Monsoon season

My bucket runneth over.

It rained all day, which is a good thing, and not just because we live in a desert, either.

Nope, I had things to do, and still have, among them a column and cartoon for Bicycle Retailer and Industry News and a bicycle review for Adventure Cyclist.

Thus it was best that I be confined to quarters and required to pay attention.

Elsewhere, the deluge — no, not the rain, but the shit monsoon that is the reign of King Donald the Short-fingered — continues unabated. His family crest should be a tiny hand stirring a golden toilet with the motto, “L’merde, c’est moi.”

So we’ll ignore that fool and link instead to an interesting read from Cormac McCarthy on the unconscious and its distrust of language. Hardly anyone gets killed horribly in it, but I’ll tell you, he makes me feel like a haunted house.

R.I.P., Michele Scarponi

The hits just keep on coming. This time it’s Astana’s Michele Scarponi, struck and killed by a van while training near his home in Italy.

The roads are getting scarier by the day, and one wonders whether it’s just the fabled “economic uncertainty” that is kicking the pins out from under the bike biz. Uncertainty about whether you’ll return alive from a ride may be playing a role, too.

Coincidentally, I’ve been practicing the Zen of Grant Petersen lately, occasionally riding the bike on short errands wearing street clothes, sans helmet. Not that a helmet would provide much protection if I got centerpunched by one of the reckless, oblivious assholes who somehow got licensed to drive in Duke City.

The trails look better every day. Out there it’s mostly operator error that does for you. Though I do know one guy who got hit by a truck on a trail once. …

Lights, camera, inaction!

The Specialized Sequoia, rigged for bikepacking, en route to a loop around the Elena Gallegos picnic grounds.

I don’t know how a dude with no visible means of support (beyond a wife who works at a national lab) manages to stay too busy to blog.

Somehow I get ‘er done, though. Or not, depending upon whether you enjoy regular bloggery.

The Co-Motion Deschutes, a made-in-Oregon touring bike that won’t break the bank.

Mostly I’ve been playing Quentin Ferrentino again, shooting video for Adventure Cyclist.

In front of the camera:

The Specialized Sequoia, which is a wrap, both print and video reviews having been shipped to the home office in Missoula;

 And the Co-Motion Deschutes, which I’m reviewing and videotaping as we speak, with a deadline of May 1.

The news I have been assiduously avoiding, though it was impossible to evade Orange Julius Caesar’s misplacement of an entire aircraft carrier attack group and his announcement that with his help the GOP triumphed in last night’s election to replace Tom Price in Georgia (one Twitter wag noted that OJC’s confusion was understandable in that the candidate with the most votes didn’t win).

But enough of that shit. Back to bikes.

The Sequoia review will be in the May issue, while the Deschutes will have to wait for the August-September edition. Once that review gets filed I get a break from velo-evaluation — unless Management unearths something interesting at the Sea Otter Classic, which starts tomorrow.

Why, I may even get to ride some of my own damn’ bikes for a change.

R.I.P., J. Geils

I don’t want the blog to turn into an obit column, but I felt compelled to note the passing of John Warren Geils Jr., the guitarist behind the J. Geils Band.

You may recall the band’s Eighties hits — “Centerfold,” “Love Stinks,” and “Freeze-Frame” — but I stumbled across them in the Seventies, my initiation likely being the live album “Full House,” which I still have on vinyl.

There were a bunch of keepers on that one, my favorites being “First I Look At the Purse,” “Pack Fair and Square,” and “Whammer Jammer.” Magic Dick could do magic for real — dude could make a harp sound like a sax.

Charles P. Pierce, who has his own recollection of the band, found another keeper online, “Floyd Hotel,” from 1973. As usual Peter Wolf and Magic Dick play starring roles, but Geils contributes a few worthy licks on slide. And keyboard player-songwriter Seth Justman tinkles them ivories right nice too.

“Take out your false teeth, mama, I want to suck on your gums.” With lines like that you can almost excuse the stagewear and hairdos. Hey, it was the Seventies, what can I tell you?