When the rain comes

Rain today, finally. Maybe the dust on the trails will finally turn back into sand. Asking for actual mud would be too much.

The Broadmoor
Stately old pile, ain’t it?

Last night Herself and I enjoyed cocktails and snacks at The Broadmoor, courtesy of an old college pal whose line of work dollars up on the hoof a little faster than does free-lance rumormongering. Our shared and violently colorful past was disinterred for inspection, tales of relatives, pets and exploding toilets were exchanged, and the whereabouts, whys and wherefores of absent friends came up for extended and critical examination. Hilarity ensued and the four of us agreed that we see each other far too seldom. Good times.

The Broadmoor is a Forbes Five-Star resort, so naturally it draws Republicans in the way that a gutpile does buzzards, and I felt as comfortable as John Edwards at a NOW rally as various Suits ambled past, occasionally glancing at me as though I were encamped on the pine-board stoop of a 9-by-40 single-wide with my bib-alls around my ankles, a copy of Maxim in one hand and a 40 of Olde English in the other, irrigating my tooth while a half-dozen three-legged pit bulls chased chickens, social workers and red-headed stepchildren through an overflowing leach field.

Happily, a couple drams of Bristol Brewing Company’s Compass IPA removed all apprehension and I even managed to shake hands with one of the sonsabitches when my bro’ engaged him in polite conversation (though I cleansed the hand vigorously in an unflushed toilet afterward).

It was something of a late night for us, and today we barely managed to get breakfast, chores and a two-hour ride done and dusted before the rains came. Rain? I don’t mind. Shine? The world looks fine.

Another coda

Those of you who follow the DogS(h)ite may recall my remembrance of  friend and neighbor Marvin J. Berkman, who died two years ago yesterday at age 85.

His son, Howard Berkman, who played and sang at Marv’s memorial, died last Saturday in Paonia, Colorado. He was just 62.

Families being what they are, the two were not always close, despite sharing a love of music. Here’s hoping they’re getting along better now, maybe even jamming occasionally.

Here’s a MySpace recollection of Marv’, apparently written by Howard.

Tom Waits’ latest, ‘Bad,’ is good

"Bad As Me"
The latest from Tom Waits, "Bad As Me," is a keeper. But then I'm the guy with most of his 20-odd albums cluttering up the joint, in CD and in vinyl.

The latest from Tom Waits, “Bad As Me,” hit the stores today, and I bought my copy from the fine folks at Independent Records & Video, reasoning that Bibleburg could use the sales tax to plug a few of the potholes that keep knocking my wheels out of true.

I sprung for the deluxe edition, which includes a smallish book containing all the lyrics, photos, a breakdown of who plays what on which tracks and three additional tunes. And I wasn’t disappointed.

Musically, Waits is all over the map on this one. There’s less banging on shit just to hear what it sounds like and more toe-tappers; an occasional tip of the bowler to the bluesy old days of “Nighthawks,” “Blue Valentine” and “Small Change”; and a couple of audio political cartoons that I enjoyed a lot, especially “Hell Broke Luce.”

Herself thought she detected some marital distress in a few numbers, like “Face to the Highway,” “Back In the Crowd” and “Kiss Me,” but I’m not sure her spidey-sense is tuned into the Waits frequency. He’s always loved a good weeper, like “Ruby’s Arms” from “Heartattack and Vine.” And if there’s ever been a better fuck-you-I’m-gone track than “Frank’s Wild Years” from “Swordfishtrombones,” I’ve never heard one.

“Last Leaf,” a duet with Keith Richards, is just a song about the last leaf on a tree, says Waits. Uh huh. Whatever it is, it’s beautiful. And “New Year’s Eve” could be a Pogues number — it reminds me of “Fairytale of New York,” and I know Waits is a fan of the band and of Shane Macgowan, though like the rest of us he wishes the manky git would do summat about them teefuses a his.

Quitting the booze and the butts has mellowed the man’s voice without constricting his vision. If you’re a Tom Waits fan, you want “Bad As Me” in your collection.

• Extra credit bonus Waits: Libby, a longtime friend of the DogS(h)ite, sends this link to a Guardian interview with the man himself. It’s a good read.

Last leaf on the tree

Palmer Park
Bibleburg as seen from Palmer Park. I used the Vivid mode on my little Canon 300 HS to pimp up the colors a bit.

People often ask me why I choose to live in Bibleburg. Seventy-degree days in late October have quite a bit to do with it.

I slipped out for a pleasant afternoon ride yesterday. Took the arm warmers, just in case; never needed them.

Lots of people were playing hooky. Dog walkers and joggers, moms pushing strollers, folks just slouching along, soaking in those last few sunny moments before it all goes sideways and snowy.

At one point I was high up on the south side of Palmer Park, looking west across town at the mountains. You can’t see the vacant storefronts, unpatched potholes and tinfoil-beanie wingnuts from up there. It’s all fall, all the time, green, orange and gold on a blue background.

This morning I streamed the new Tom Waits album, Bad As Me, and it included a poignant number, “Last Leaf.” The refrain goes:

I’m the last leaf on the tree

The autumn took the rest

but they won’t take me

I’m the last leaf on the tree.

Good stuff from start to finish. We’ll be adding that bad boy to the Waits library when it’s released on Monday.