Forward sprung

March 8, 2026 ~ Patrick O'Grady ~ 6 Comments

Daylight Saving Time is stupid.

Still, this year’s “spring forward” meant we spent one less hour today stacking sandbags against the tide of bullshit flowing downstream from the Orange House.

So, winning? Maybe. We must take these little victories wherever we find them.

This morning I burned a little of my saved daylight by reading an essay in The New York Times, in which the daughter of two former American revolutionaries found the Oscar-nominated “One Battle After Another” to be “nothing more than entertainment” rather than “a battle cry for a generation.”

Huh. Hollywood veterano Paul Thomas Anderson cranks out a rapid-fire rom-com inspired by a rambling mythical history by Thomas Pynchon, and Hope Reeves — who herself is working on a comic memoir of being raised by retired Weatherpersons James H. Reeves and Susan Hagedorn — finds it regrettably unserious.

Well. Shit. Can’t have that. Can we?

Why not?

• • •

I myself have been regrettably unserious since — well, since forever — and, like the thought of suicide, it has gotten me successfully through many a bad night. And a few fairly grim days, too, whether shortened or lengthened by government fiat.

My upbringing was unremarkably middle-class — Catholic Republican father, Presbyterian Democrat mother — and yet somehow I came to cast myself in the role of atheist radical son.

A diet rich in Warner Brothers cartoons, Marx Brothers movies and Mad magazine will give a kid a taste for anarchy. Who do you root for? Not The Man, that’s for sure. It was one battle after another and Elmer Fudd lost every one of them.

So while I would eventually become interested in Weatherman, and personally sample various flavors of Marxism — Socialist Workers Party, October League, Communist Party (M-L) — these last two, like Weatherman, offspring of the Students for a Democratic Society — my first real political infatuation was with the Yippies.

• • •

Elmer wanted to cut off my lovely hair and send me to Vietnam. I wanted to Bugs Bunny his ass. And so did the Yippies, whose regrettably serious alias was the Youth International Party.

Abbie Hoffman and Jerry Rubin were probably the most famous of these Groucho Marxists, whose theater was the street. Levitating the Pentagon. Throwing money at traders at the New York Stock Exchange. Running an actual pig — Pigasus the Immortal — for president.

The Yippies invaded Disneyland, taking over Tom Sawyer’s Island, threw pies, and applied for a permit to blow up the General Motors building. When it was denied, the Yippies shrugged and said it only proved that it was impossible to work within the system to change the system.

Alas, that old system sure proved durable, resisting change from within and without.

Some Yippies became yuppies. Rubin traded his Viet Cong flag shirt for the suit and tie of a businessman. He died in 1994 after being hit by a car while crossing Wilshire Boulevard, in front of his penthouse apartment. He was 56, well past the 30th birthday after which nobody was to be trusted.

Hoffman jumped bail after a dope bust and went underground. He eventually resurfaced, did some light time, and returned to activism.

But it was the Eighties — remember those fabulous Eighties, kids? — and the old act didn’t seem to be going over so well with a new audience. Hoffman died, reportedly by his own hand, in 1989. He was 52.

• • •

By then, mockery had already begun infiltrating (or was being co-opted by) The Establishment. “Saturday Night Live,” which debuted in 1975 with guest host George Carlin, somehow remains relevant in an aw-shucks-just-kiddin’ sort of way. David Letterman, Jon Stewart and Stephen Colbert have had their innings, and Jimmy Kimmel is still in there pitching despite some booing from the luxury box at Fudd Stadium.

But there’s something about old-school, street-level mockery that really gets The Man’s dander up. The reigning Man, Elmer Befuddled, who hires out his shotgunning of critters at home and abroad because bone spurs, watches a shit-ton of TV. And if he sees yuuuuge crowds from coast to coast rocking the next No Kings rallies on March 28, giving him the old Warner Bros.’ sendoff — “Th-th-that’s all, folks!”— he might just do a John Belushi, spin right out of his chair, and hit the deck in a slobbering, shitting sayonara.

It comforts me to think back to one of Gilbert Shelton’s “Fabulous Furry Freak Brothers” cartoons, in which political candidate Rodney Richpigge commits suicide by proxy, ordering his chauffeur to drive off a bridge because he thinks people are laughing at him (a half pint of amyl nitrite getting an unexpected wash in Fat Freddy’s jeans was the actual giggle-trigger).

Hope, as they say, springs eternal. No matter what time it is.

State of El Rancho Pendejo

February 25, 2026 ~ Patrick O'Grady ~ 3 Comments

Rather than endure The Pestilence breaking wind from the face, I dined informally, at my desk — a bowl of chili, a wedge of buttered cornbread, and a pint of Guinness 0 — while reading about the late and very much unheralded poet Everette Hawthorne Maddox.

Herself was in Fanta Se with a visiting gal pal. Miss Mia Sopaipilla was sprawled nearby in her crinkle tube. The TV was darkly silent in the living room.

I could’ve watched the whole dismal spectacle on the MacBook Pro, but decided that since nobody was paying me to do that, and that I was actually paying for it to take place, I was already down dozens of dollars and not likely to turn a profit on the project anytime soon. A visit to any third-string primate house would have been more informative, with less shit-flinging. Better to read about Maddox for free over at The Poetry Foundation, courtesy of James McWilliams.

Maddox, whom Andrei Codrescu called the “Christ of New Orleans,” published three books of poetry between 1975 and 1988. He died in 1989, just 44 years old, of complications from esophageal cancer. Hundreds crammed into a New Orleans bar to give a proper sendoff to the jobless, homeless, divorced alcoholic who slept in the bed behind the driver’s seat of an 18-wheeler parked outside a used-furniture store. I’d never heard of him before, but McWilliams brought him to life for me:

“Everyone should have an epitaph ready, just in case,” [Maddox] said in a rare radio interview in 1983. He called his version, written around 1974, ‘Hypothetical Self-Epitaph,’ and it comes as close to anything else he wrote to capturing his inner character:

What if I just caved in
gave out, pulled over
to the side of
the road of life,
& expired like an old
Driver’s license?
You might say He didn’t
get far in 31 years.
But I’d say That’s
all right, it was
the world’s longest trip
on an empty tank.

His few books are hard to find. A plaque in the courtyard of the Maple Leaf Bar on Oak Street calls him “a mess.” McWilliams, who argues that he nevertheless deserves our attention, writes:

The man was dark and troubled, more so than most. But he aimed to offer his audience — his friends, as we’ll see — the brightest reflection of that darkness that he could project.

Contrast that with what The Pestilence offered in last night’s State of the Union address, which the legacy media swarmed like rats to an overflowing Dumpster and declared a record in terms of duration, if not in unfiltered bullshit. Talk about your long trips on an empty tank.

Yeah, I think I made the right call. I toasted Maddox’s memory with my fake beer, scratched Miss Mia behind the ears, and went to bed early.

• Editor’s note: “I Hope it’s Not Over and Good-By,” selected poems by Everette Hawthorne Maddox, is available from the University of New Orleans Press.

R.I.P., Robert and Jesse

February 17, 2026 ~ Patrick O'Grady ~ 8 Comments

Robert Duvall, climbing to the top in “Tender Mercies.”

Two stunning performers have left the stage: Robert Duvall and Jesse Jackson.

The two men were so very different in so many different ways — one a conservative white, born into an admiral’s family in San Diego; the other a liberal Black, spurned by birth father and stepfather in the segregated South — yet both came to immerse themselves completely in their respective roles, impatient with and often heedless of direction.

My favorite version of Duvall was Mac Sledge, the washed-up, alcoholic country singer-songwriter in the 1983 film “Tender Mercies.” He looked like post-Muskogee Merle Haggard and sounded like — well, like Robert Duvall if he’d gone outlaw with Willie and Waylon, because he sang the damn’ songs, after test-driving his pipes with a country band and motoring around East Texas “looking for accents,” according to The New York Times.

But Duvall likewise was top-notch — or maybe top gun — in “The Great Santini,” a 1979 movie based on the book of the same name by Pat Conroy. The titular character he portrayed, Marine fighter pilot Lt. Col. Wilbur “Bull” Meecham, reminded me very much of a certain Southern-fried Air Force colonel who flew C-47s out of New Guinea during World War II.

Duvall’s favorite role was that of Augustus McCrae, a crusty old ex-Texas Ranger in the 1989 TV miniseries “Lonesome Dove,” based on the Larry McMurtry novel … a revelation that weirded me right the hell out because that book is on my nightstand right now, as I’m between books I haven’t already read a few hundred times. Gus is right up there as characters go, and Duvall knew it.

“Let the English play Hamlet and King Lear,” he told interviewers, “and I will play Augustus McCrae, a great character in literature.”

Jackson had the misfortune of being the understudy to the Rev. Dr. Martin Luther King Jr., and after King’s assassination he spent the rest of his life auditioning for that elusive starring role. Some in the Southern Christian Leadership Conference thought him a spotlight hog, and some outside the SCLC found him easy to caricature, especially the white folks who ran the big casino — though plenty of them stopped laughing after he turned in strong performances as a presidential candidate in 1984 and ’88.

He lost the nominations to Walter Mondale and Michael Dukakis, who went on to get beaten like rented mules by Ronald Reagan and George H.W. Bush, and Jackson gave up tilting at that particular windmill.

Jackson continued trying to remind America that there were choices other than wrong right, hard right, and centrist, though as The Times notes, “for all his rhetorical thunder the Democrats never fully embraced his vision of an unashamedly liberal party based not on the white middle class but rather on his coalition of poor and working-class people of all colors.”

More’s the pity.

I don’t remember who I voted for in 1984. I was in a union then, and it’s possible that I pulled the lever for the old commie Gus Hall, because after brief flirtations with the Socialist Workers Party, the October League and the Communist Party (M-L) I occasionally enjoyed being a red pain in the ass. And no way was I gonna vote for a Hollywood cowboy who wasn’t Robert Duvall.

Four years later I was all about Gary Hart, until he self-destructed, and then I caucused for Jackson, for all the good it did him. His people charged that Colorado slow-walked its count to give Dukakis a boost going into the Wisconsin primary, but in the end, Jackson lost the caucus and the nomination to Dukakis.

Later that year at the behest of political pals I worked one event for the Democratic candidate. The people his campaign sent to Denver proved to be outlandish assholes, so much so that I didn’t bother to vote come November. It seemed pointless, another dry well in a decades-long drought. Barack Obama was light-years away.

But Jackson didn’t give up. And neither did Duvall. Both continued to find roles to play, and both helped make our lives worth the price of admission. Peace to them, their families, fans, and friends.

Friday ‘news’ dump

January 30, 2026 ~ Patrick O'Grady ~ 11 Comments

It’s Shiny Object Day again at Der Orange Haus.

Hoping to distract the media from the masked, murderous ICEholes goosestepping around Minneapolis, His Excremency’s Injustice Department has ordered a massive dump of Epstein files — “more than 3 million pages of documents … as well as more than 2,000 videos and 180,000 images,” according to The Associated Press.

“I’m shocked! — shocked! — to find that perversion is going on in here!”

“Your underage victim, sir. …”

“Oh, thank you very much. …”

Thank you very much not at all, you oinking fucking swine. Here at El Rancho Pendejo we supply our own, wholesome pasatiempos.

Save for Monday, the weather has been suitable for cycling and running, which, yay. Soon as I post this mess I plan to get right back after it, too.

Between bouts of healthful outdoor exercise, “Mel Brooks: The 99-Year-Old Man” on HBO is a must-see, as is the Oscar-nominated “Train Dreams” on Netflix, though the adaptation of Denis Johnson’s novella doesn’t come close to challenging Mel in the yuks department.

After abandoning a second crack at the source material for another Oscar nominee — “Vineland,” by Thomas Pynchon, the inspiration for “One Battle After Another” — I’ve been reading “The Five Wounds” by Kirstin Valdez Quade, which has taken me on a backstage tour of my old stomping grounds around Española, N.M. My favorite restaurant from those days, El Paragua, gets a shout-out, as does Saints and Sinners. I took Herself to our first date at the former, where we later had our pre-wedding dinner, and once bought her a T-shirt from the latter.

So, no. We are not buying what these fascists are selling. Mel taught us how to deal with Nazis — by mocking them, savagely and relentlessly. He’s still at it. And so are we, though at times we wish we had his stamina.

And now I’m off for a ride. It feels like springtime out there right now. Not for Hitler, though. Especially if he’s just some half-baked orange understudy who can’t sing or dance worth a shit.

Awaiting enlightenment

January 19, 2026 ~ Patrick O'Grady ~ 10 Comments

Author George Saunders is much in the news of late, chatting up the press in preparation for going on tour to promote his latest book, “Virgil,” due out later this month.

Speaking with The Guardian, Saunders said he was still trying to decide how to speak about politics when he hits the road. Preaching to the converted feels “a little too good, like it’s too much sugar,” he said, adding that while his nature is to seek peace, “that’s dangerous right now because I don’t want to be a peacemaker for this regime.”

I’m not a celebrated author, prepping for a book tour, or a Tibetan Buddhist. I blog irregularly and without distinction, the only tours I take are by Subaru, and the only thing I’m promoting is my own mental health. My devotion to Zen is sporadic at best.

But I sure dig where Saunders is coming from when he says The Work is the thing.

The one thing I’m doubling down on is: just keep making fictive worlds. Improve the quality of your thought, improve the quality of your compassion, by that sacramental exercise, then whatever you have to do you’ll be better equipped.

It reminds me of the Zen proverb, “Before enlightenment, chop wood, carry water. After enlightenment, chop wood, carry water.” Also, and too, of the Epistle of James, which goes, “For as the body without the spirit is dead, so faith without works is dead also.”

And I was pleasantly surprised to see Saunders prescribe a spoonful of sugar to help his medicine go down: “Also start weightlifting, build a machine-gun turret. …”

Sounds like the right sort of work for an old blogger short on faith as the reign of His Excremency Donald the Dozy barrels along unhindered. We’re running out of water to carry in the Southwest, and we don’t burn wood. But you never know when a buffed-up bod’ and a machine-gun turret are liable to come in handy.