpster and declared a record in terms of duration, if not in unfiltered bullshit. Talk about your long trips on an empty tank.
Yeah, I think I made the right call. I toasted Maddox’s memory with my fake beer, scratched Miss Mia behind the ears, and went to bed early.
• Editor’s note: “I Hope it’s Not Over and Good-By,” selected poems by Everette Hawthorne Maddox, is available from the University of New Orleans Press.
The two men were so very different in so many different ways — one a conservative white, born into an admiral’s family in San Diego; the other a liberal Black, spurned by birth father and stepfather in the segregated South — yet both came to immerse themselves completely in their respective roles, impatient with and often heedless of direction.
My favorite version of Duvall was Mac Sledge, the washed-up, alcoholic country singer-songwriter in the 1983 film “Tender Mercies.” He looked like post-Muskogee Merle Haggard and sounded like — well, like Robert Duvall if he’d gone outlaw with Willie and Waylon, because he sang the damn’ songs, after test-driving his pipes with a country band and motoring around East Texas “looking for accents,” according to The New York Times.
But Duvall likewise was top-notch — or maybe top gun — in “The Great Santini,” a 1979 movie based on the book of the same name by Pat Conroy. The titular character he portrayed, Marine fighter pilot Lt. Col. Wilbur “Bull” Meecham, reminded me very much of a certain Southern-fried Air Force colonel who flew C-47s out of New Guinea during World War II.
Duvall’s favorite role was that of Augustus McCrae, a crusty old ex-Texas Ranger in the 1989 TV miniseries “Lonesome Dove,” based on the Larry McMurtry novel … a revelation that weirded me right the hell out because that book is on my nightstand right now, as I’m between books I haven’t already read a few hundred times. Gus is right up there as characters go, and Duvall knew it.
“Let the English play Hamlet and King Lear,” he told interviewers, “and I will play Augustus McCrae, a great character in literature.”
Jackson had the misfortune of being the understudy to the Rev. Dr. Martin Luther King Jr., and after King’s assassination he spent the rest of his life auditioning for that elusive starring role. Some in the Southern Christian Leadership Conference thought him a spotlight hog, and some outside the SCLC found him easy to caricature, especially the white folks who ran the big casino — though plenty of them stopped laughing after he turned in strong performances as a presidential candidate in 1984 and ’88.
He lost the nominations to Walter Mondale and Michael Dukakis, who went on to get beaten like rented mules by Ronald Reagan and George H.W. Bush, and Jackson gave up tilting at that particular windmill.
Jackson continued trying to remind America that there were choices other than wrong right, hard right, and centrist, though as The Times notes, “for all his rhetorical thunder the Democrats never fully embraced his vision of an unashamedly liberal party based not on the white middle class but rather on his coalition of poor and working-class people of all colors.”
More’s the pity.
I don’t remember who I voted for in 1984. I was in a union then, and it’s possible that I pulled the lever for the old commie Gus Hall, because after brief flirtations with the Socialist Workers Party, the October League and the Communist Party (M-L) I occasionally enjoyed being a red pain in the ass. And no way was I gonna vote for a Hollywood cowboy who wasn’t Robert Duvall.
Four years later I was all about Gary Hart, until he self-destructed, and then I caucused for Jackson, for all the good it did him. His people charged that Colorado slow-walked its count to give Dukakis a boost going into the Wisconsin primary, but in the end, Jackson lost the caucus and the nomination to Dukakis.
Later that year at the behest of political pals I worked one event for the Democratic candidate. The people his campaign sent to Denver proved to be outlandish assholes, so much so that I didn’t bother to vote come November. It seemed pointless, another dry well in a decades-long drought. Barack Obama was light-years away.
But Jackson didn’t give up. And neither did Duvall. Both continued to find roles to play, and both helped make our lives worth the price of admission. Peace to them, their families, fans, and friends.
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