“Professional cycling reacted with a mix of cautious optimism and scepticism after the French sports minister, Roxana Mărăcineau, confirmed that together with the Tour de France organisers ASO, her officials were exploring ways of running a scaled-down Tour with restrictions on spectator access this summer even though the country is currently in lockdown to limit the spread of the COVID-19 virus.”
Uh huh. I don’t see Live Update Guy cranking up the rusty machinery for this one. But I’ve been wrong before. …
Everything these people say for public consumption should come with an asterisk and a footnote reading: “Caution. May contain toxic amounts of bullshit.”
The New York Times has stepped on its old gray dick again, with a headline reading “Trump Tests Negative.”
These bozos still don’t get it. The man is a documented liar a thousand times over, and yet they insist on feeding us preposterous bullshit like this.
The Washington Post gets it right with “Trump tests negative for coronavirus, physician says.” See how easy that is? Absent independent verification, you attribute the statement.
“Hey, we never said that shit. His doctor did.”
If the sonofabitch said the sun rises in the east, I would step outside to see for myself. And on more than one morning, too.
C’mon. When you’re staring at this much screen you want a box of popcorn, a big ol’ soda, and a preview of coming attractions that does not include the honking 18-wheeler into whose lane you have strayed.
I have an ironclad disagreement with the notion of a multiplex in motion.
My argument is a simple one: If you want to drive, get an automobile. If you want to text, tweet, phone, Facebook, Instagram, eat, drink, smoke, shoot, or stream anything other than your own bad self down the road, why, get a sofa and some fixed location to put it in.
Our discussion of the Escalade Multiplex with its 38 inches of curving OLED real estate caused me to remember an earlier screed on this very topic, from the pages of Bicycle Retailer and Industry News circa 2014. For a change I cited sources other than the voices in my head, though of course they too were interviewed at length.
Rather than simply reprint the column — c’est ennuyeux! — I barked it into the old Shure SM58 and presto! Yes, yes, yes, out popped another episode of Radio Free Dogpatch!
Too late for this year’s Pulitzer for Audio Reporting, but hey, there’s always next year, amirite? Or maybe 2024, when the sonofabitch will be 10 years old and journalistic standards may have declined even further, perhaps to my level.
P L A Y R A D I O F R E E D O G P A T C H
• Technical notes: This episode was recorded with a Shure SM58 microphone and a Zoom H5 Handy Recorder, then edited in Apple’s GarageBand on the 13-inch 2014 MacBook Pro. Post-production voodoo by Auphonic. The background music is “Well Oiled Machine” from Zapsplat. Sound effects from Apple’s iMovie effects bin and Your Humble Narrator.
Some days it wakes up late, isn’t where it should have been. On others, it strolls about, looking at the shops. It rarely buys anything, but occasionally posts a letter on its way home.
On still others, it examines the news, roots through a pile of old journals and training logs, hears an old tune in its head, thinks it’s made some tenuous, possibly spurious connection, shambles into the studio, and cranks out a podcast.
Yes, yes, yes, it’s time for a literary edition of Radio Free Dogpatch, the first of 2020.
P L A Y R A D I O F R E E D O G P A T C H
• Technical notes: This episode was recorded with an Shure SM58 microphone and a Zoom H5 Handy Recorder. I edited the audio using Apple’s GarageBand on the 13-inch 2014 MacBook Pro. The background music is “As Time Passes,” from Zapsplat.com, which also supplied the sound of a pen scribbling furiously on paper. Yeah, I know, I could’ve handled that myself, but I was on the threshold of a dream. Speaking of which, The Moody Blues supplied bits from “Dear Diary,” from “On the Threshold of a Dream.” Finally, “Remember, thou art mortal” was lifted from “History of the World, Part I,” by Mel Brooks.