Fiddling while Rome burns

Nero didn’t get it either and cashed out the hard way.

OK, let’s see if I’ve got this right:

“A major scientific report issued by 13 federal agencies on Friday presents the starkest warnings to date of the consequences of climate change for the United States, predicting that if significant steps are not taken to rein in global warming, the damage will knock as much as 10 percent off the size of the American economy by century’s end.”

In response, the courtiers attending His Most Pissant Majesty, King Donald the Short-fingered, Terror of Twitter, are focused like the proverbial laser beam on whether trans folk may serve in the Empire’s armed forces.

Got it. Makes perfect sense. See, if they’re not camping in camo’ down by The Wall*, or using the wrong latrines in Afghanistan, they’ll be available to fight fire and flood elsewhere, p’raps in more fashionable neighborhoods, in order that the gentry may be both protected and entertained.

* Wall not pictured. Or even built.

R.I.P., Harlan Ellison

One of the many dispatches from Ellison Wonderland.

The crickets are already chirping merrily by the time I arise at 5:15.

“Won’t be long now,” they sing. “Soon the world will be in the mandibles of its rightful heirs, the insects.”

Harlan Ellison won’t be there to see that day, and write about it. The prolific and famously pissy author of speculative fiction checked out yesterday at 84.

A winner of the Hugo and Nebula awards, Ellison may be best known for “The City on the Edge of Forever,” which many call the best “Star Trek” episode ever. Gene Roddenberry and his drones took the liberty of editing the mortal shit out of his script and Ellison was very much not amused. Legal action followed, as did a settlement, and he eventually released his own version of the script as a book.

He went after and won a settlement from James Cameron, too, saying “The Terminator” nicked bits from two “Outer Limits” episodes he wrote. I always thought that franchise had roots in “I Have No Mouth, & I Must Scream,” a tale of a globe-spanning supercomputer that became self-aware, even godlike, and wiped out the human race, save for a handful of people it kept alive and immortal to torture throughout eternity for blessing it with sentience to no particular purpose.

“He could not wander, he could not wonder, he could not belong. He could merely be.”

“A Boy and his Dog” was another you might know. And there were more, many, many more.

In the foreword to “I Have No Mouth, & I Must Scream,” he called his stories “assaults,” adding: “And science fiction saved me from a life of crime. Honest.”

I hear you there, Harlan. I may not have become a Writer of Stature the way you did, but even swinging a metaphorical bat in the literary bush leagues beats banging on the jailhouse bars. Thanks for doing so much more than “merely be.”

R.I.P., Anthony Bourdain

Anthony Bourdain was working on a project to bring a market modeled on Singapore’s hawker centers to Manhattan. He wanted it to bring to mind “Blade Runner” — “high-end retail as grungy, polyglot dystopia.”

It seems the chef, globetrotter and raconteur Anthony Bourdain decided to burn out rather than fade away.

I can’t really say I was a fan; more of a bemused admirer, and from a safe distance, too. I read “Kitchen Confidential,” and my main takeaway beyond “Hell, no, I don’t ever want to cook in a pro kitchen” was that he’d be a tough dude to spend a lot of time around, even if you weren’t working for him.

But man, did he ever find his place in the world. Actually, not so much “find” as “create.” It seems now that his life may have been one extended, complicated suicide attempt. “Kill me if you can, but in the meantime get the fuck out of my way because I got all this cool shit to do.”

This New Yorker piece by Patrick Radden Keefe examines Bourdain’s raison d’être, the original pitch for his evolving, “increasingly sophisticated iterations” of the same TV program:

“I travel around the world, eat a lot of shit, and basically do whatever the fuck I want.”

It may also contain his epitaph. Bourdain was a movie buff, and “Blade Runner” comes up a couple of times in the piece. I thought immediately of the conversation between Roy Batty and Eldon Tyrell, the chat which ended so badly for Batty’s creator:

“The light that burns twice as bright burns half as long. And you have burned so very, very brightly, Roy.”

Batty would eventually check out, too. But not by his own hand.

R.I.P., Robert Grossman

One of Robert Grossman’s famous covers for The National Lampoon.

Illustrator and caricaturist Robert Grossman has stepped away from the drawing board for the final time.

He created some memorable covers for National Lampoon and other magazines, and took strong whacks at a wide range of politicos, among them Dick Nixon, Ronald Reagan, Jerry Ford, Jimmy Carter, and Bill and Hillary Clinton.

In a 2008 interview with The Times, asked whether caricatures of presidents and presidential candidates were undignified. Grossman replied: “Undignified? Virtually anything has more dignity than lying and blundering before the whole stupefied world, which seems to be the politician’s eternal role.”

That same year, in an interview with The Tennessean, Mr. Grossman explained the edge illustration had over other forms of journalism.

“Reporters labor under the terrible requirement that what they report must be true,” he said. “Opinion writers need to endure the less stringent demand that what they opine be at least plausible. Nobody ever expects what cartoonists do to be either true or even plausible. That’s why we’re all as happy as larks.”