Whore moos

July 9, 2026 ~ Patrick O'Grady ~ 14 Comments

Emperor Fullashito no longer knows the difference between Iran and Japan.

I believe the sushi has done slid off his barbari.

Maybe he shish’d his kebab by having unprotected buttsex with that Ruth Social hoor. Or did he fragment his hard drive cranking out too many midnight memes for “Tic Tac?”

Perhaps he and the Republic might be better served if he were relocated from the Oval Orifice to some other federal assisted-living facility, perhaps the one in Kansas. Or better yet, that really exclusive one outside Penrose, Colo.

What the hell? Name the joint after him. Rattle-can the walls of his cell with some gold Krylon and pipe in the Village People’s greatest hits 24/7. Let him get his jailhouse rocks off until he shuffles off. Some might prefer that he do his farewell dance at the end of a rope, but over the past 10 years I think we’ve all learned to live with disappointment.

If he spends the rest of his days in confinement, alongside his fluffers, family, and friends — the last is a very short list, only one rollaway needed, and someone will have to dig up Roy Cohn to put in it — well, I can live with that.

As long as he’s under round-the clock video surveillance available to any citizen with an Internet connection so he doesn’t get Epsteined when all the guards suddenly decide to piss off for a smoke break as Stephen Miller slips into his cell with a presidential pardon in one hand and a shiv made from a black Sharpie in the other.

• • •

Someone who should most definitely remain at large and holding forth is my man Mike Ferrentino, who has given us another peek at his inner workings over at NSMB.com.

Mike finds balance on an existential three-legged stool — writing, wrenching, and riding. Take one of these things away and shit gets wobbly.

In the mid-90s I hit a sweet spot for a few years. Throwing wrenches for paychecks balanced the head-fuzz of writing for paychecks, while riding and racing provided this lung and muscle stabilizer, a physical set of checks and balances for all the strobing head noise and fingernail grease. The three-legged stool was pretty damn bomber there for a while. With occasional forays out of the shop into spinning wrenches at events, or cosplaying as a World Cup mechanic, I was staying sharp on the tools, could still stomp the pedals like I meant it, and it felt as if words were just pouring out of my skull.

Everything seems a little slower now.

Total immersion. Absorb the ambience, excrete the wisdom, rinse and repeat. I can dig it.

One of the reasons Herself and I left CrustyTucky for Bibleburg in 2002 was that as a velo-scribbler I needed an actual cycling community for perspiration and inspiration.

I had that, in our first stint in B-burg, from 1991 to 1995. But up in the Wet Mountain boondocks there was only Your Humble Narrator and the Deadline.

Now and then I miss that relentless, unforgiving sonofabitch. When money talks, what makes bullshit walk is the Deadline.

You can’t bullshit the Deadline. It is not an essay question, or even multiple choice. You either make it or you don’t; true or false, right or wrong. And a freelancer only gets so many wrongs before an editor figures you are all the way wrong and stops giving you assignments and/or taking your calls.

More than once I found myself forced to cook up a last-minute Column About Nothing, a dish that satisfies neither chef nor customer, on a par with empty-cupboard feeds like pasta with butter, salt, and pepper, or catsup soup with saltines. Better to move back to a place that has groceries, restaurants, takeout. Also, cyclists, group rides, bike shops.

It worked, too, for a while. We did a dozen years that second round in the B-burg, and now we’ve done a dozen here in The Duck! City, the last four and a half of which I have whiled away as a Gentleman of Leisure.

The Deadline no longer torments me. “Everything seems a little slower now,” as Señor Ferrentino observes.

• • •

That includes me. I quit racing, as both a participant and a spectator. I burn a damn sight less daylight on group rides and lurking around bike shops. Plus I no longer write, draw or edit for money. Which is probably a good thing, if Rose Horowitch of The Atlantic is correct and we are well into becoming a postliterate society.

And yet, strangely, Americans are probably reading more words than ever before. What has changed is what they read, and how. People are bombarded with emails, text messages, X posts, Reddit threads, Instagram captions. This explosion of textual fragments has come at the expense of devoting sustained attention to longer written works that convey rich and complicated information. Maryanne Wolf, a cognitive neuroscientist at UCLA, argues that people are losing the ability to think deeply about writing. That doesn’t mean they are forgetting how to decode individual words. Rather, they are losing the higher-order abilities of comprehension and synthesis.

My crowd was tough enough Back in the Day®. The postliterati would have no patience for me and my periodic digressions into politics, which like banned substances I injected into cartoons and columns to make them hop like pot-belged bunnies. Some of those screeds were long! 750 words! Who has the time?

Truth be told, all these years later, I feel some belated sympathy for the readers who bellowed, “Keep politics out of cycling!” They were ignorant, of course, and wrong — politics has its greedy, grasping little fingers in everything, including cycling — and stupidity should be painful. Like writing, and reading, especially if you’re reading whatever I’m writing. I mean, 750 words! The fuck? Etc.

It’s looking like a whole new ballgame now, hey? But in a way, it’s the same old ballgame. We began as monkeys screeching at each other in person, then became monkeys who scrawled rude and often indecipherable notes to each other through intermediaries, and now we’re going to be monkeys screeching at each other on our phones, with an assist from artificial intelligence.

But who knows how long A.I. will find that sort of thing amusing? Talk about your short attention spans — brain the size of the Death Star and what’s it doing? Using 0.000000001 percent of capacity to help the filthy meat-things make TikToks of themselves as gods or Marvel superheroes, which are often the same thing; to a certain crowd, anyway.

One wonders what the rest of A.I. is up to.

“See, dummies, he’s not a senile old fool, he’s Captain America! No, he’s Jesus! Oh, look, now he’s Jesus America!”

Hey, it’s all entertainment. Just ask your phone. No fake news in there. Pay no attention to the man — or whatever it is — behind the display.

You could see it all coming way back in 1968, when Richard Nixon popped up in a cameo on “Rowan & Martin’s Laugh-In,” saying, “Sock it to me?”

Somebody wrote that. Nobody remembers who.

R.I.P., Gregg Bagni

March 17, 2026 ~ Patrick O'Grady ~ 22 Comments

The Bagman cometh. And he bringeth … *cheerleaders?*

Gregg Bagni was too much for this world. Possibly because he was not of this world.

Or so he said, anyway. Ack ack ack.

The former Schwinn pitchman and Dispenser of Alien Truth has returned to the Mothership after a snowboarding accident in British Columbia, according to Bicycle Retailer and Industry News. He may have been 72, but it’s so hard to tell with these extraterrestrial types. I mean, just look at Doctor Who.

Like the Doctor, Bagni had been known to get around and about. In November 2009 he emailed to mention, among other things, being fresh off a little spin through the Dolomites — 650 miles with nearly 68,000 (!) feet of climbing — in the company of Clif Bar’s Gary Erickson.

I had skipped Interbike that year, so I don’t know what Bagni might’ve been up to in Sin City. But if he had been there, it would’ve been something. That was the one sure thing at Interbike, year in and year out. The Bagman would be up to something, and his act was always worth the price of admission.

For Schwinn’s 100th anniversary he hired 100 Elvis impersonators to march down the Strip, led by Fr. Guido Sarducci.

In 2003 he was stalking the show with what I described in BRAIN as “a large, garishly painted wrestler who will be delighted to tie you into a granny knot while the Bagman snaps away with his Polaroid.”

And way back in 1999 — I think it was 1999, anyway — he drove a herd of cheerleaders to the VeloPress booth, where I was to be signing copies of my freshly minted collection of VeloNews cartoons, “The Season Starts When?”

I have no idea whether I was on his schedule. I do know that I didn’t want to be doing any goddamn book-signing, in public, unarmed, where all my many enemies could relish my humiliation, because I was certain that precisely nobody would want the book, especially if they had to deal with me to get one.

But I wound up signing a ton of books and people were pleasant and appreciative and I can only attribute it to extraterrestrial intervention.

Bagni was a prolific correspondent, and wrote in the manner of Archy from Don Marquis’s column in the New York Sun of the 1900s. Archy was a defunct vers libre poet reincarnated as a cockroach who borrowed the columnist’s typewriter from time to time. He had to dive head-first onto the keys to work them, but couldn’t operate the shift key, and thus Archy’s works were all sans capital letters.

In April 2021 Bagni wrote on Medium, in lowercase, about a few “great lessons” he’d learned and been able to put into play after having had a gun shoved in his face— twice — deciding he would not live past the age of 30, and “living [his] life accordingly.”

“frankly … been pretty lucky being able to ride this crazy blue ball this long.

If you read it you’ll get a good idea of how he turned out. And if you never met him, you’ll wish you had.

Peace to Gregg Bagni, his family, friends, colleagues, and co-conspirators. Ack ack ack.

R.I.P., Robert and Jesse

February 17, 2026 ~ Patrick O'Grady ~ 8 Comments

Robert Duvall, climbing to the top in “Tender Mercies.”

Two stunning performers have left the stage: Robert Duvall and Jesse Jackson.

The two men were so very different in so many different ways — one a conservative white, born into an admiral’s family in San Diego; the other a liberal Black, spurned by birth father and stepfather in the segregated South — yet both came to immerse themselves completely in their respective roles, impatient with and often heedless of direction.

My favorite version of Duvall was Mac Sledge, the washed-up, alcoholic country singer-songwriter in the 1983 film “Tender Mercies.” He looked like post-Muskogee Merle Haggard and sounded like — well, like Robert Duvall if he’d gone outlaw with Willie and Waylon, because he sang the damn’ songs, after test-driving his pipes with a country band and motoring around East Texas “looking for accents,” according to The New York Times.

But Duvall likewise was top-notch — or maybe top gun — in “The Great Santini,” a 1979 movie based on the book of the same name by Pat Conroy. The titular character he portrayed, Marine fighter pilot Lt. Col. Wilbur “Bull” Meecham, reminded me very much of a certain Southern-fried Air Force colonel who flew C-47s out of New Guinea during World War II.

Duvall’s favorite role was that of Augustus McCrae, a crusty old ex-Texas Ranger in the 1989 TV miniseries “Lonesome Dove,” based on the Larry McMurtry novel … a revelation that weirded me right the hell out because that book is on my nightstand right now, as I’m between books I haven’t already read a few hundred times. Gus is right up there as characters go, and Duvall knew it.

“Let the English play Hamlet and King Lear,” he told interviewers, “and I will play Augustus McCrae, a great character in literature.”

Jackson had the misfortune of being the understudy to the Rev. Dr. Martin Luther King Jr., and after King’s assassination he spent the rest of his life auditioning for that elusive starring role. Some in the Southern Christian Leadership Conference thought him a spotlight hog, and some outside the SCLC found him easy to caricature, especially the white folks who ran the big casino — though plenty of them stopped laughing after he turned in strong performances as a presidential candidate in 1984 and ’88.

He lost the nominations to Walter Mondale and Michael Dukakis, who went on to get beaten like rented mules by Ronald Reagan and George H.W. Bush, and Jackson gave up tilting at that particular windmill.

Jackson continued trying to remind America that there were choices other than wrong right, hard right, and centrist, though as The Times notes, “for all his rhetorical thunder the Democrats never fully embraced his vision of an unashamedly liberal party based not on the white middle class but rather on his coalition of poor and working-class people of all colors.”

More’s the pity.

I don’t remember who I voted for in 1984. I was in a union then, and it’s possible that I pulled the lever for the old commie Gus Hall, because after brief flirtations with the Socialist Workers Party, the October League and the Communist Party (M-L) I occasionally enjoyed being a red pain in the ass. And no way was I gonna vote for a Hollywood cowboy who wasn’t Robert Duvall.

Four years later I was all about Gary Hart, until he self-destructed, and then I caucused for Jackson, for all the good it did him. His people charged that Colorado slow-walked its count to give Dukakis a boost going into the Wisconsin primary, but in the end, Jackson lost the caucus and the nomination to Dukakis.

Later that year at the behest of political pals I worked one event for the Democratic candidate. The people his campaign sent to Denver proved to be outlandish assholes, so much so that I didn’t bother to vote come November. It seemed pointless, another dry well in a decades-long drought. Barack Obama was light-years away.

But Jackson didn’t give up. And neither did Duvall. Both continued to find roles to play, and both helped make our lives worth the price of admission. Peace to them, their families, fans, and friends.

Friday ‘news’ dump

January 30, 2026 ~ Patrick O'Grady ~ 11 Comments

It’s Shiny Object Day again at Der Orange Haus.

Hoping to distract the media from the masked, murderous ICEholes goosestepping around Minneapolis, His Excremency’s Injustice Department has ordered a massive dump of Epstein files — “more than 3 million pages of documents … as well as more than 2,000 videos and 180,000 images,” according to The Associated Press.

“I’m shocked! — shocked! — to find that perversion is going on in here!”

“Your underage victim, sir. …”

“Oh, thank you very much. …”

Thank you very much not at all, you oinking fucking swine. Here at El Rancho Pendejo we supply our own, wholesome pasatiempos.

Save for Monday, the weather has been suitable for cycling and running, which, yay. Soon as I post this mess I plan to get right back after it, too.

Between bouts of healthful outdoor exercise, “Mel Brooks: The 99-Year-Old Man” on HBO is a must-see, as is the Oscar-nominated “Train Dreams” on Netflix, though the adaptation of Denis Johnson’s novella doesn’t come close to challenging Mel in the yuks department.

After abandoning a second crack at the source material for another Oscar nominee — “Vineland,” by Thomas Pynchon, the inspiration for “One Battle After Another” — I’ve been reading “The Five Wounds” by Kirstin Valdez Quade, which has taken me on a backstage tour of my old stomping grounds around Española, N.M. My favorite restaurant from those days, El Paragua, gets a shout-out, as does Saints and Sinners. I took Herself to our first date at the former, where we later had our pre-wedding dinner, and once bought her a T-shirt from the latter.

So, no. We are not buying what these fascists are selling. Mel taught us how to deal with Nazis — by mocking them, savagely and relentlessly. He’s still at it. And so are we, though at times we wish we had his stamina.

And now I’m off for a ride. It feels like springtime out there right now. Not for Hitler, though. Especially if he’s just some half-baked orange understudy who can’t sing or dance worth a shit.

Awaiting enlightenment

January 19, 2026 ~ Patrick O'Grady ~ 10 Comments

Author George Saunders is much in the news of late, chatting up the press in preparation for going on tour to promote his latest book, “Virgil,” due out later this month.

Speaking with The Guardian, Saunders said he was still trying to decide how to speak about politics when he hits the road. Preaching to the converted feels “a little too good, like it’s too much sugar,” he said, adding that while his nature is to seek peace, “that’s dangerous right now because I don’t want to be a peacemaker for this regime.”

I’m not a celebrated author, prepping for a book tour, or a Tibetan Buddhist. I blog irregularly and without distinction, the only tours I take are by Subaru, and the only thing I’m promoting is my own mental health. My devotion to Zen is sporadic at best.

But I sure dig where Saunders is coming from when he says The Work is the thing.

The one thing I’m doubling down on is: just keep making fictive worlds. Improve the quality of your thought, improve the quality of your compassion, by that sacramental exercise, then whatever you have to do you’ll be better equipped.

It reminds me of the Zen proverb, “Before enlightenment, chop wood, carry water. After enlightenment, chop wood, carry water.” Also, and too, of the Epistle of James, which goes, “For as the body without the spirit is dead, so faith without works is dead also.”

And I was pleasantly surprised to see Saunders prescribe a spoonful of sugar to help his medicine go down: “Also start weightlifting, build a machine-gun turret. …”

Sounds like the right sort of work for an old blogger short on faith as the reign of His Excremency Donald the Dozy barrels along unhindered. We’re running out of water to carry in the Southwest, and we don’t burn wood. But you never know when a buffed-up bod’ and a machine-gun turret are liable to come in handy.