Doing time

Miss Mia knows how to be jailin’.

In his loosely autobiographical novel “Homeboy,” ex-con Seth Morgan had a character offer some advice for a new fish worried about doing time.

“The time does itself,” schooled Smoothbore. “You jist got to live with it.”

A few pages closer to the penitentiary, the narrator elaborated:

Jailin’ was an art form and lifestyle both. The style was walkin’ slow, drinkin’ plenty of water, and doin’ your own time; the art was lightin’ cigarets from wall sockets, playin’ the dozens, cuttin’ up dream jackpots, and slowin’ your metabolism to a crawl, sleepin’ twenty hours a day. Forget the streets you won’t see for years. Lettin’ your heart beat the bricks with your body behind bars was hard time. Acceptin’ the jailhouse as the only reality was easy time. Jailin’.

Staying at home, social distancing — these aren’t jailin’, but they’re not exactly freedom, either. Sure, the cell is a little bigger, the guards a little less visible, and the food better. Still, you’d rather be out on the street.

But listen to Smoothbore. Let the time do itself. Live with it.

With any luck at all, you have a short stretch and an agreeable cellmate. You know — someone who doesn’t mind doing the laundry while you stretch out on your bunk and listen to the latest thrilling episode of Radio Free Dogpatch!

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• Technical notes: The bargain-basement broadcasting continues. I used the Audio-Technica ATR2100-USB mic,recording directly to the MacBook Pro using Rogue Amoeba’s nifty little app Piezo. Editing was as usual, in GarageBand. Once again the background music is by Your Humble Narrator, assembled from bits and pieces in the Mac and iOS versions of GarageBand. Other sonic adornments come from the iMovie and GarageBand sound libraries.

Dear diary

Dear diary, what a day it’s been. …

I never know where this blog is going to wander.

Some days it wakes up late, isn’t where it should have been. On others, it strolls about, looking at the shops. It rarely buys anything, but occasionally posts a letter on its way home.

On still others, it examines the news, roots through a pile of old journals and training logs, hears an old tune in its head, thinks it’s made some tenuous, possibly spurious connection, shambles into the studio, and cranks out a podcast.

Yes, yes, yes, it’s time for a literary edition of Radio Free Dogpatch, the first of 2020.

 

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• Technical notes: This episode was recorded with an Shure SM58 microphone and a Zoom H5 Handy Recorder. I edited the audio using Apple’s GarageBand on the 13-inch 2014 MacBook Pro. The background music is “As Time Passes,” from Zapsplat.com, which also supplied the sound of a pen scribbling furiously on paper. Yeah, I know, I could’ve handled that myself, but I was on the threshold of a dream. Speaking of which, The Moody Blues supplied bits from “Dear Diary,” from “On the Threshold of a Dream.” Finally, “Remember, thou art mortal” was lifted from “History of the World, Part I,” by Mel Brooks.

R.I.P., Gahan Wilson

My lone Gahan Wilson collection.

Gahan Wilson, whose surreal cartoons regularly appeared in National Lampoon, Playboy, and other top-shelf mags, has stepped away from the drawing board.

He died Thursday in Scottsdale, Ariz. Complications of dementia, they say. He was 89.

This guy was funny. Bleak, weird, the owner and operator of left field, he kept you off balance like some psychotic judo master. There was nobody else like him working Back in the Day®, and if he has a successor, I’ve not seen him or her yet.

One of my faves? An overstuffed chair absorbing a reader. Eyeglasses and book lie on the floor. All you can see as the reader vanishes is a pair of hands, protruding from the seat.

Another depicts a gardener who has unearthed a skeleton. His employer, a stately, dessicated husk of a woman, says, “I think you would be advised to locate the new delphinium bed elsewhere, Hobbs.”

Yet another shows a soldier covered in gore, muck and God knows what all, knife in one hand and assault rifle in the other. He stands alone in a smoking hellscape that makes the “Terminator” future look like Disneyland. His eyes pop out of the murk like cue balls. And he smiles. “I think I won!” he says.

Dracula with a vampire hand puppet. Dracula with a salt shaker. (Dude liked Dracula, what can I tell you?) A woman who has stuffed her husband into the trash can outside her apartment door (“You don’t get rid of him that easy, Mrs. Jacowsky,” says a man who may be the building superintendent). A writer for “The National Confidential Weekly” who, stuck for a lively bit of the old Fake News®, finally leaves his typewriter for a while and returns to tap out, “It isn’t easy cutting the heart out of a woman with a dull knife. And it takes time. It takes a good fifteen minutes.”

Oh, Gahan Wilson was one of the greats. I hope he and Charles Addams are hoisting a tall cold one in the Beyond.

Quaddammit

The 36th Mount Taylor Winter Quadradthlon is today.

Don’t look for me in results — it’s been years since I raced the Quad, but I was pretty OK at it a time or two. The bike and run legs, anyway.

Hal’s wife, Mary, and I used to race it as a mixed pair, and we won in 1990, 1992 and 1993.

I was usually in decent shape, being tanned, rested and ready following a long cyclocross season. And Mary was always tip-top, living at altitude up Weirdcliffe way and running around with jackasses, some of them four-legged (ho, ho).

Quadware included Nambé medals and platters.

Hal, of course, did the whole thing solo, which always looked a bit too much like work to me. I was only so-so on snowshoes and an outright hazard on cross-country skis.

This was and remains a toy-heavy pasatiempo, and Hal’s truck would be stuffed to the topper with bikes, wheels, tires, skis, shoes, snowshoes and a ridiculous amount of clothing suited to any and all weather conditions.

Running shoes were augmented with sheet-metal screws in the soles for traction, in case there was ice on the run leg (there usually was).

Clip-on aero bars? Sometimes. Once I used a set of Scott Rakes to good effect, aero bars giving me The Fear on the descent back to Grants.

The bike was usually standard road. In 1990 I was rocking an aluminum Trek 1500 with 53/39 rings and a 13-24 freewheel.

I know I’ve written about the Quad before, but whatever I cranked out is squirreled away on a Zip disk somewhere or in an actual magazine, and I don’t feel like diving down those rabbit holes this morning.

However, I did find a reference to my first Quad in my 1990 training diary, and that reads as follows:

“Big-time pain. I don’t think I’ve felt this bad since I got the shit kicked out of me at Alamogordo last year. Bike leg was slower than I’d hoped for … and my uphill run was fucking awful. Downhill run was better — but not much — and the downhill bike was spiked by the Headwind from Hell.”

Yeah, good times. The Quad will never be the new golf.

• Editor’s note: Hal “Mr. Awesome” Walter notes that I lifted his faux curse “Quadammit” from one of his own works. This explains why a Spotlight search failed to turn it up on any of my hard drives; that, and an admittedly casual approach to petty theft. Give it a read.