Tag: Pink Floyd

R.I.P., Peter Sinfield

~ Patrick O'Grady ~ 3 Comments

Peter Sinfield, the lyricist for King Crimson’s first four albums, has toddled off to the Court of the Crimson King. He was 80.

Progressive rockers like King Crimson and Pink Floyd were big on my personal hit parade in the late Sixties and early Seventies. Probably the upshot of taking piano and flute lessons, playing in school orchestras, digging the big-band music my parents loved, and like that there. A “more-is-more sensibility,” as The New York Times obit puts it.

The single “21st Century Schizoid Man” was killer, you should pardon the expression, since it took actual killers to task with lyrics like “Blood rack, barbed wire/Politicians’ funeral pyre/Innocents raped with napalm fire. …”

Eventually my musical tastes became less grandiose, more stripped down. Even so, I still prefer bombast to bombs.

On the run

~ Patrick O'Grady ~ 11 Comments

When I come in cold and tired, it’s good to warm my bones by the fire.

“Dark Side of the Moon” would’ve been an excellent soundtrack for yesterday. Cold, gray, damp, gloomy, madness lurking just around the corner. You lock the door, and throw away the key; there’s someone in my head, but it’s not me.

Happily, the sun returned today, though warmth remained AWOL. So I dragged Herself out for a short trail run and it was just the ticket. A bit squishy underfoot in spots, and windy, but loads better than hanging on in quiet desperation. It’s not the Irish way.

Speaking of the Irish, we finally finished watching Martin Scorsese’s  “The Irishman,” which was so bloody long that we had to make a three-part miniseries out of it. The digital de-aging is a little distracting, until you quit looking for it, but the performances are top shelf. Joe Pesci was superb, Robert De Niro was restrained, and even Al Pacino took a break from chewing on the scenery, mostly. I’d have liked more screen time for Harvey Keitel, but hey, whaddaya gonna do? It is what it is.

There’s a whole gang of familiar faces in this one: comics Ray Romano, Sebastian Maniscalco and Jim Norton; straight men Jesse Piemons, Stephen Graham, and Dominick Lombardozzi; even Little Steven Van Zandt as crooner Jerry Vale.

And you may notice a theater marquee advertising “The Shootist” in the background of one scene. It was about an aging gunman hoping for a quiet death, and John Wayne’s final film. Not long after, De Niro’s character is seen shopping for his own coffin.

Interbike 2018: Relax

~ Patrick O'Grady ~ 21 Comments

Just a little pinprick.

The latest iteration of the Gathering of the Tribes is in the rear-view mirror.

Was it a success? I have no idea. We’ll have to wait for the numbers, which may prove elusive.

Yes, it’s that time of year again.

One astute observer who is not me does not recall seeing any attendance figures from last year’s Interbike, the Last Roundup in Sin City, and thus who knows? Just as in real life, we may have to judge based on anecdotal evidence instead of cold, hard facts.

Speaking of anecdotal evidence, real life, and cold, hard facts, both Charlie Pierce and Kevin Drum are goggle-eyed at the latest plot twist in “The Adventures of Brett Kavanaugh, Boy Wonder.”

If this were real real life instead of a cheapjack “Justice League” porno knockoff, Kavanaugh’s nomination would be as dead as John Holmes. But the Senate is all Jokers and no Batmen.

Meanwhile, a tip of the Rivendell cycling cap to Darren Sherkat, who was the first and only commenter to publicly recognize the lyrics from Pink Floyd’s “Comfortably Numb,” which I was using for headlines on this year’s Interbike posts. Hope you enjoyed ’em.

When I was a child
I caught a fleeting glimpse
Out of the corner of my eye.
I turned to look but it was gone
I cannot put my finger on it now
The child is grown,
The dream is gone.
I have become comfortably numb.