“New Associated Press guidelines on suspensive hyphenation, you say? That certainly whets the appetite.”
Neither I nor Field Marshal Turkish von Turkenstein (commander, 1st Feline Home Defense Regiment) was invited to the 2019 American Copy Editors Society conference this past weekend in Providence, R.I.
Of course, I only edit myself these days. And having spent a dozen or so years hanging out with copy editors for a paycheck, I don’t regret missing a chance to hang out with them on my own dime.
But the Turk found the slight particularly galling, since like any good deskman he lives for The Craft, even taking his meals in the office, from a bowl that sits atop tattered copies of Webster’s New World College Dictionary and Bartlett’s Familiar Quotations.
Good thing it doesn’t matter when a virtual press runs, because someone has been intercoursing the penguin as regards his self-imposed deadlines.
Radio Free Dogpatch is intended to be a weekly affair, scheduled for Fridays, but just ask the penguin how well that’s worked out for him (whoops, too late, he’s exploded). To date the thing has reared its ugly head weekly, semimonthly, and on Fridays, Saturdays and Mondays.
After three or four goes at this most recent episode, which came this close to becoming a plain-vanilla blog post, I’m starting to think Wednesdays are the ticket. Showtime. Whatever.
In any case, and without further ado, here’s episode 19 of Radio Free Dogpatch. Too bad I couldn’t get it finished in time to win a Grammy to go along with all my Pulitzers, Reubens, Emmys and MacArthur Fellowships.
Here’s a golden oldie, from my short stint at The Arizona Daily Star. I didn’t stick around to get the sack; I shot out of that place like a rat out of an aqueduct.
As long as we have a cartoon president, how ’bout drawing him up a cartoon Wall®?
We have the technology. Also, the manpower. Newspapers are shitcanning Pulitzer-winners right, left, and center, among them Steve Benson, who was the editorial cartoonist at the Arizona Republic back in 1980, when I scribbled the occasional ’toon for The Arizona Daily Star.
This is nothing new, of course. A J-school prof warned me in the Seventies that there were maybe a thousand editorial cartoonists, tops, and that I might consider expanding my portfolio a tad. This was excellent advice. Because their numbers kept shrinking like a spider on a hotplate, to hundreds and finally dozens.
It was nearly impossible to even make a start Back in the Day® because what few cartoonists there were could be had for chump change via syndication. So the editor of the Frog Dick (S.C.) Daily Lily Pad & Croaker could have Pat Oliphant every day for the price of a tepid cup of Maxwell House at Lulu’s Lunch Bucket.
I still got to draw cartoons, as you know. But I did it as a reporter, as a copy editor, as an assistant feature editor, and like that there. On the side. Onliest time I ever got hired as an honest-to-God cartoonist was when that Boulder-based journal of competitive cycling decided I was too dim to be their managing editor but funny enough to scribble gags about fat masters, dope fiends, and Suits.
In a few short years there won’t be any of us. Robots will be drawing all the cartoons. And you won’t get any of the jokes, because they will be by robots, for robots.
Here’s a guess: the first serious use of AI in the newsroom will be to replace editors, not writers. Roughly speaking, AI will take reporters’ notes or rough copy—or even what we humans laughingly call finished copy—and turn it into great prose. We’ll still need someone around to nag us about issues of substance, but the robots will compose sentences and paragraphs better than us. What’s more, they’ll be able to churn out multiple versions of our writing instantly: the magazine version, the 6th-grade version, the TV script version, the Spanish version, the PowerPoint deck, etc. Just tell it what you need and you’ll get it.
Reporters will last a little longer, but just a little. I’m giving editors until, oh, 2035. I think that’s generous. Reporters will be out of business by 2040. Better get ready.
I’m totally ready. By 2035 I’ll be 81, which in O’Grady years is stone cold dead.