Tour de Fence

The Sandias as seen from the bottom of Elena, near the casino.

My invitation to Le Tour having gone missing in the mail, I’ve been compelled to ride my own damn bikes around and about in the Duke City.

The high side of the circuit, before dropping down to casino country and then climbing back up.

Between outings I’ve checked in with my old Live Update Guy comrade Charles Pelkey, who is sending his daughter Annika off to Iowa today. She’ll be working for Mayor Pete. No word yet on which horse Chazbo is backing.

In other news, my man Casey B. Gibson did a little surprise gallery for that Boulder-based journal of competitive whatever whose name eludes me. Seems they needed pix from road nats in Tennessee, Casey had them, and that, as they say, was that. Money even changed hands, which is always nice when one is on the job.

Another member of the tribe, Andrew Hood, is the only one of us actually on the scene in France. It being a slow day (team time trial) I joggled his elbow for old times’ sake to see what’s what. No reply yet, because The Hoodlum is a total pro — on the clock, doing the beez-a-neez, and probably not even into the rosé yet.

Meanwhile, The Guardian is doing a live update this year, and it’s not half bad. They’re kicking the shit out of Cyclingnews. I may have to pass them a few of the millions I’ve banked from my stints at Live Update Guy.

Words to live by

“New Associated Press guidelines on suspensive hyphenation, you say?
That certainly whets the appetite.”

Neither I nor Field Marshal Turkish von Turkenstein (commander, 1st Feline Home Defense Regiment) was invited to the 2019 American Copy Editors Society conference this past weekend in Providence, R.I.

Of course, I only edit myself these days. And having spent a dozen or so years hanging out with copy editors for a paycheck, I don’t regret missing a chance to hang out with them on my own dime.

But the Turk found the slight particularly galling, since like any good deskman he lives for The Craft, even taking his meals in the office, from a bowl that sits atop tattered copies of Webster’s New World College Dictionary and Bartlett’s Familiar Quotations.

Can’t find my way home

Good thing it doesn’t matter when a virtual press runs, because someone has been intercoursing the penguin as regards his self-imposed deadlines.

Radio Free Dogpatch is intended to be a weekly affair, scheduled for Fridays, but just ask the penguin how well that’s worked out for him (whoops, too late, he’s exploded). To date the thing has reared its ugly head weekly, semimonthly, and on Fridays, Saturdays and Mondays.

After three or four goes at this most recent episode, which came this close to becoming a plain-vanilla blog post, I’m starting to think Wednesdays are the ticket. Showtime. Whatever.

In any case, and without further ado, here’s episode 19 of Radio Free Dogpatch. Too bad I couldn’t get it finished in time to win a Grammy to go along with all my Pulitzers, Reubens, Emmys and MacArthur Fellowships.

Oh, well, there’s always next year.

P L A Y    R A D I O    F R E E    D O G P A T C H

• Editorial notes: Shannon Hall wrote about the meanderings of magnetic north for The New York Times. Steve Frothingham has been following the trials and tribulations of ASE and the various media-consolidation stories for Bicycle Retailer and Industry News. John McNulty wrote about super-salesman Elmer “Sell the Sizzle” Wheeler for The New Yorker way back in 1938. And Sam Dean of the Los Angeles Times gave us a peek at Zwift’s e-sports ambitions.

• Technical notes: This episode was recorded with an Audio-Technica AT2035 microphone and a Zoom H5 Handy Recorder. I edited in Apple’s GarageBand on a 2014 MacBook Pro, adding audio acquired through fair means and foul via Rogue Amoeba’s Audio Hijack (no profit was taken in an admittedly casual approach to various copyrights). Speaking of which, Buck appears courtesy of the 1935 William Wellman film “Call of the Wild,” while Nick Danger took a break from his Further Adventures to ask directions to The Firesign Theatre’s Old Same Place. The background music is “Crusin” from Zapsplat.com. And Blind Faith wrapped it all up with “Can’t Find My Way Home.”

The wrong Bozos keep getting kicked off the bus

Here’s a golden oldie, from my short stint at The Arizona Daily Star. I didn’t stick around to get the sack; I shot out of that place like a rat out of an aqueduct.

As long as we have a cartoon president, how ’bout drawing him up a cartoon Wall®?

We have the technology. Also, the manpower. Newspapers are shitcanning Pulitzer-winners right, left, and center, among them Steve Benson, who was the editorial cartoonist at the Arizona Republic back in 1980, when I scribbled the occasional ’toon for The Arizona Daily Star.

This is nothing new, of course. A J-school prof warned me in the Seventies that there were maybe a thousand editorial cartoonists, tops, and that I might consider expanding my portfolio a tad. This was excellent advice. Because their numbers kept shrinking like a spider on a hotplate, to hundreds and finally dozens.

It was nearly impossible to even make a start Back in the Day® because what few cartoonists there were could be had for chump change via syndication. So the editor of the Frog Dick (S.C.) Daily Lily Pad & Croaker could have Pat Oliphant every day for the price of a tepid cup of Maxwell House at Lulu’s Lunch Bucket.

I still got to draw cartoons, as you know. But I did it as a reporter, as a copy editor, as an assistant feature editor, and like that there. On the side. Onliest time I ever got hired as an honest-to-God cartoonist was when that Boulder-based journal of competitive cycling decided I was too dim to be their managing editor but funny enough to scribble gags about fat masters, dope fiends, and Suits.

In a few short years there won’t be any of us. Robots will be drawing all the cartoons. And you won’t get any of the jokes, because they will be by robots, for robots.

“Ha ha,” they will say. “That’s very logical.”