Ashes to ashes, dust to … eraser dust?

Tom Toles has erased himself from The Washington Post.

Well, here’s a bummer: After 50 years, Pulitzer Prize winner Tom Toles has drawn what he says is his final cartoon.

Like Toles, I started out a half-century ago, as the cartoonist for my high-school newspaper. Then I scribbled for my college papers and a couple of undergrounds before getting sidetracked into reporting and editing for a series of dailies and one small group of Denver-area weeklies.

Oh, I still contributed the occasional cartoon to the newspapers whose misfortune it was to employ me in some other capacity. Wasn’t an editor alive who would turn down free anything Back in the Day®; probably still isn’t, especially if we’re talking whiskey. But the pay, such as it was, was for pounding out the column inches or chasing commas around the copy desk.

Even then the full-time editorial cartoonist was becoming an endangered species, and I was glad that I’d followed an early adviser’s recommendation that I have some sort of a backup plan just in case I didn’t become the next Pat Oliphant, or like Toles, replace Herblock.

It wasn’t until 1989 that I started cartooning regularly again — not for The Washington Post, but for VeloNews. Next came the “Shop Talk” strip for Bicycle Retailer and Industry News, in 1992.

I’ve drawn a metric shit-ton of cartoons since, but I don’t think I’ve come anywhere near 15,000 of the sonsabitches. After a job of work like that, Tom Toles deserves to get back to playing. He recently chatted with NPR about where he’s been and where he’s going.

Thanks to Kevin Drum at Mother Jones for the tip.

All the hits, all the time

There are scribblers like Your Humble Narrator.
And then there is Bill Watterson.

“The Ginger Hitler Radio Hour.” Boy, that would’ve blown “This American Life” right off the airwaves, amirite? IHateMedia would syndicate that shit worldwide before you could say “Chinese virus.”

You’d never find ’phones for a head that swollen, though. The mic’ would need a pop filter and a set of windshield wipers. And none of the callers would be able to get a word in edgewise.

R.I.P., Mort Drucker

Mort Drucker at work.

Another of Mad magazine’s “usual gang of idiots” has shuffled off.

Mort Drucker made it to 91 before the Source called his name. And damn, was he ever good.

You know you’re good when Will “The Spirit” Eisner gives you your first recommendation.

Also, when the lawyers send you cease-and-desist orders without consulting the boss first. Quoth The New York Times:

According to [Grady] Hendrix, Mad’s 1981 parody of “The Empire Strikes Back,” “The Empire Strikes Out,” prompted the Lucasfilm legal department to send a cease-and-desist letter demanding that the issue be recalled. “Mad replied by sending a copy of another letter they had received the previous month — from George Lucas, offering to buy the original artwork for the ‘Empire’ parody and comparing Mort Drucker to Leonardo da Vinci.”

Mr. Lucas knew Mr. Drucker’s work well. He had commissioned one of Mr. Drucker’s classic multicharacter pileups as the poster for his first hit, “American Graffiti” — a nostalgic movie set in the same summer “The JFK Coloring Book” was a best seller. And, of course, Mr. Drucker had illustrated Mad’s sendup, “American Confetti.”

I bet John Prine is offering him a vodka and ginger ale for a caricature right now.

Back to ‘work’

How to earn big money through social distancing in your spare time.

As ridiculous as it may seem, yes, I do have a bike to review for Adventure Cyclist, and si, I have been out riding it.

Not with authority, élan, and grace, mind you. But still. A man must earn.

I slapped some cheapo bear-trap pedals on this one, to accommodate the ankle and its brace, and somehow I managed to spaz myself into a nice nick on the shin.

I had forgotten this characteristic of the old-school pedal, and may go to Eighties-era cyclocross pedals with toeclips and straps or even have a go at clipless pedals, just for the sake of science.

Speaking of science and the fiction thereof, I guess Marcus Weebles, O.D., has been cutting his Adderall with hydroxychloroquine. He apparently digs the high, and is recommending it to everyone, probably not because “several pharmaceutical companies stand to profit, including shareholders and senior executives with connections to the president,” according to The New York Times.

Add a little hydroxychloroquine, m’boy, and you’ll be as right as rain.

Adds the Times:

“Mr. Trump himself has a small personal financial interest in Sanofi, the French drugmaker that makes Plaquenil, the brand-name version of hydroxychloroquine.”

Zut alors! Say it is not so!

The search for salable snake-oil recipes made at home in your spare time reminds me of “Burned Again,” a tale from the seventh collection of “The Fabulous Furry Freak Brothers” comics.

Fat Freddy finds a “neat container” in the street and he and Freewheelin’ Franklin try prying it open to see what’s inside. Phineas recognizes the radiation symbol on the thing and — using a Geiger counter he built from plans in “Popular Atomics” magazine — determines that it is not leaking. Yet.

Nevertheless, Fat Freddy “freaks” and draws himself a bath of Chinese mustard and Clorox, explaining, “It’s a remedy for radiation poisoning I read about in ‘Amateur Doctor’ magazine!”

Hm. Fat. Stupid. Ridiculous blond hair. Zero impulse control. Doper. Say, you don’t suppose Fat Freddy grew up to become … nahhhhh.

Y’think? Nawwwwww.