That’s just the way it is

The title track from Bruce Hornsby’s new album.

Bruce Hornsby is having a moment, and good for him.

Once you start looking beyond his only No. 1 hit, “The Way It Is,” you realize the guy has been playing in your background for years. Decades.

Hornsby has worked with almost everybody worth listening to. Leon Russell. Clannad. Bonnie Raitt. Bob Dylan. The Nitty Gritty Dirt Band. The Grateful Dead.

He co-wrote “The End of the Innocence” with Don Henley and played on the track with Henley and Wayne Shorter.

That’s a tune with legs, and you can still hear them kicking ass 37 years later:

Some of Hornsby’s playmates appear on the new album, “Indigo Park,” due out April 3. Raitt, who sings on “Ecstatic,” told The New York Times that she treats herself to a live recording of her friend performing “Dreamland” before taking the stage each night.

“The guy is just still diving deep and improving and playing hours a day and stretching,” she said. “He’s the one musician I would have if I could only have one on a desert island.”

The new album came, as new ideas often do, when Hornsby had been hoping to take a break. Nope. The title song arrived first and dragged the others along to keep it company.

Hornsby told The Times that “Indigo Park” is something of a glance at the rear-view mirror.

“This is the first record where I’ve really dealt with looking back,” he said. “On a lyrical level, I’ve always been kind of pushing forward. But this time I thought, ‘OK, you’re 70, [expletive]’.’”

Sounds like he’s still moving forward to me. Don’t give up the driver’s license yet, Bruce. Try to make the ecstatic last.

3 thoughts on “That’s just the way it is

  1. Good song, and I love the sound of electric 12 string guitars, Rickenbacker guitars in particular.
    I can’t find the lyrics yet, and I wonder if he drove the 41 Chevy into the Indigo Park pool?

    1. Got some jump to it and some melancholy too. I found the lyrics underneath a “More” arrow on the YouTube clip:

      Indigo, roses in spring
      The air was heavy as the thunder did sing
      I take a plunge in the old-time dark
      Pulled her on in and put her in park
      There’s a heightened sense of possibility
      When you don’t know shit and you’re young and you’re green
      Turbulent twinge, it won’t ease
      And I’m in with you only in my dreams

      Oh let these days be your delight, captured in rhythm and rhyme
      Watch these drawn lines trace your life’s most scintillating times
      Falling, flying, up, down, lit up like a diamond hiding in the rough
      Succeed or fail it’s all the same
      It’s only life, and life is enough (so whatever, it’s life and life only)

      Learned how to drive an old ’41 car, first time stick shift
      Carter Braxton Navarro Finn taught me how to enter with a big big hit
      I made my great big entrance, greeted by the collective indifference of the neighborhood pool
      I may be slippin’, slidin’ back, fading away from your view

      Pushing up through, kimberlite blue
      Underground root, in a turbulent flow
      Pushes up through, through the ground blue
      Sunlight diamonds water there at the concrete’s end
      Sharp edges, looking out for you

      Diving in head first, jackknife
      Perfect ten – hope it never never never ends

      Oh let these days be your delight, as if you’re living in a dream
      Watch these drawn lines trace your life’s most scintillating scenes
      Falling, flying, up, down, lit up like a diamond hiding in the rough
      Succeed or fail it’s all the same
      In the end life is enough
      Captured in rhythm and rhyme (never quite get there)
      Falling, flying, up, down, lit up like a diamond hiding in the rough
      (Oh but wait til I get there)
      Succeed or fail it’s all the same
      In the end life is enough
      So whatever
      Whatever

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