Doing time

Miss Mia knows how to be jailin’.

In his loosely autobiographical novel “Homeboy,” ex-con Seth Morgan had a character offer some advice for a new fish worried about doing time.

“The time does itself,” schooled Smoothbore. “You jist got to live with it.”

A few pages closer to the penitentiary, the narrator elaborated:

Jailin’ was an art form and lifestyle both. The style was walkin’ slow, drinkin’ plenty of water, and doin’ your own time; the art was lightin’ cigarets from wall sockets, playin’ the dozens, cuttin’ up dream jackpots, and slowin’ your metabolism to a crawl, sleepin’ twenty hours a day. Forget the streets you won’t see for years. Lettin’ your heart beat the bricks with your body behind bars was hard time. Acceptin’ the jailhouse as the only reality was easy time. Jailin’.

Staying at home, social distancing — these aren’t jailin’, but they’re not exactly freedom, either. Sure, the cell is a little bigger, the guards a little less visible, and the food better. Still, you’d rather be out on the street.

But listen to Smoothbore. Let the time do itself. Live with it.

With any luck at all, you have a short stretch and an agreeable cellmate. You know — someone who doesn’t mind doing the laundry while you stretch out on your bunk and listen to the latest thrilling episode of Radio Free Dogpatch!

P L A Y    R A D I O    F R E E    D O G P A T C H

• Technical notes: The bargain-basement broadcasting continues. I used the Audio-Technica ATR2100-USB mic,recording directly to the MacBook Pro using Rogue Amoeba’s nifty little app Piezo. Editing was as usual, in GarageBand. Once again the background music is by Your Humble Narrator, assembled from bits and pieces in the Mac and iOS versions of GarageBand. Other sonic adornments come from the iMovie and GarageBand sound libraries.

Antisocial distancing

The outside is still there. We’re just not making as much use of it lately.

No child likes homework. And damn few adults like working from home full time, once they’ve given it a whirl.

Oh, sure, some of us are cut out for it. Truth be told, without the option to work remotely, some of us wouldn’t be remotely employable.

So as you noobs open your laptops on the kitchen counter, launch Skype, and settle into The New Normal, remember the Old Abnormal. We’re still here, in our three-day beards, unbrushed teeth, and soiled yoga pants, taking regular meetings with the voices in our heads.

We pioneered this shit. Homesteaded it, you might say. And we like it.

So, welcome to orientation.

First, the bad news: The voices in your head are not the ones you’re used to hearing around the water cooler in the office.

The good news? You can tell them to shut the fuck up and they won’t rat you out to HR.

Yes, it’s another thrilling episode of Radio Free Dogpatch!

P L A Y    R A D I O    F R E E    D O G P A T C H

• Technical notes: It’s another bargain-basement broadcast. I used the Audio-Technica ATR2100-USB mic, and skipped the Zoom H5 Handy Recorder in favor of recording directly to the MacBook Pro using Rogue Amoeba’s nifty little app Piezo. Editing was as usual, in GarageBand. The intro music is by Your Humble Narrator, assembled from bits and pieces in the iOS version of GarageBand on a 9.7-inch iPad Pro. Angry shouting and background music (the latter by Doug Maxwell/Media Right Productions) is courtesy of the YouTube Audio Library. Cash register by kiddpark at Freesound.org. Herself was voiced either by Elle Macpherson, Tyra Banks, or Rosario Dawson, I can’t decide.

‘The excitement is contagious. …’

Dr. Memory … paging Dr. Memory. …

I woke up singing, “Make the World Go Away.”

It wouldn’t, of course. The world is remarkably persistent. Always up in your grille with its pestilence, stock-market crashes, toilet-paper shortages, leadership vacuums, Darth Gimp boots, doctor’s appointments, and stupidity.

For, like the poor, ye have the stupid always with you.

Sometimes, a guy wants a little smart. And so, after a consultation with Dr. Memory, and in keeping with the general plague theme, we present for your listening enjoyment “Waiting for the Electrician or Someone Like Him” by The Firesign Theatre.

If only we had a generated, veneered leader. (Hear, hear!) Our own “Fighting Jack.” (Where, where?) But nope — all we have is a pestilence (There, there).

We’re in the soup

This soup didn’t come out of a packet.

We were not Jewish. But whenever one of us was sick, Mom would break out the chicken soup.

Well, kinda, sorta.

It was the sort of soup a harried Midwestern Presbyterian considered suitable for ailing children, a saucepan of rehydrated Lipton chicken noodle, with a side of Premium saltines. And if I played my cards right, I could work Mom for the fake soup and a couple of comic books. Winning!

Well, here we are again. The Plague is upon us, we’re shivering under the comforter, and someone is bringing us a plastic bowl of industrial soup with some dried-up old white crackers.

Say, who is that wearing Mom’s apron? It’s … it’s … oh, my God, it’s. …

Yes, it’s another thrilling episode of Radio Free Dogpatch!

P L A Y    R A D I O    F R E E    D O G P A T C H

• Technical notes: It’s another low-and-slow-fi episode this week. I used an Audio-Technica ATR2100-USB mic, and skipped the Zoom H5 Handy Recorder in favor of recording directly to the MacBook Pro using Rogue Amoeba’s nifty little app Piezo. Editing was as usual, in GarageBand. You’ll recognize Babe and the gang from The Firesign Theatre (“How Can You Be In Two Places At Once When You’re Not Anywhere At All”) and the doctor from “Monty Python’s The Meaning of Life.” The background music is by Your Humble Narrator, assembled from bits and pieces in the iOS version of GarageBand on a 9.7-inch iPad Pro.

Rolled another one

Eric “Nohand” Crapton takes his solo. | Photo by Herself

One of the interesting aspects of occasionally wandering away from straight writing into “multimedia,” by which I mean short videos, podcasts, and what have you, is seeing how one thing can become another if you use a big enough hammer.

It’s not always a better thing. But it’s inevitably something different. So what we have here is a podcast that grew like a weed, a wart, or a boil from a couple of short blog posts.

When I blew up my ankle last Friday my instinctive reaction was to write a long blog post about the first time I did that, in 1983. I was a depressed 29-year-old fat bastard who had just quit one job in Oregon for another in Colorado, and suddenly, boom, there I was in a walking cast, on crutches, 1,400 miles from my new home.

A fiberglass foot makes it tough to drive stick. Hell, I couldn’t even load the truck. Stairs were involved. Plus I had two dogs who were nearly as ill-mannered as I was.

And then there was the time I broke a collarbone midway through a long-loop mountain-bike race. Lemme tell you, that shit will affect your finishing time. My cyclocross training proved useless. Couldn’t even shoulder the bike and run. Couldn’t drive then, either, and it was a long haul back to Bibleburg from Gunnison.

Happily, in both instances, I got by with a little help from my friends. Until this last time, when I was on my own.

Golly gee, Mister Dog, what happened then? There’s only one way to find out, sonny, and it’s not by reading — you gotta listen to the latest episode of Radio Free Dogpatch!

P L A Y    R A D I O    F R E E    D O G P A T C H

• Technical notes: This episode was recorded with a Shure Beta 87A microphone and a Zoom H5 Handy Recorder, then edited in Apple’s GarageBand on the 13-inch 2014 MacBook Pro. Post-production voodoo by Auphonic. The background music was assembled from various loops in GarageBand by Your Humble Narrator, while the various sound effects were gleaned from G-band and the iMovie effects bin.