A baritone storyteller who began with voiceovers on radio and TV, Nordine would go on to collaborate with Tom Waits, Jerry Garcia, David Grisman and others.
He once said that the goal of his poetry was to “make people think about their thinking and feel about their feeling, but even more important to think about their feeling and feel about their thinking.”
I think he succeeded. Whenever I’d hear that impossibly deep voice softshoe out of my radio and into my head, I’d stop whatever I was doing and pay attention. They’re nodding and yessing and popping their fingers at Next World Coffee this morning.
• A tip of the bracero’s sombrero for the news nugget goes out to Merrill “M-Dogg” Oliver, a Noo Yawkah turned Californicator who is something of a rake in his own right.
Back in August Friend of the Blog Carl Duelmann asked: “Do you ever listen to Jason Isbell? He might be too country for you but he is one of the best songwriters I’ve ever heard.”
The Guardian’s David Taylor caught up with the Grammy-winning Nashville musician and former Drive-By Trucker ahead of a gig today in Noo Yawk City and the interview is well worth your time.
Isbell is critical of our current “administration” without being shrill, and he doesn’t waste a lot of thought on the “shut up and sing” crowd. (Just how the hell are you supposed to shut up and sing at the same time, anyway?)
Isbell doesn’t even try, though he does prefer to let his music do the heavy lifting.
Asked if he intended to get political during an upcoming six-night run at the Ryman Auditorium, Isbell replied: “Well, my job is to write songs and if I feel like it is an emergency and I feel like I need to say something political between the songs, then I’ll do that.
“But normally, if it doesn’t rhyme and it doesn’t involve me introducing my band, I’m not gonna say it, because I’m not a standup comedian, I’m not a lecturer and I don’t give TED talks. If there’s not a melody and some rhyme there then you probably won’t hear it from me. But I think the songs speak enough.”
While we’re on the topic of songs that speak enough, FOTB Pat O’B. forwards an NPR note about a music video for John Prine’s song “Summer’s End,” the centerpiece to his latest release, “The Tree of Forgiveness.”
It must take a lot of practice to sing a song like this without bursting into tears.
I don’t remember the first time I heard Aretha Franklin’s voice, but I never forgot it. Even the tinnest of tin ears perked up when the Queen of Soul was belting one out (she had a four-octave vocal range).
Many of the reflections on Franklin’s passing note that “The Blues Brothers” helped revive her career when it was on life support (the rockin’ pneumonia and boogie-woogie flu had turned into a bad case of disco fever).
