Category: Cartooning

Throwback Thursday

~ Patrick O'Grady ~ 24 Comments
The cover of VeloNews, Vol. 18, No. 3, March 10, 1989, the first issue to contain an O'Grady cartoon.
The cover of VeloNews, Vol. 18, No. 3, March 10, 1989, the first issue to contain an O’Grady cartoon.

As I was dozing off last night it struck me that I missed an anniversary of sorts last month.

On March 10, 1989, I drew my first cartoon for VeloNews.

Good God awmighty. Have I really been cracking lame bike jokes for more than 25 years?

Yup.

And my, how times have changed.

In 1989, I was still a real journalist (kinda, sorta) instead of a free-lance rumormonger, flailing away in a series of unsung editorial capacities for The New Mexican in Santa Fe, periodically shifting to a new desk in the newsroom as I wore out my welcome at the old one.

The VeloNews thing was my first real free-lance gig. I had applied for a job there, as managing editor, and happily for everyone concerned, I didn’t get it. But management liked the cartoons, and you know the rest.

Himself, in all his (ahem) glory.
Himself, in all his (ahem) glory.

Then as now, I drew in pencil, pen and ink, on Bristol board. But the ’toons were in black and white, and the originals FedExed from Santa Fe to Boulder.

At some point I scored a Mac SE, a 2400-baud Hayes modem, and an AOL account. But the early Innertubes were ill-equipped for transmitting the Old Guy Who Gets Fat In Winter from Santa Fe to Boulder, even in black and white, though VeloNews soon set up a BBS for catching incoming stories and was one of the early pioneers homesteading the World Wide Web.

I don’t draw for Velo, the slick successor to VeloNews. But I still do my “Shop Talk” strip for Bicycle Retailer and Industry News. And those bad boys are digitized, colorized and shot through the Innertubes like ICBMs (Intercontinental Burlesque Missiles) to Laguna Hills, California, along with my “Mad Dog Unleashed” column.

All of which means I can have an editor mumbling, “Aw, f’chrissakes, lookit this fuggin’ thing,” in seconds instead of days.

 

"Shop Talk," the strip I do for BRAIN. Mostly it features the Mud Stud and Dude; occasionally, the Fat Guy and other characters appear.
“Shop Talk,” the strip I do for BRAIN. Mostly it features the Mud Stud and Dude; occasionally, the Fat Guy and other characters appear.

Homicidal Psycho Jungle Cat

~ Patrick O'Grady ~ 8 Comments
"Homicidal Psycho Jungle Cat" was the title of one of Bill Watterson's "Calvin and Hobbes" collections. It's also a pretty apt description of Turkish.
“Homicidal Psycho Jungle Cat” was the title of one of Bill Watterson’s “Calvin and Hobbes” collections. It’s also a pretty apt description of Turkish. When he’s awake, anyway.

The Hobbes to my Calvin enjoys a snooze in the sunshine.

Speaking of which, were you aware that there’s a documentary about Bill Watterson and his creations? True fact — “Dear Mr. Watterson” premiered yesterday, and NPR carried an item about it this morning.

“Calvin and Hobbes” is one of my favorite strips.  I have a dozen or so of Watterson’s books, and tried to get an interview with him back when I worked for The New Mexican (through a minion, he declined, as he does pretty much any invitation to chat with the press; smart fella).

I made the mistake of listening to the NPR piece, and now I’m going to have to thumb through a few of Watterson’s books, goddamnit. If you’d like to take a bumpy trip down memory lane on your toboggan, with your best friend for company, you can read “Calvin and Hobbes” online at GoComics.com.

Ass, grass or gas: Nobody rides for free

~ Patrick O'Grady ~ 13 Comments

It’s that time of year again, when I start ringing up editors to inquire whether come the new year they will keep flinging good money after bad by continuing to accept contributions from Your Humble Narrator.

This process always involves a bit of give and take — the editor explains what s/he wishes to take from me, and I tell the editor where and how I plan to give it. A good old time is had by all, often at the top of our lungs, and before long the spreadsheets, knuckle-dusters and restraining orders are set aside and we all go back to earning our meager livings.

bite-meAnd meager is all I ask. My needs are simple, not unlike myself, and I retain no illusions about the freelance rumormonger’s position on our long list of must-have items in the 21st century. (Hint: It’s more than a couple of folds down from the top of the page.)

Today, there is no more writing, illustration or photography — it’s all “content,” and a smart fella can get that anywhere.

Just ask Evan Williams, Twitter co-founder and Innertubez gazillionaire. Now one of the guiding lights behind a newish venture, Medium, Williams has moved beyond the 140-character limit in search of “thoughtful, longer-form writing,” says Matt Richtel of The New York Times.

Well, not all that far, perhaps. To be sure, Williams wants more characters for his new enterprise, but he’s offering the same level of compensation — to wit, nothing. Writes Richtel, 745 words into this paean to long-form work: “A few writers are paid, with their work solicited by a small editing team, but most are not.”

Do tell.

Medium employs some 40 folks; I assume that they are taking home paychecks, though being an Innertubez gazillionaire, Williams — whose personal fortune recently ballooned by nearly $2.5 billion, thanks to his 10.5 percent share of Twitter — may not require anything so mundane as compensation for whatever it is that he does.

Well, I do, and thus you should not expect to see my byline over at Medium anytime soon.

I don’t object to writing for free. In fact, I’ve done and continue to do plenty of it.  I kept a journal for a decade or so; covered cycling for free at The New Mexican (where I was paid for editing) just to get it in the paper; and have been blogging gratis for longer than I can prove (the archives back at the old home place date to 1992).

But it seems Williams is after something a little deeper than the product of a guy who is interested primarily in keeping the old editorial muscles loose by jotting down whatever comes to mind, just for the hell of it, without interference from editors, publishers or advertisers. Though precisely what that something is, the story never quite says.

There is chin music aplenty, however. Long form. Rationality. Nourishment. Holistic. The one thing that seems certain is that whatever it is that Williams wants to sell, he is not willing to buy.

Sounds irrational to me, even assholistic. Hey, yo, Williams! I got your long-form nourishment right here, pal.