The doors of perception

The’ hell is that? Jon Snow lopping the noggins off wights? The Night King riding Viserion to battle like Robert Duvall in a Huey? Melisandre lighting it up? Nope. Just Maester O’Grady taking a picture of his TV in the dark.

And now, for something completely different. …

If you thought Sunday’s epic battle between the dead and living seemed a little, well, dark, even for “Game of Thrones,” you’re not alone. But before you dash out to buy a new TV, attend ye to the wisdom of Maester Devin Coldewey at TechCrunch (h/t Jason Snell at Six Colors).

Speaking of the walking dead, Matthew Butterick (h/t John Gruber at Daring Fireballhas a few words to say over the lumbering carcasses of the typographical foot soldiers employed so far by the Democratic candidates for president. The lede? It kills:

“You cannot bore people into buying your product,” according to David Ogilvy. So true. Nevertheless, election season arrives, and radical boredom inevitably becomes the preferred strategy for most candidates. Let’s have a look at the typography anyhow.

And yes, today’s headline is drawn from William Blake via Aldous Huxley and Jim Morrison.

Oscar Mayer’d again

Lights, camera, inaction!

Well, I see there’s still space on my shelf for that Oscar. Also, for the Emmy, Reuben, Pulitzer, Peabody, MacArthur Fellowship, Nobel, etc., et al., and so on and so forth.

I’ve seen just one of the Academy’s picks — “Black Panther,” which like “Wonder Woman” drew raves but to me seemed like just another superhero movie. As a comics fiend I appreciated that genre for a while, but I’m finally over it. You can paint it black or pink, but it’s still basically what Herself calls “punch porn.” Another franchise, like Mickey D’s, with about as much nutritional value.

Now, TV, that’s the thing. There’s some great stuff happening on the small screen, which these days seems bigger than the one down at the multiplex. A favorite around here is “High Maintenance.” On the surface, it’s about a bicycling weed dealer and his clientele, but there’s plenty of depth to the thing. It’s like peeking into random windows as you stroll down an unfamiliar street.

Still, there are some movies worth watching. And one of them has its roots in a TV show. We checked out the 2018 documentary “Won’t You Be My Neighbor?” this weekend and it was surprisingly revelatory and touching.

I wasn’t a “Mister Rogers’ Neighborhood” kid. “Captain Kangaroo” was my guy. I knew Mister Rogers primarily through the various sendups on “Saturday Night Live,” National Lampoon’s “That’s Not Funny, That’s Sick,” etc.

But Fred Rogers comes off looking like much more than a punchline — he seems like a thoughtful gent whose own childhood was not all that rosy and who came to believe that children’s TV had a higher calling than selling toys.

No laughing matter

ABQ Studios. Just take a left turn at Albuquerque.

No joke: Netflix, which seems to have cornered the market on standup comedy, is investing in Marc Maron’s old hometown of Albuquerque.

The streaming service is acquiring ABQ Studios from Pacifica Ventures, with a $14 million economic-development assist from the state and city, and says it anticipates bringing a billion smackers and up to 1,000 production jobs per annum over 10 years to our little corner of the cinematic universe.

Terms of the deal have yet to be disclosed.

Netflix has produced in New Mexico before, of course — there’s “Longmire,” “Godless” and some Adam Sandler vehicle that I will watch just as soon as there’s nothing else on TV and I’m chained to a chair with my eyelids wired open.

And ABQ Studios, which opened for business in April 2007, has hosted everybody’s favorite Duke City drug drama, “Breaking Bad,” along with bits of Marvel’s “Avengers” franchise, according to Variety.

“Our experience producing shows and films in New Mexico inspired us to jump at the chance to establish a new production hub here,” said Ty Warren, Netflix veep for physical production.

“The people, the landscape and the facilities are all stellar and we can’t wait to get to work — and employ lots of New Mexicans — creating entertainment for the world to enjoy.”

This has to be considered good news, which we so rarely discuss here, and I’ll look forward to learning more of the deets once the cheerleaders drop their pompoms and the joyful noise abates somewhat.

In the meantime, if you don’t have a Netflix subscription please acquire same with all possible speed. We need to make that $14 mil’ back before all these Netflix execs get their cars stolen.

Threescore and three

The clouds were creeping in over the Sandias come afternoon.

Got the birthday ride in — did 63 kilometers, not miles, for anyone keeping score — and it looks like I picked the right day for it, because the weather seems to be taking a turn for the worse. I’ll be running tomorrow, if I get out at all.

A powerful tailwind added a couple miles per hour to the usual slog back from the Paseo del Bosque, and glad I was to have it, too. One of these days I need to acquire one of them comosellamas all the Kool Kidz have, whatchacall your e-lectronical whizbang that tells you how much vertical gain you’ve logged over the course of a day’s cycling. My educated guess for today’s little outing is “a right shitload.”

Anyway, pizza for dinner and a couple episodes of “Fargo” for dessert. It’s a weirdo, just like its daddy the Coen brothers movie of the same name. But you can’t go wrong with the likes of Billy Bob Thornton, Martin Freeman and Bob Odenkirk, y’know. Yah, real good now.