Austin shitty limits

One of the nine thousand 'cross cartoons I've done since taking up the benighted activity. This one appeared in Bicycle Retailer and Industry News.
One of the nine thousand ‘cross cartoons I’ve done since taking up the benighted activity. This one appeared in Bicycle Retailer and Industry News.

It’s not often that I say, “Wow, I’m glad I didn’t go to cyclo-cross nationals.” But this is one of those rare occasions.

Somehow, the promoters, USA Cycling and the Austin Parks and Recreation Department — after four days of running lesser championship and non-championship events — found themselves at odds over whether Sunday’s Big Finale was appropriate given the appallingly ‘cross-like conditions at the venue, Zilker Park.

A less-than-joyous noise apparently having been made unto the Lord by some non-Belgian whose voice carries, the marquee events were first canceled, then postponed until Monday, though a sober copy editor might raise a few pointed questions about the “Barring more rain” qualifier in the headline some USAC media type slapped atop its announcement.

I’ve been to ‘cross nats more than a time or two, and I can’t recall anything like this happening anywhere else, despite flood, freeze, snow or snafu. Course changes? Si. Cops running people away from the venue, perhaps never to return? No.

Someone has intercoursed the penguin with a vengeance here, and if I were sitting on a flat wallet in an Austin Motel 6 with a useless race number, all kitted up with no place to go but home, I’d want to know who the hell the all-hat, no-cattle sonofabitch is. If he had a brain, he’d be out playing with it, as Dan Jenkins once wrote.

Everything’s bigger in Texas, they say. I guess that goes for the fuck-ups, too. Oops.

Zomby woof

Don't mess with the Zomby Woof.
Don’t mess with the Zomby Woof.

Mister Boo’s recovery continues nicely, thanks to some timely musical therapy from that Over-Nite Sensation Frank Zappa on this, day three of Zappadan 2014.

The cone comes off more often now, and a neighbor who saw him motoring along like the happy little guy he is proclaimed that The Boo was “walking tall.”

Don’t mess with the Zomby Woof, y’all.

Do, however, feel free to mess with the UCI for this hash of a press release. Jesus H. Christ, it takes talent to say less than fuck-all while using 714 words to do it.

I remember discussing a semantic analysis of the Budweiser jingle during my college days. What it boils down to, the professor explained, is a list of the various Anheuser-Busch trademarks for Budweiser that says absolutely nothing about the quality of the beer. A masterpiece of obfuscation that remained unsurpassed until the UCI came on the scene. Well done.

 

Creative class warfare

The Turk' enjoyed some backyard time while I cleaned a bike in honor of the summer solstice.
The Turk’ enjoyed some backyard time while I cleaned a bike in honor of the summer solstice.

Summertime, and the livin’ is easy. Just ask the Turk’, who enjoyed a little outside time in the Mad Dog Media Botanical Gardens, a.k.a. “Weedpatch,” as I washed a bike in honor of the solstice.

Shortly thereafter it began raining off and on, with thunder for flavor, and the feline outings, bicycle riding and Old North End Garage Sale took back seats to working and earning.

Speaking of which, I can see I’ve been going about the latter activities all wrong. Clarity is so 15 minutes ago. If a guy could only learn to deploy with a straight face semantically null phrases such as “further leverage,” “cultural and creative assets,” “place of choice,” “launching new ideas” and “preserving our rich cultural heritage,” why, People of Money would write us fat checks for doing absolutely nothing beyond talking authoritatively and incomprehensibly out of our asses.

Toward that end I’m pleased to announce the formation of the Caramillo Street Collective for Creative Obfuscation, whose sole purpose it shall be to talk shit for money. I know, that sounds an awful lot like what I already do, but trust me, this is a radical departure from business as usual at Chez Dog. It’s a means of further leveraging my cultural and creative assets from my place of choice to launch new ideas that preserve my rich cultural heritage.

Somebody owes me $20K now.

• Speaking of talking shit: Here’s Timothy Noah on the ethics of dog-crap disposal.