Bats, man

“Uh, sorry, Batgirl. Misdial. We were trying to reach The Taxman.”

“Today, humanity is just one misunderstanding, one miscalculation away from nuclear annihilation.” — U.N. Secretary-General António Guterres, speaking at a U.N. conference on the non-proliferation of nuclear weapons.

Oh, good. I’ve often wondered what it would take to put an end to the proliferation of dumbass superhero movies. A global thermonuclear holocaust might just get ’er done.

Or maybe we just need the right supervillain.

It wasn’t the Joker, the Penguin, or the Riddler who croaked “Batgirl” in her crib. No, the killer was the Green Eyeshade at Warner Bros-Discovery-HBO Max p/b AT&T, who discovered — with tens of millions already pounded down this particular Bat-hole — that writing off a made-for-streaming Bat-flick on the conglomerate’s Bat-taxes would not be at all, well … batty.

Industry insiders cite two changes between concept and execution. The first, in ownership, makes this one-time “purchase accounting maneuver” possible, as long as the movie is never released in any way, shape, or form; and the second, in strategy, aims to once again give theaters a head start over streaming as in days of yore.

With a budget made for television, “Batgirl” apparently began life as a B movie in more ways than one. But it can’t be a net positive when the entertainment press is quoting sources as saying that “the film tested once, and the result wasn’t that bad. …”

Too bad for TV? Have these people seen TV?

But when studio CEO David Zaslav tells investors in a second-quarter corporate earnings call, “We’re not going to put a movie out unless we believe in it. And that’s it,” well … piss on the fire and call in the bats, son. If a cameo from Michael Keaton can’t save you, you’re fucked.

Speaking of fucked, how many of you have bomb shelters? Raise your hands … yes, you there, crouched under your desks as if we were all reliving Those Fabulous Sixties.

Which we very well may be, if you listen to the U.N. secretary-general.

“The clouds that parted following the end of the Cold War are gathering once more,” Guterres warned in his remarks to the 10th Review Conference of the Parties to the Treaty on the Non-Proliferation of Nuclear Weapons.

“We have been extraordinarily lucky so far. But luck is not a strategy. … Eliminating nuclear weapons is the only guarantee they will never be used.”

Yeah, well, good luck with that, Tony ol’ tiger. We can’t even cut back on “Spider-Man” movies.

While we’re debating whether “The Sandman” is true to Neil Gaiman’s original vision, you can bet your Batarang that some miscreant is trying to steal a tactical nuclear weapon from the Russkies, hoping to vaporize a hospital full of nuns, widder women, and crippled children in Ukraine, and then sit back and watch the fun.

The subsequent tit for tat as old scores get settled would quickly strip the planet of its tits, and also its tats. Anyone who can swing a bat (har de har har) will be stepping up to the plate, and the game will not be called on account of accountancy. Not even Michael Keaton can save us.

The good news is, this will make for some spectacular TV. The bad news? It will be on every channel at once. Welcome to Fyou Island, folks.

Not everyone will get voted off the isle, of course. There will be survivors, in remote spots like Tierra del Fuego. And people being what they are, some bored techie-turned-sheepherder in the former factory town of Rio Grande will eventually link one of the locally produced netbooks, powered by a solar panel, to the scattered strands of the once-mighty Internet.

Of an evening, weary of sheep, he will follow this thread, and then that one, and who knows? He might even unearth the digital archives of Warner Bros-Discovery-HBO Max p/b AT&T, buried deep beneath the glowing remains of Tinseltown in a blastproof vault.

Maybe he stumbles across that unfinished “Batgirl” movie, with its Latina star, and watches it.

“Hijo de la chingada,” he will mutter to himself. “This sucks.”

Black and white

White Nobilette, black Privateer.

I was compelled to go to the Dark Side today.

The plan was to roll down toward the Rio and climb back up again, but I got no further than Tramway and Montgomery when the rear tire on the Nobilette went pssssshhhhhhht.

No biggie. In fact, it was my first flat since January. So briskly I relocated from the highway shoulder to the nearby bike path and effected repairs.

But this left me with just one spare tube for a 25-mile loop through goat-head country on a sunny July day in The Duck! City.

Well. Shit. Back to the ranch. Not to stay, mind you, but to grab another bike.

The New Albion Privateer was off its hook and leaning against the Subaru in the garage. Bingo. There were two tubes and tools in the saddlebag and a frame pump slung under the top tube. Moved the headlight and taillight over and off we went.

It’s not so bad, the Dark Side. Just a horse of a different color. Who’s your daddy, Luke?

December’s desperados

A fine December morning.

December. The relentless march through the holidays toward year’s end upshifts into doubletime. Hup hroop hreep horp.

I don’t know but I been told

Winter ain’t gonna get real cold

Climate change done stole our snow

Endless summer for New Mexico

Sorry, Sarge, but that’s how it feels when the thermometer reads 63 degrees, a dozen or so degrees above normal, on Dec. 1.

Herself went for a late-afternoon run in her summer kit. Me, I rode in long sleeves and knickers, but I got out earlier than she did and was generating a slight wind chill despite my usual torrid pace.

The Soma Double Cross, back to its dirty roots.

The mean streets did not appeal (something to do with drink-addled, lead-sneakered gunsels), so I chose the Soma Double Cross with its fat tires and we skulked around various dusty foothill trails and side streets for about 90 minutes.

The DC in its present incarnation — cantilever brakes, eight-speed drivetrain with bar-cons, etc. — is kind of an old-school cyclocross bike, if you overlook its triple crankset, long-cage XT rear derailleur, and 43mm Soma Cazadero tires. Plus its stem is too long and too low. And I wouldn’t use a wide-profile brake like the IRD Cafam II on the rear end if I were jumping on and off the bike the way I did when I was a sprightly young fellow. I carved my right leg like a Christmas turkey once and further instruction was not required.

The too-long stem makes me think about adding a set of top-mounted brake levers, but it would be simpler to just replace the stem, if I could find a replacement, which I can’t. The Great Parts Drought of 2021 continues, especially where weirdo bikes and oddball dimensions are concerned.

Later it was movie night, with pizza and salad. Jane Campion’s “The Power of the Dog” is a beautiful, disturbing film, and we’re probably going to have to watch it again this weekend to see if what we think we saw was actually what we saw. This ain’t exactly John Wayne, pilgrim. Afterward I had to break out the old family Bible and use it as a decoder ring.

Dune buggy

Your Humble Narrator cultivates desert power.

I’m not casting a very long shadow around here lately.

Frankly, there’s not been much to report. That little tease La Niña is in town again and I’ve been chasing her around on the ol’ bikey bikes.

While all you Left Coast/PNW types deploy your parasols and Gore-Tex your loins against the Million-Pound Aquahammer, we here in the desert Southwest are enjoying a balmy period which makes us forget that before long we will be drinking our own sweat and tears, like Paul Atreides and his mom in “Dune.”

Yep, we watched Part I on HBO Max, and it was a’ight, pretty damn fine actually, not bad atall atall. Made the 1984 David Lynch flick look even worse than it actually was, which was pretty fucking bad.

Denis Villeneuve’s take on the Frank Herbert novel might’ve worked better as an HBO series; then he could’ve used a scalpel instead of a cleaver to move things along over the course of a season or two. But only a geek like myself, a science-fiction dweeb who’s read the book 1,207,275 times, is liable to grouse about the subtleties steamrollered to make the narrative march.

Too, if a series proved successful, there would be the temptation to milk the rest of the “Dune” tales. (We may have to deal with this in any case.) Me, I lost interest after trudging through “Dune Messiah” and “Children of Dune,” which is a very short trek indeed through the vast Duniverse.

Anyway, Rebecca Ferguson is the best of the bunch as Lady Jessica, and Timothée Chalamet is a whole lot better than I expected as Paul. He brings a whiff of Nic Cage and maybe a soupçon of Christian Bale to the role. Meanwhile, Javier Bardem as Stilgar is definitely channeling Anthony Quinn’s Auda abu Tayi from “Lawrence of Arabia.”

And the Hans Zimmer score is a character all its own, though digging it through our obsolete surround-sound system was like listening to the London Philharmonic performing Metallica over a walkie-talkie.

Still, it beat squeezing into the old stillsuit, flagging down a passing sandworm, and crossing the Duke City desert to the Harkonnen IMAX. We got beverages around here ain’t even been drunk once yet.