Arise, ye pris’ners of … Hollywood?

The New York Times is a little short on May Day news, surprise, surprise.

Other than one piece about the French, who remain pissed off about having their retirement-age goalposts shifted two years (To age 64! Zut alors!), I found exactly one labor story on the website.

It concerned the struggles of — wait for it! — screenwriters.

Screenwriters?

Now, I don’t mean to make light of screenwriters’ issues. They remind me very much of the issues Your Humble Narrator faced as a free-range rumormonger. So, up the rebels, etc.

Nevertheless, it seemed appropriate to make today’s singing of “The Internationale” the version from the 1981 Warren Beatty-Diane Keaton vehicle “Reds,” which I have liberated in the name of the people from YouTube, which is owned by Google.

The writers credited for the flick are Beatty and Trevor Griffiths, according to IMDB, which is owned by Amazon.

And you’d better hope Apple TV flogged Brendan Hunt, Joe Kelly, Bill Lawrence, Jason Sudeikis and the rest of the writers room into cramming a shit-ton of “Ted Lasso” episodes into the can. According to Mother Times:

Absent an unlikely last-minute resolution with studios, more than 11,000 unionized screenwriters could head to picket lines in Los Angeles and New York as soon as Tuesday, an action that, depending on its duration, would bring Hollywood’s creative assembly lines to a gradual halt. Writers Guild of America leaders have called this an “existential” moment, contending that compensation has stagnated despite the proliferation of content in the streaming era — to the degree that even writers with substantial experience are having a hard time getting ahead and, sometimes, paying their bills.

“Even writers with substantial experience are having a hard time getting ahead and, sometimes, paying their bills.” Been there, done that, got the T-shirt.

Are you ready for some … comedy?

Nope, no balloons or cylindrical objects up there. Not even a “feets ball.”

A quick peek outside this morning found no mystery objects floating over the Sandias, but I understand that some sort of “sporting event” lurks just over the western horizon.

Something involving the “feets ball,” a televised gladiatorial spectacle designed to indulge the American appetite for mayhem, shopping, and bad noise.

We do not follow the “feets ball” here at El Rancho Pendejo. It reminds us of the Marvel nonsense, in which people are paid handsomely to put on uniforms and helmets and then butt heads like randy goats. Herself calls it “punch porn.”

Marvel’s costumed employees generally enjoy longer careers than the “feets ball” gang, because they are only pretending to stomp each other into a thin paste. The NFL’s grunts ain’t playin’, though they call their line of work a “game.”

In that “game,” the average career is just 3.3 years, thanks to injuries, retirement, or getting cut by one’s team. Robert Downey Jr. lasted 11 years as Iron Man. And the only brain damage he has was self-inflicted, before he signed on with the Marvel Cinematic Universe.

Though I’ll bet his head hurts when he thinks about trying to count all the money he made playing Marvel’s souped-up Tin Man with attitude.

Anyway, instead of watching the “feets ball” or “Ant-Man and The Who: Quadrophenia” we will be checking out Marc Maron’s new HBO special, “From Bleak to Dark.”

Maron riffed on Iron Man and the MCU during his last standup special, “End Times Fun,” available on Netflix. Like Downey Jr. (and Your Humble Narrator), Maron chose the scenic route to brain damage over getting spiked nose first into the Astroturf like a lawn dart, six inches shy of the goal line.

Maron’s not for everyone. But then neither is the “feets ball.”

I’m tired

“Vhy don’t you admit it? He’s too much of a man for you. I know! You’re going to need an army to beat him! You’re finished. Fertig! Verfallen! Verlumpt! Verblunget! Verkackt!”

“Joe’s not quick on the draw!
“Won’t lay down the law!”
The GOP croons

But as the Chinese keep spyin’
Joe sends jets a-flyin’
And busts their balloon.

-pop-

The Bloviator

It takes talent to step on your own dick without getting out of the car.

Herself is a huge fan of the original “Arthur” flick, the one starring Dudley Moore and Liza Minnelli.

Me, I can take it or leave it, but I must admit that the thing is chock-full of quotable quotes. Pretty much any line delivered by Sir John Gielgud is a keeper.

But you have to know your audience when you cite a 41-year-old flick about a wealthy rumpot, horndog, and all-round dilettante — as Tony “The Blevinator” Blevins learned when he riffed on an Arthurism for a TikTok creator.

TikToker Daniel Mac spotted Blevins — Apple’s hard-charging vice president for procurement — in a high-zoot Mercedes-Benz SLR McLaren at a California car show, and asked Blevins what he did for a living.

And like Arthur, Blevins was off to the races, quipping:

“I have rich cars, play golf and fondle big-breasted women, but I take weekends and major holidays off.”

Oof. What Arthur said was:

“I race cars, play tennis, and fondle women, But! I have weekends off, and I am my own boss.”

Frankly, it wasn’t that funny in 1981. And The Bloviator’s updated take on it really fell flat at Apple, which showed Blevins the door. And not to his McLaren, either. Turns out he was not his own boss.

A tip of the hat to MacRumors, which is where I first saw the story.

Double dumbstruck

Gassing up for the long commute.

“This heat’s not good for the brain. Turns out nothing much is good for the brain in the 2020s. TV rots it, the Internet turns it to jelly, the miserable climate bakes it, 90 percent of what we call ‘work’ is deliberately designed to actually erase the human brain; this has been proven. Podcasts: Now there’s a guaranteed way to reverse years of book-learning and social skills. There’s online gambling, TikTok … and then Queen Elizabeth II passed away and it was like a Bat-Signal in the sky to make everybody go extra double-dumb. … Only in Ireland did they seem to sort of be enjoying it all.” — Ken Layne, “Like a Hurricane,” Desert Oracle Radio

You said a mouthful, brother.

The news has been so relentlessly grotesque that I found myself double-dumbstruck, which is to say rendered speechless by astonishment while simultaneously catching a puck in the gob from a wildly flailing eejit.

The prospect of commenting on any of our ongoing Dumpster fires felt like pissing into the drinking water in Jackson, Mississippi — an enhancement, to be sure, but not a solution any sane person would swallow.

So I kept it zipped. Averted my eyes. Instead I watched the hummingbirds mobbing our feeders; the little buzzbombs will be leaving us shortly. Played with Miss Mia Sopaipilla, who remains extraordinarily kittenish for a 15-year-old cat. Rode the bike(s) — 130 miles last week, 140 this week.

With “Better Call Saul” in the rear view we branched out a bit in our evening TV-watching. I can recommend “Letterkenny,” (absurdly funny Canadians); “This Fool” (snarky South Central working-class vatos); “Belfast” (The Troubles through a child’s eyes); and “The Sandman,” derived, like “Watchmen,” from a high-gloss DC comic of which I had been ignorant.

• Honorable mention: “Funny Pages,” a bent coming-of-age story about a teenage cartoonist who gets an up-close-and-personal look at the subterranean bits of “underground comics.” Could be straight out of “Zap,” “Bijou,” or pretty much any other comic you read back when weed was still illegal. And yes, Your Humble Narrator recognized more than a few unsavory aspects of himself in this film.

What about literature, you ask? Check out a couple road-trippers on the ragged edge: the cabbie Lou in Lee Durkee’s “The Last Taxi Driver,” and the shaggy mercenary Will Bear in Dan Chaon’s “Sleepwalk.”

• Honorable mentions: “Night of the Living Rez” by Morgan Talty (his first book; dark tales of a Native community in Maine) and “Homesickness” by Colin Barrett (his second; darkly funny tales of the Irish at home and abroad).

If none of these diversions from the daily disaster does the trick for you, find a hummingbird to watch or a cat to play with.