‘Let’s blow anyway’

“Both Directions at Once: The Lost Album,” is a full set of material recorded by the John Coltrane Quartet on a single day in March 1963.

Imagine how thrilling and appalling it must be, all at once, for a gigging jazzman to learn that a lost John Coltrane album is due to be released on June 29.

Remember your Jack Kerouac, whose Sal Paradise recalls some young bop musicians urging George Shearing to step out of the audience and play at a Chicago club in “On the Road”:

He played innumerable choruses with amazing chords that mounted higher and higher until the sweat splashed all over the piano and everybody listened in awe and fright. They led him off the stand after an hour. He went back to his dark corner, old God Shearing, and the boys said, “There ain’t nothin’ left after that.”

But the slender leader frowned. “Let’s blow anyway.”

Something would come of it yet. There’s always more, a little further — it never ends.

A love-hate relationship

Winter Table | self-portrait by The Burning Hell

This is why I love the Innertubes: You can hear something delightfully off the wall on the local NPR affiliate, look it up with a few strokes on the keyboard, and discover an entire band of Canadian weirdos you didn’t know existed. Well done to Peggy Hessing, who was spinning the platters during Friday’s Afternoon Freeform.

I’m particularly fond of the lyric: “Life is a comedian who used to be funny but then became a born-again Christian. Now it’s all punch and no punch lines and he calls his routine his mission. And he doesn’t understand the difference between laughing at and laughing with him.”

This is why I hate the Innertubes: Your “smart” hardware can use it to rat you out.

Siri chirped some inanity at me once when I had a lot of balls in the air and I told her to shut the fuck up. “I’d never talk to you like that,” she replied. You can say that again. But she can’t. I turned her off.